share


Sleepwalking through the Mekong

I have my hands out in front of me.

I’m lightly patting down everything

I come across. I somehow know the

banana shake when I touch it.

 

I can see myself from above.

As if on a video monitor.

Why?

 

I travel slowly down every alley,

across every rice paddy,

into and through every bedroom,

into and through every closet.

I am asleep and yet I am polite.

 

electronica

 

rain showers

 

It is always like this.

I wear a light brown suit.

When I come upon you I grope you

for what seems like ten minutes.

As you have noticed.

But I am excused because I am asleep.

It is understood I am harmless.

I am like a blind reverend.

I am like a politician.

A ten-year-old girl detains me

in the park. She carefully clips

each of my fingernails.

 

When I yawn the earth rumbles.

I pat cans in your pantry.

It is said sparks can be seen

coming from my briefcase.

But I do not carry a briefcase.

I am not like that.


ABOUT THE CONTRIBUTOR

is an American poet from Livingston, Montana. He is the author of Can You Relax in My House, Yes, Master, and Thin Kimono.

READ NEXT

fiction

Issue No. 17

Boom Boom

Clemens Meyer

TR. Katy Derbyshire

fiction

Issue No. 17

You’re flat on your back on the street. And you thought the nineties were over.   And they nearly...

Interview

January 2013

Interview with Kalle Lasn

Huw Lemmey

Interview

January 2013

Reinventing a political culture is a difficult task to set oneself; political aesthetics develop alongside political movements, and tracing...

feature

September 2016

The Rights Of Nerves

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of...

 

Get our newsletter

 

* indicates required