The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...
As the theatre is relit and the credits roll on Grant Gee’s latest film, Patience (After Sebald), an essay on...
A series of photographs by the acclaimed British artist Sarah Jones is published in The White Review No. 11.
Cast as the ‘savage, ugly’ part in the Popular Mechanics live show, Necrorealists were radical artists in their own...
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