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Patrícia Portela

PATRÍCIA PORTELA is a writer and performance maker, living between Belgium and Portugal. She studied set and costume design in Lisbon, scenography in Utrecht, The Netherlands, film in Ebeltoft, Denmark and Helsinki, Finland, and Philosophy in Leuven, Belgium. She won the Revelation Prize in 1994 for her creative work in performance and cinema, the Prize Teatro na Década for T5 in 1999, the Gulbenkian Foundation Prize Madalena de Azeredo Perdigão for the performance Flatland I in 2004 and was one of the five finalists of the Sonae Media Art Prize 2015 with her installation Parasomnia, amongst other prizes. She is the author of novels including Banquet (finalist for the APEL Novel Prize 2012), and has been a writer for the prestigious Jornal de Letras since 2017. The story in this issue is taken from her 2017 collection Dias Úteis (Working Days), which contains one story for each day of the week.



Articles Available Online


Thursday

Fiction

Issue No. 25

Patrícia Portela

TR. Rahul Bery

Fiction

Issue No. 25

‘Not my name. I live on the streets of an era in which saying one’s name is a cause for suspicion… The name I...

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Interview

July 2014

Interview with Geoff Dyer

Tom Overton

Interview

July 2014

‘I’ve always believed that an artist is someone who turns everything that happens to him to his advantage’, Geoff...

Art

November 2016

The Green Ray

Agnieszka Gratza

Art

November 2016

I guess it must be the flag of my disposition, out of hopeful green stuff woven. Walt Whitman, Leaves...

Prize Entry

April 2017

The Critic of Tombs

Ethan Davison

Prize Entry

April 2017

Emilia came to Tombs [1] in the twelfth year of the interregnum. It was the first time in history...

 

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