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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

In King-Kong Theory (2006), her autobiography and feminist manifesto, Virginie Despentes describes a job she’d held almost two decades earlier In 1989, aged twenty, Despentes was employed by Minitel, France’s precursor to the World Wide Web She was a moderator on one of its servers, overseeing a message board where she was paid to disconnect anyone who used offensive language Offenders included racists, anti-semites, paedophiles and, finally, sex workers   ‘One had to be sure that the service wasn’t being used by women who wanted to freely choose to use their bodies to make money,’ Despentes writes jokingly, aware that her efforts did little to stop the rise of the text sex services known as the ‘Minitel rose’ Despentes was paid to censor, but she was also paid to watch She writes, in King-Kong Theory, that ‘all modern communication methods are first and foremost used for selling sex’, going on to describe how her experiences with Minitel later inspired her to go into sex work herself, using the service to find occasional clients over a period of two years   It’s the image of Despentes as a forum moderator that remains with me: an all-seeing figure, perhaps a little disgusted, and almost certainly amused, watching through a dark glass as society unfolds in all its exhilarating complexity in front of her   In her novels, Despentes takes on a similar role Her latest, the Vernon Subutex series follows a diverse cast of Parisians, some young, some older, but most of them Generation X They’re ageing messily, clinging to the ideals and affectations of their youth, and preserving a worn-in sense of mutiny which has only complicated their middle age The books are a satire on fading punk politics, but they also give us Despentes at her most compassionate, and hopeful   The first two Vernon books have been translated into English by Frank Wynne and were published in the UK last year – a third has yet to arrive – and a TV adaptation is in the works starring Romain Duris Vernon Subutex 1 begins with the death of Alex Bleach, a self-destructive rock star who has

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

feature

November 2014

The Last Redoubt

Scott Esposito

feature

November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can...

feature

Issue No. 5

The White Review No. 5 Editorial

The Editors

feature

Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed...

 

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