Mailing List


Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Breath-Manifester   Each bared morning is a swell time to die, Leaving the town’s ornate maze for the level Expanse of those lit and meat-eating fields, the Clouds that turn like ghost machines, the antic Tremendous woods where Pan’s breath on your heart Recharms a flame from its grey-furred ember I’ll wear my belt blazoned with Alpha Centauri, For luck, whilst you’ll surely sport that Oxfam scarf In whose puce stitch some crone has worked GI   E (Glory To The Most High) Time to die, to be Disturbed by the one re-re-repeated Word Fanfared by each time-warping bird, each fierce leaf Or pimped bud that is but love’s newest halloo Over the heads of the dead and alive, alive-O Laughing, you’ll lurch and say or missay, “only kenning what’s real Saves us from terror Wilhelm Reich” Wise words     Drones   You see the Greys, he said, girding his teeth for a lime doughnut, they use the owl’s nervous system the way we use a drone or hidden camera Given what I now knew, it almost seemed possible When green tea was announced I slid outside for a smoke,   paced roided grass, watched where stained smokestacks smoked into the wind’s dead breath, its yellow teeth Back in the conference centre, the tea- fresh crowd were pondering the giant owl that stilled her car on that night when she knew she knew nothing, its voice a savage drone   terrible to recall, a rising drone which turned her body into pixel-smoke swarming upwards and assembled anew (“like I’d been sucked into a white hole’s teeth”) on that craft that swept as quiet as an owl When she arrived home, hours late for tea,   her forehead was marked with a tau cross: T She paused, and the air conditioning’s drone momentarily quickened the cased owl on the wall, living eyes long gone to smoke, and shivered through the symmetrical teeth of God’s lost children (tell us something new!)   who’d come here to share what little they knew I thought of the onset of DMT – that sense of deliverance into the teeth of a buzzing wind or luminous drone, mere seconds after releasing the smoke – and then of that line from Twin Peaks, “the owls   are not what they seem” I dozed, dreamt of owls sane and inviolate in all they knew, and awoke to the guest lecturer: Smoke And Mirrors, Carl Jung And The

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

Art

September 2016

Sitting, scrawling, playing

Emily Gosling

Art

September 2016

Amidst the drills and concrete, white walls and big names of London’s Cork Street stands a new gallery, Nahmad Projects,...

fiction

April 2015

Heavy

Chris Newlove Horton

fiction

April 2015

It is a two lane road somewhere in North America. The car is pulled onto the shoulder with the...

feature

Issue No. 10

What Can an Art Magazine Be?

Orit Gat

feature

Issue No. 10

What can an art magazine be? Today, as the publishing industry reassesses its role in the age of the internet,...

 

Get our newsletter

 

* indicates required