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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

The Chinese artist Cao Fei documents life in her country’s rapidly changing urban and social landscapes Her eclectic work as an artist – which extends to video, photography, digital animation, and writing – twins the physical and material changes driven by industrialisation with the increasing immersion of China’s youth in digital networks and virtual environments   Her early work explored these preoccupations – the video ‘COSPlayers’ (2004), released when she was 25 years old, follows adolescents as they dress up as animé characters and skirt the edgelands of Guangzhou, the sprawling port city of Fei’s birth; in ‘Whose Utopia?’ (2006, presented at the Tate Modern in 2014/15), workers at a manufacturing plant act out their fantasy lives amid the machines She came to wider international prominence for her construction of a virtual Gotham toontown called RMB City (2006–2011) on Second Life, the online world in which it is possible to buy property, get married, and set up businesses through a digital alias   Fei operated in Second Life through the avatar China Tracey In ‘iMirror’ (2007), Tracey meets Hug Yue, a hunky blonde in white-tie, and together they rove the virtual landscape on a safari romance, musing on the spliced world they encounter RMB City is an island conurbation comprised of a heap of souvenirs and stock images – as if burped out of a factory production line – which Fei describes as a ‘condensed incarnation of contemporary Chinese cities’ complete with chimneystacks, statues of Mao, shipping containers and shopping malls Fei has documented the city in a wide range of mediums, from videos and virtual guides to a theatrical production on Second Life (‘RMB City Opera’, 2009)   Fei has exhibited widely, including at the Venice Biennale (2003, 2007, 2015), Deutsche Guggenheim (2006), and Serpentine Gallery, London (2008) Her work has been shown at, among others, Tate Modern, London; the Guggenheim Museum, the International Center of Photography and MoMA, New York; and at the Centre Pompidou and Palais de Tokyo, Paris Her first museum solo show in the US opened at MoMA PS1 this April (and runs to 31 August)   We meet amidst the palatial

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

September 2011

Sleepwalking through the Mekong

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow...

poetry

October 2014

Roman Nights

Martin Glaz Serup

TR. Christopher Sand-Iversen

poetry

October 2014

4.    It’s New Year’s Eve, I’m standing newly divorced on a roof in a town, we toast the...

poetry

February 2016

[from] What It Means to Be Avant-Garde

Anna Moschovakis

poetry

February 2016

This is an excerpt from the middle of a longer poem. The full poem is in Moschovakis’s forthcoming book,...

 

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