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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Image: ‘visionary company’ (2021) by Wu Tsang, at Lafayette Anticipations © Pierre Antoine   On entering Visionary Company (2020), Wu Tsang’s exhibition at Lafayette Anticipations in Paris, visitors walk down a curving, carpeted pathway that resembles a backstage corridor In The show is over (2020), a film by Wu Tsang made in collaboration with the poet Fred Moten, the camera follows a set of bodies that move around a stage The floor is wet with mud, and the bodies bask in a dark blue light Nearby, Tsang has placed a sculpture which takes the form of an illusory Penrose triangle, an impossible object that appears as a motif in The show is over (2020) To make the film, Tsang translated Moten’s poetry into choreography, the choreography into film, the film into sculpture – all blending into one space   Tsang works across many mediums, but her recurrent lines of inquiry are translation and community building While studying at the University of California in the late 2000s, Tsang lived in McArthur Park, a historically Latinx and Asian neighbourhood, and one of the poorest areas of Los Angeles She came across Silver Platter, an unassuming bar and home to Latin gay and drag communities since the 1960s It was there that she co-created Wildness in 2008, a weekly club night for experimental performance and electronic music, eventually producing the documentary WILDNESS (2012) The film cast a reflexive gaze on the club night, raising complex questions of responsibility and privilege   Tsang’s practice continues to expand through kinship In 2014, she began working with performer Tosh Basco (also known as boychild) on the sci-fi film A day in the life of bliss (2014–ongoing) It follows Blis (played by Basco), a young pop star by day and underground performer by night, who navigates a world where thoughts are controlled by centralised artificial intelligence Two years later, Basco and Tsang co-founded Moved by the Motion, a collective with fluctuating members – including the dancer Josh Johnson, an early Wildness collaborator, musician Asma Maroof and Fred Moten The collective is shaped by experimentation and friendship Eight members of the group joined

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

fiction

September 2016

STILL MOVING

Lynne Tillman

fiction

September 2016

 I am bound more to my sentences the more you batter at me to follow you. – William Carlos...

Interview

September 2015

Interview with Patrick deWitt

Anthony Cummins

Interview

September 2015

Patrick deWitt’s new novel, Undermajordomo Minor, tells the story of Lucy, a bungling young man hired to assist a...

Art

February 2012

Awst & Walther: A Lexicon of Questions

Francesca Gavin

Art

February 2012

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a...

 

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