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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Michael Earl Craig
Michael Earl Craig is an American poet from Livingston, Montana. He is the author of Can You Relax in My House, Yes, Master, and Thin Kimono.

Articles Available Online
The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

poetry

September 2011

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and was generally dazzling.   A...
Sleepwalking through the Mekong

poetry

September 2011

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow know the banana shake when...

READ NEXT
Foreword: A Pound of Flesh

feature

Issue No. 12

George Szirtes

feature

Issue No. 12

1.   ANALOGIES FOR TRANSLATION ARE MANY, most of them assuming a definable something on one side of the equation – a fixed original...

fiction

September 2012

Sarah Palin Night

Agustín Fernández Mallo

TR. Michael McDevitt

fiction

September 2012

It was a Sunday afternoon, siesta time: my phone buzzed in my pocket. ‘Is this Agustín Fernández Mallo?’ ‘Yes,...

feature

September 2013

9/11 Emerging

Joseph McElroy

feature

September 2013

Others have it worse, have had, will always. ‘We,’ though, own the record now for largest building collapse.  ...

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

 

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