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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

It seems to me that the 00s ended with the final withdrawal of NATO soldiers from Afghanistan in 2021 Or with the end of Britney’s conservatorship Or with the coming into public knowledge that Paris Hilton had been abused as a child, and that her seemingly unfounded mode of celebrity, the unhinged bling of her stardom, so endemic to that decade, could in fact be reread as the triumph of a victim It is as if the decade before last is only now being tried, its witnesses called to the stand one by one Gilmore Girls: feminist Gossip Girl: not George Bush: apparently moderate, by comparison The contemporary is looping back to its mother, that first decade of the millennium, which for so long left its questions unanswered, ribbons fluttering in the wind     Nothing is ever over when it’s over, only much later This is partly because hours and days and years are arbitrary divisions, and partly because many things are unfathomable in the moment they take place, and so simply don’t take place in that moment, but stretch out for however long it takes for us to be able to grasp them You could say the nineteenth century ended when the Crystal Palace burst into flames and Virginia Woolf finished her novel The Years on November 30, 1936 My college era began two years after I started college, and only ended two years after I left This was because the affects which defined that period took some time to take hold, and would not be so easily superseded by what came after So strong and complex were they, so bold in the questions they brought up, that nothing that happened during that time would help me understand them – the clues were in the aftermath    In childhood and adolescence you are defencelessly immersed in the public sphere and its institutions Without the experience of any precedence at all, everything is truth The arrival of large espresso-based to-go drinks in Northern Europe, of Miss Sixty jeans and reality TV and homes decorated entirely in white with a single

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

feature

Issue No. 8

The White Review No. 8 Editorial

The Editors

feature

Issue No. 8

The manifesto of art collective Bruce High Quality foundation, the subject of an essay by Legacy Russell in this...

Prize Entry

April 2017

Birch

Thomas Chadwick

Prize Entry

April 2017

1997   Business boomed. Optimism was shooting up everywhere and bursting into flower. Music was jocular. Sport was effusive....

Interview

March 2014

Interview with Antón Arrufat

TR. Jennie Rothwell

J. S. Tennant

Interview

March 2014

Author of the novels La noche del aguafiestas and the experimental Ejercicios para hacer de la esterilidad virtud, Antón...

 

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