Lothar Hempel, Slowdance, 2015, MDF, inkjet on dibond, painted steel, tree branch, paint, 220 x 265 x 390 cm, 86 5/8 x 104 3/8 x 153 1/2 ins, (MA-HEMPL-00114) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Old New Girl (Sturm), 2012, inkjet on aluminium, acrylic, oil, spray paint, colour pencil, framed, 202 x 160 cm, 79 1/2 x 63 ins, (MA-HEMPL-00106) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Plakat (Interiors), 2015, inkjet on dibond, plastic bag, colour pencil, framed, 173 x 173 x 7 cm, 68 1/8 x 68 1/8 x 2 3/4 ins, (MA-HEMPL-00110) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Jetsam, 2010, silkscreen on stainless steel, stretched fabric panels, electric light, 235 x 180 x 30.5 cm, 92 1/2 x 70 7/8 x 12 1/8 ins, (MA-HEMPL-00107) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Treibgut/Flotsam, 2015, plastic bags, dummy iPhone 6, inkjet on dibond, acrylic, colour pencil, perspex, 171.5 x 131.5 x 13 cm, 67 1/2 x 51 3/4 x 5 1/8 ins, (MA-HEMPL-00108) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Plakat (Storm), 2015, laminate, inkjet on dibond, acrylic, colour pencil, ink, perspex, foam, leather, wire, framed, 259 x 259 x 7 cm, 101 3/4 x 101 3/4 x 2 3/4 ins, (MA-HEMPL-00112) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Plakat (Projektor), 2015, laminate, inkjet on dibond, colour pencil, ink, perspex, cellophane, framed, 259 x 259 x 10 cm, 102 x 102 x 4 ins, (MA-HEMPL-00111) Courtesy Stuart Shave/Modern Art, London
Lothar Hempel, Tropenkoller, 2015, perspex, sand, river stones, beans, pasta, pingpong balls, plastic bags, tinsel, artificial plants, 245 x 109 x 114 cm, 96 1/2 x 42 7/8 x 44 7/8 ins, (MA-HEMPL-00109) Courtesy Stuart Shave/Modern Art, London
1 / –

share


Tropenkoller

Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel’s latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar 21), incorporates a diverse range of media and imagery in order to interrogate certain constructs intrinsic to the genetic makeup of society: human interaction, morality, and prejudice.


share


ABOUT THE CONTRIBUTOR

Lothar Hempel

is a Berlin-based artist. Having studied at Kunstakademie Düsseldorf, Germany, Hempel's work has been the subject of solo shows at Stedelijk Museum Bureau Amsterdam, (1998) Institute of Contemporary Art, London (2002), and La Conservera, Ceuti, Spain (2012).

This article is an online exclusive from March 2015.

SEE THE FULL ISSUE

READ NEXT
The Interzone and Dexter Dalwood

Art

May 2014

Sarah Hegenbart

Dexter Dalwood

Art

May 2014

‘Burroughs in Tangier’ (2005) has captivated me ever since its display in the 2010 Turner Prize Exhibition. The work is composed largely of art...

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

feature

March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

feature

March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

 

Get our newsletter

Sign up for news, events, and exclusive content

 

* indicates required