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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

‘Not my name I live on the streets of an era in which saying one’s name is a cause for suspicion The name I bear today may not recognise me tomorrow So I do not bind my face to a particular name’ João Gilberto Noll   This is how it begins When it seems as if it’s all over Staring at the ground without blinking, I notice a piece of damp earth that seems like it’s in the wrong place I pick it up with both hands and without really knowing why, I put the fistful of damp earth that’s in the wrong place in my pocket, and decide to walk until I know where I’m trying to get to Maybe to a place where this bit of earth fits I pass by a neighbour’s house, knock on the door, and while I’m waiting for them to answer, I notice the outline of a perfect rectangle on the ground where a doormat has been removed Without really knowing why, other than the strong smell that seems to be coming from it, I push the outline of the mat further down into the tightly packed earth and exchange the damp earth in my pockets for a dry clump I fill both pockets again and depart, as if I’ve just left a message I go up a hill I dig a hole to leave the dry earth in and take a bit of quartz stone which, I don’t know if you know, is the most common stone on our planet and can be used to make many things: soap, toothpaste, sandpaper, optic fibres, watches, radios, ashtrays, even cheap jewellery I don’t want to do anything with this stone, I just want to carry it I pick up the stone which also smells of damp earth and don’t look back For reasons not worth mentioning, I move on Some would say: I depart But I say: I split I arrive at the border between my city and the next

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

February 2012

A Gift from Bill Gates

Wu Ang

TR. Nicky Harman

fiction

February 2012

My name is Mr Thousands and I’ve worked in all sorts of jobs. Most recently, I’ve been spending my...

Art

June 2014

Opus

Charmian Griffin

Amanda Loomes

Art

June 2014

Bound with animal fat, milk, or blood, Roman concrete is hardened over time. Less water would ordinarily mean a...

feature

Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

feature

Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

 

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