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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

UPCOMING

Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Philomena Epps
Philomena Epps is an art critic and writer based in London. She is also the founding editor and publisher of Orlando.

Articles Available Online

Courtesy the artist
Courtesy the artist
Anna Maria Maiolino, Making Love Revolutionary

Art Review

December 2019

Philomena Epps

Art Review

December 2019

In 1977, a group of mothers began to meet on Thursday afternoons in Plaza de Mayo, the site of the presidential palace in Buenos...
Alina Szapocznikow, Human Landscapes

Art Review

December 2017

Philomena Epps

Art Review

December 2017

‘I produce awkward objects,’ the sculptor Alina Szapocznikow wrote in 1972. ‘Of all the manifestations of the ephemeral, the human body is the most...

READ NEXT
Pressed Up Against the Immediate

feature

October 2012

Rye Dag Holmboe

feature

October 2012

The author Philip Pullman recently criticised the overuse of the present tense in contemporary literature, a criticism he stretched to the use of handheld...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

Interview

Issue No. 19

Interview with Álvaro Enrigue

Thomas Bunstead

Interview

Issue No. 19

Álvaro Enrigue is a Mexican writer who lives and teaches in New York. A leading light in the Spanish-language...

feature

September 2013

A God In Spite of His Nose

Anna Della Subin

feature

September 2013

‘Paradise is a person. Come into this world.’ — Charles Olson   In the darkness of the temple, footsteps...

 

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