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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

On a wet, grey morning in March, William Boyd invited us into a large terraced house, half-way between the King’s Road and the Thames On the right-hand side of the thin corridor’s crisp white walls hung three dozen framed figurative paintings of identical sizes, each no bigger than a paperback book These were David Hockney’s series of flower sketches, executed on tablet computers and smart phones   The enthusiasm which William Boyd shows for these is in keeping with the evident pleasure he has in a range of creative arts – his career contains numerous film and television credits, alongside his notorious forays into the art world as the ‘lost’ abstract expressionist painter Nat Tate’s biographer Having authored a monograph in 1998 on Tate, backed by stellar co-conspirators David Bowie and Gore Vidal, he convinced many in the art world of the existence of this entirely fictitious artist who had supposedly killed himself at the age of thirty-two in 1960 – in the style of Hart Crane, by jumping off a boat – after destroying ninety-nine percent of his work Opposite Hockney’s digital essais sat a solitary Nat Tate, painted in preparation for the hoax by Boyd himself a decade or so ago   The interview took place in an excessively heated first-floor living-room; paintings in various styles cluttered the walls, illuminated by tall bay windows The central coffee table was stacked full of books, six or seven high – Robert Musil’s The Man Without Qualities and Lewis Crofts’ The Pornographer of Vienna prominent among them – testament to the meticulous research that goes into the composition of a William Boyd novel His next book, set in Freud’s Vienna, will be his sixteenth, in a career spanning three decades that includes several short-story collections and volumes of non-fiction   Perhaps his most ambitious projects have been the trilogy of works that tasked themselves with chronicling entire human lives, beginning with The New Confessions and Nat Tate: An American Artist These include his most celebrated novel, Any Human Heart, which tracks the course of its hero Logan Mountstuart through the chaos of the twentieth century Boyd’s life seems comparatively easy compared

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

November 2013

Rescue Me

George Szirtes

poetry

November 2013

Pain comes like this: packaged in a moment of hubris with a backing band too big for its own...

Essay

March 2019

Dreaming Reasonably: on Jenny George

Rachael Allen

Essay

March 2019

In Neil Marshall’s 2005 horror film The Descent, a group of women go spelunking and become trapped deep underground...

fiction

July 2013

univers, univers

Régis Jauffret

TR. Jeffrey Zuckerman

fiction

July 2013

I. You remember your childhood. Your tow-headed, reddish-tinged mother, who yelled after you all day like a Paraguayan peasant...

 

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