Mailing List


Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Isaac Goodchrist, Esq reviewed the 48-hour letter   therefore, in the strictly professional opinion of this author, the nation’s military bodies are adequately licensed, according to the language of law and the precedent of 2001’s AUMF (Authorisation for Use of Military Force), to employ all appropriate means — including deadly persuasion — against those foreign entities (or, if necessary, non-entities) as enumerated supra, including by proxy all persons, organisations, or nations abetting those entities/non-entities, age being no object, gender being no object, race being no object, citizenship being no object, faculty of mind being no object   In sum, should lethal force be applied, the powers that be should sleep swimmingly, in terms of, at least, the language of law and the facts of precedent, soporifically perfumed by the atomised skull matter of those foreign foes (of any potential age, colour, shape, or content)   Goodchrist signed the letter   His signature had the aspect of a string of bulbous grapes on the vine The page was fat stock, flecked with colour, with a smell a little bleachy and audible flap Against the dark grained wood of Goodchrist’s kitchen table, its handsome ivory popped Goodchrist recapped his pen, which he’d stolen from a Blockbusters, circa 1992, and he watched the ink sink, stain, barely bleed, and set; then, with plain horror, he looked forward and came to slow terms with the breakfast before him He thought, So food has come to this   Breakfast, Goodchrist was discovering, was stale cereal, served to him — by him — in the bile-green, becrusted dog bowl He found he had already conceded a lump to his mouth He chewed, wondered How he had arrived at supping from this lowly vessel was mystery, as were most of his other domestic movements for the past two feverish days, during which time he’d composed the letter As was lately usual, the composition period had been spent in fugue The stress of his job was wrenching the fingertips of his senses off their ledge with increasing spur In the pit below, mind was cloaca, but for the legalese flushing through   Goodchrist was a war lawyer It was his

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

Interview

Issue No. 1

Interview with Tom McCarthy

Fred Fernandez Armesto

Interview

Issue No. 1

For those expecting him to be, as the New Statesman called him, ‘the most galling interviewee in Britain’, Tom...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

 

Get our newsletter

 

* indicates required