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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

As I swam in the bathtub, they wondered what they had done to have a fish instead of a daughter My father sat back as I thrashed against the hook of his hands His mouth and eyes: three blank holes, staring at the creature he reeled from his wife’s thighs Mother pressed my thin-lipped grimace to her breast Nipples bloody, pink as worms, she thought I would bite if not suck She wondered if it was the poison she ingested while I was gestating She worked at a plant where beets burned into sugar Smoke drifted in manufactured clouds Air sweet as pure honey Father believed it was punishment for all the fish laid on my grandfather’s butchering block Frantic, golden eyes wide as the screwdriver came for their brains Maybe she’s not a penance, my mother said, but a gift from God So many of Jesus’s miracles were born out of swarms of bass And maybe it was the thought of God loving them so much, he crept between their entwined bodies to deliver a wonder Maybe it was that their trailer home, with its canyons of cracked vinyl, peeling paint needed a little magic Or maybe it was the look in my fugitive eyes when I stared back at my father— so human, so afraid of death— that made him decide to ignore the operas of sirens that sprang in shipwrecks from my lips He cupped me in his palm My scales slipped off Like a sequin cocktail dress, they collected on the floor and revealed skin Vulva ugly and purple, loose like the lips of a many-hooked fish, but human   See, my mother said, it’s a child after all

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

March 2015

Plastic Words

Tom Overton

feature

March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

Interview

Issue No. 10

Interview with Jacques Rancière

Rye Dag Holmboe

Interview

Issue No. 10

Jacques Rancière came into prominence in 1968 when, under the auspices of his teacher Louis Althusser, he contributed to...

poetry

December 2016

Of all those pasts

Will Harris

poetry

December 2016

  In Derrida’s Memoires: For Paul de Man he quotes from ‘Mnemosyne’, a poem by Friedrich Hölderlin which he...

 

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