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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

THE KITE C 1755   One doctor of lightning, floating on his back down a river held his kite high, a sail in the sky of silk (B Franklin once let a kite tow him across a sizeable lake) Sail of wind and rain in diamond-shape at the end of which a child was, too, a kind of lightning sitting on the sill of a window or standing just inside a door will emit a luminous liquid, slightly viscous, which flashed an instant above the gathered crowd honing down into a long string that held a single hand well in place forcing the connected person to quickly learn the rigour that rules over such childish things once mixed with copper, oiled paper, and an impending storm     BENJAMIN FRANKLIN   used books, people, wires, and wax – it was really quite simple –   Franklin wandering lost between it all could nonetheless feel the tiniest sparkling parts alive inside the glass,   and of something given off deep within that somehow let Isaac Newton live Yet Franklin never quite met him and was left to make a meticulous record of the weather, the water, and the stars in the skies ajar from the deck of the ship heading home again, c 1725 It was he who first asserted that all electricity is a single thing and who solved the mystery of the Leyden jar   So, back to the books, the corks, and the wax, while the fresh water from a tea kettle came as a shock or maybe as a memory – a librarian in Latin opening the windows during thunderstorms so that all could read by the lightning     THE ELECTRIC FORTUNE-TELLER   made and marketed by Georg Heinrich Seiferheld, 1757-1818, was just one among a series of ghostly devices made of lights, buttons, boxes, and small Leyden jars all hidden in a miniature temple made of shook-foil shaken and in the hand, a book on which was written in sparks: “This darkness is permissible” So, off went

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

December 2016

Three Poems

Adelaide Docx

poetry

December 2016

ADVICE FROM BENJO CORTEZ GALLERY OWNER, CHELSEA THE RED CAT, NEW YORK, 2AM    When I feel something It...

Art

April 2012

Ryan Trecartin: The Real Internet is Inside You

Patrick Langley

Art

April 2012

 ‘What’s that buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzing?’ Marshall McLuhan   1: Your Original Is Having A Complete Human Change Meltdown Makeover   It’s...

Interview

Issue No. 17

Interview with George Saunders

Aidan Ryan

Interview

Issue No. 17

The American short story writer George Saunders has the kind of reputation that makes one hesitate before typing his...

 

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