Mailing List


Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit a long-held personal dilemma   I’ve described myself as ‘a writer’ from the age of nineteen, writing, at first, a series of features in and around the disparate areas of contemporary art – while at the same time arguing with very little subtlety in favour of my grand vision for the world, and how it should work While my writing today may well have outgrown its incipient characteristics of undergraduate anger and a quite spectacularly misplaced sense of superiority, I’ve not lost those early impulses to write Indeed, I’d say my desire to write – the compulsion to put pen to paper, as it were – has remained largely unaltered in what’s now a decade-long career Similarly, my motivations – explicitly political as they doubtless were from the start, against capitalist social relations and diametrically opposed to the current order of things – have stayed with me I’ve not so much as purchased a copy of Socialist Worker, however – despite the obvious opportunities to do so, especially while attending a redbrick university in the North More to the point, though, I’ve never joined any kind of physical march, riot or protest – against anything This I’ve always found difficult to explain, and is therefore my principal reason for this essay: to justify why I write rather than riot; to demonstrate briefly where this is mirrored by others; and to argue how this paradox must be upheld * When George Orwell wrote his seminal essay ‘Why I Write’, from which I take both title and inspiration – at least, in part – he made plain the motivations for a very particular type of artist: the writer Orwell, only a handful of years after his own participation in the Spanish Civil War, then provided four motives for writing: sheer egoism; aesthetic enthusiasm; historical impulse; and political purpose I myself would eschew, though not entirely dismiss, points two and three As a writer, it’s egoism and political purpose that defines both

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

Interview

April 2017

Interview with Mark Greif

Daniel Cohen

Interview

April 2017

Since 2004, when his work started to appear in n+1, the magazine he co-founded, Mark Greif has taken contemporary...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

Art

May 2016

Sharon Hayes

Edwina Attlee

Art

May 2016

Sharon Hayes’ In My Little Corner of the World, Anyone Would Love You at Studio Voltaire features a five-channel...

 

Get our newsletter

 

* indicates required