share


The Disappearance

A yellow veil dropped down at evening,

and when it lifted everyone was gone.

Good mothers fled their young for parts unknown—

no ‘fall dwindle’ but a stillborn spring.

Hive beetles and wax moths came not near.

 

Collapse, disorder, all these words were said,

while nursery rhymes and jingles went unsung.

Come witch hour, the old red telephone rang:

You had noticed that if you moved, you bled.

I was your keeper, sleeping through my watch.

 

Infection wraps itself around your bones

and whispers you all kinds of bad advice

about the fragile strangeness of a life.

Your body now a hive whose bees have flown.

Husband! Call them back.


ABOUT THE CONTRIBUTOR

Dana Goodyear, a staff writer at The New Yorker, teaches at the University of Southern California and is the author of two collections of poetry. Her nonfiction début, Anything That Moves: Renegade Chefs, Fearless Eaters, and the Making of a New American Food Culture, was published in November, 2013, by Riverhead Books.



READ NEXT

feature

Issue No. 1

In Somaliland

feature

Issue No. 1

On a traffic island in the middle of Somaliland’s capital city, Hargeisa, is the rusting shell of fighter jet...

Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

Interview

November 2016

Interview with Njideka Akunyili Crosby

Cassie Davies

Interview

November 2016

Njideka Akunyili Crosby first encountered Mary Louise Pratt’s ‘Arts of the Contact Zone’ (1991), which identifies ‘social spaces where cultures meet,...

 

Get our newsletter

 

* indicates required