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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Brian Ed waited outside the ration house Merlijn took his time coming to the door, and opened it slowly Brian Ed raised his hand and waved Merlijn smiled an embarrassed smile and held up four fingers   ‘No rations until four o’clock, Brian Ed’   ‘Yes,’ said Brian Ed He didn’t leave ‘How are you today?’   ‘Oh,’ said Merlijn, his hand on the doorknob ‘I’m well, Brian Ed Thank you for asking’   They stood in silence Brian Ed shrugged All courtesies escaped him His everyday pack squeezed his neck and tore at his shoulders Inside were the children’s book, the old orange balloon – now deflated – that had once read Welcome Refugee!, and the four heavy stones he carried without knowing why, each the size of a baby’s head   ‘Well,’ said Merlijn, patting Brian Ed on the hand ‘See you at four, then’ Brian Ed thrust a long foot forward ‘No,’ he said ‘How is the weather? No snow will come? No avalanche time?’   Merlijn smiled He stepped out of the house and closed the door behind him ‘Brian Ed,’ he said, ‘are you hungry? Can I offer you a peach?’ He cupped his hand as if the peach were already there and held it up to Brian Ed’s mouth ‘Summer is coming Sun The peaches are good No avalanche Let’s walk’   He wasn’t hungry, but it was his own fault if Merlijn thought he was He only ever came to Merlijn for his ration – of food, of clothing, of wood Never had he come for company, not to Merlijn, not to anyone, not once since the poison curtain of war had dropped and travel home had become impossible He’d never dreamed it would last three years Three years was as long as some lives He hadn’t prepared and he hadn’t adjusted He hadn’t learned the words Instead, he’d gone dull in the comfortable glow of the golden cone   Brian Ed followed Merlijn up the hill to the orchard, where peaches and cherries and pears hung huge from their trees, pulsing and oozing like the separate chambers of one metastasising heart This wild growth was one of

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Prize Entry

April 2016

Oögenesis

Karina Lickorish Quinn

Prize Entry

April 2016

After her daughter had – for the third time, no less – laid her eggs in the fruit bowl,...

fiction

April 2014

Biophile

Ruby Cowling

fiction

April 2014

– I’m down maybe five feet. I take a moment to thank the leaf-filled rectangle of sky, and with...

Interview

Issue No. 8

Interview with Sophie Calle

Timothée Chaillou

Interview

Issue No. 8

Sophie Calle is France’s most celebrated conceptual artist. Her highly autobiographical, multi-disciplinary work combines the confessional and the cerebral,...

 

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