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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Michael Earl Craig
Michael Earl Craig is an American poet from Livingston, Montana. He is the author of Can You Relax in My House, Yes, Master, and Thin Kimono.

Articles Available Online
The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

poetry

September 2011

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and was generally dazzling.   A...
Sleepwalking through the Mekong

poetry

September 2011

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow know the banana shake when...

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Interview with Douglas Coupland

Interview

Issue No. 12

Tom Overton

Interview

Issue No. 12

Douglas Coupland likes crowdsourcing. I should know, because he crowdsourced me shortly after the first part of this interview. His ‘in conversation’ partner for...

feature

December 2012

Confessions of an Agoraphobic Victim

Dylan Trigg

feature

December 2012

The title of my essay has been stolen from another essay written in 1919.[1] In this older work, the...

feature

January 2012

The Common Sense Cosmos

Ned Beauman

feature

January 2012

Worthwhile philosophy is like building matchstick galleons. When Lewis says that all possible worlds are just as real as...

feature

Issue No. 9

Leaving Theories Behind

Enrique Vila-Matas

feature

Issue No. 9

I. I went to Lyon because an organisation called Villa Fondebrider invited me to give a talk on the relationship...

 

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