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Patrícia Portela

PATRÍCIA PORTELA is a writer and performance maker, living between Belgium and Portugal. She studied set and costume design in Lisbon, scenography in Utrecht, The Netherlands, film in Ebeltoft, Denmark and Helsinki, Finland, and Philosophy in Leuven, Belgium. She won the Revelation Prize in 1994 for her creative work in performance and cinema, the Prize Teatro na Década for T5 in 1999, the Gulbenkian Foundation Prize Madalena de Azeredo Perdigão for the performance Flatland I in 2004 and was one of the five finalists of the Sonae Media Art Prize 2015 with her installation Parasomnia, amongst other prizes. She is the author of novels including Banquet (finalist for the APEL Novel Prize 2012), and has been a writer for the prestigious Jornal de Letras since 2017. The story in this issue is taken from her 2017 collection Dias Úteis (Working Days), which contains one story for each day of the week.



Articles Available Online


Thursday

Fiction

Issue No. 25

Patrícia Portela

TR. Rahul Bery

Fiction

Issue No. 25

‘Not my name. I live on the streets of an era in which saying one’s name is a cause for suspicion… The name I...

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poetry

September 2012

Moscow - Petrozavodsk

Maxim Osipov

Anne Marie Jackson

poetry

September 2012

  Mark well, O Job, hold thy peace, and I will speak. Job 33:31     To deliver man...

fiction

November 2016

Somnoproxy

Stuart Evers

fiction

November 2016

The day’s third hotel suite faced westwards across the harbour, its picture window looking down over the boats and...

feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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