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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

  Members of THE WHITE REVIEW editorial team, contributors and friends of the magazine reveal the books they’ve been reading and revisiting in 2020       Victoria Adukwei Bulley   First and foremost, The Yellow House by Sarah M Broom was a book that I’d been dying to read since I first heard about it, and to my joy it absolutely delivered Revolving around Broom’s New Orleans childhood home, this is a work that covers memoir, cultural geography, archival practice, oral tradition, and so much more Broom has such mastery of language that all of this hangs together seamlessly, and on my shelf The Yellow House lives next to Wayward Lives, Beautiful Experiments by Saidiya Hartman, because I think both authors are at work on the same kind of project in each their own brilliant ways I also want to shoutout Freedom Dreams: The Black Radical Imagination by Robin D G Kelley for its rich expansiveness — Kelley is an incredible writer and scholar, and there is nothing better than reading a non-fiction book where the enthusiast in the author spills through And finally, I too would like to add to the hype of Raven Leilani’s Luster, which I think is a stunning and perceptively sharp debut that glimmers with deep tenderness as well as humour     Katherine Angel   This year I was blown away by Jeremy Atherton Lin’s Gay Bar: Why We Went Out, which isn’t out until March 2021 (Granta) It does many things at once, in gorgeous prose I also loved Selva Almada’s Dead Girls (translated by Annie McDermott, Charco Press), about murdered women in Argentina It’s crisp, bracing, and beautiful Richard Seymour’s The Twittering Machine (Indigo Press, 2019) was a satisfyingly nuanced account of the terrible bind we’re in, in relation to social media I loved reading Tim Dean’s Unlimited Intimacy: Reflections on the Subculture of Barebacking (UCP, 2009), which, amongst other things, explores the limits of identification and empathy as a starting-point for thought and politics — themes that recur in Bruce Fink’s Fundamentals of Psychoanalytic Technique (Norton, 2007), which conveys what Lacanian ideas might mean in practice Cathy Park Hong’s Minor Feelings (Profile, 2020) was brilliant, thoughtful, and funny Right now I’m loving Bette

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Prize Entry

April 2015

The Incidental

Luke Melia

Prize Entry

April 2015

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear. He gripped the shopping bags, grabbed...

Art

February 2016

'Look at me, I said to the glass in a whisper, a breath.'

Alice Hattrick

Art

February 2016

Listen to her. She is telling you about her adolescence. She is telling you about one particular ‘bender’ that...

feature

Issue No. 1

On the Notoriously Overrated Powers of Voice in Fiction or How To Fail At Talking To Pretty Girls

D. W. Wilson

feature

Issue No. 1

On a Tuesday afternoon in July, not too long ago, a friend of mine struck a pose imitating a...

 

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