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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Fire has started in Flat 4 of Paradise Block The young girl in Alice Ash’s story ‘Eggs’ watches with her mother, younger brother, and neighbour Min from outside the building ‘The smoke,’ she tells us, ‘pours out from our downstairs window like a black tongue’ It stains the rooms of Flat 4, and dresses absorb the smell until they are hung outside to ‘shriek around like ghosts on the washing line’ The narrator’s mother had been crying long before the fire started, but in its aftermath she becomes increasingly distressed: she screams ‘head back, mouth open’; a few days later, she muffles her cries ‘with a toy bird stuffed in her mouth’ Left to take care of her brother like a mother might, the narrator’s health begins to deteriorate She is seized by illness, ‘a white spool of pain’ unknotting inside her spine   In Ash’s mesmerising debut collection Paradise Block (2021), everything is susceptible to decay Housing displays symptoms of deterioration through institutional neglect, tenants suffer symptoms of infection and illness, class shame corrodes moments of pleasure There is rot beneath the surface; its exposure is gradual, and darkly compelling ‘I realise that this is something from inside,’ the narrator of ‘Eggs’ tells us, ‘something coming to the surface’ The thirteen stories in the book are intricately interconnected The majority of the characters live, like the narrator of ‘Eggs’, in the dilapidated building of the title, located in a town named Clutter; others live in the wealthier area of Plum Regis in ‘fancy’ semi-detached houses Ash’s fictional landscape closely resembles a number of UK coastal towns, such as Poole, where rich and poor neighbourhoods exist in close proximity, and yet are home to vastly different lifestyles and opportunities In Paradise Block, that landscape is made subtly surreal: a sea god lingers by the beach; residents’ shadows reside in the Lilybank River Many of the recurring locations in Paradise Block are also familiar locales of the deprived coastal town: The Brass Cross pub, the Clutter and Plum Regis department stores, the corner shop   Paradise Block itself is ‘built very cheaply, with windows

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Interview

May 2013

Interview with Darian Leader

Kishani Widyaratna

Interview

May 2013

A practicing Lacanian psychoanalyst, Darian Leader is one of a dying breed. It is no overstatement to say that...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

Interview

May 2015

Interview with Maggie Nelson

Jess Cotton

Interview

May 2015

Nothing, it seems, falls outside Maggie Nelson’s field of inquiry. The author of four books of poetry and five...

 

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