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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

‘Paradise is a person Come into this world’ — Charles Olson   In the darkness of the temple, footsteps are approaching The crashing of iron and stone breaks the reverent silence of the night A group of monks, convened in a cloud of incense, are terrified It’s the Prime Minister, creeping through the corridors and smashing idols—replicas of his very own face—with an axe The politician, Zahmu, has just discovered the fact of his own apotheosis Fearfully, and adoringly, the monks confront their God   ABBOT: How merciful Thou art! How great is Thy glory! [He lowers his head and covers his face with the palm of his hand] My eyes have not the strength to gaze upon the splendour of Thy light   ZAHMU: What is he talking about? A light? My light? It’s all so dark that I can hardly see my hand   The Prime Minister must be unable to see the light emanating from Himself, the monks reason Fulfilling age-old prophesies, the hour of in which God would take His human vessel has begun, whether Zahmu likes it or not ‘Anything is possible,’ the incredulous politician protests, ‘except that I should be a god in spite of myself—without previous notice, even! Why, if I was a vacant room, the landlord’s consent would have to be obtained before I was occupied!’ His deification, Zahmu insists, must be a plot engineered by his rivals to disgrace him—to exile him from politics to the lofty heights of religion For the apostles, however, everything that Zahmu says or does can be explained away as further proof of His divinity ‘Do reconsider the decision,’ Zahmu begs ‘Perhaps it is the Leader of the Opposition who is intended to be the god’ But the monks cannot be shaken from their devotion When Zahmu attempts an escape from the temple, he finds himself surrounded on all sides by throngs of his worshippers —including his own secretary, and the administrators in his cabinet He stands perplexed, despairing of His unusual predicament:   ZAHMU: What have I done that I should be robbed

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Essay

Issue No. 18

The Disquieting Muses

Leslie Jamison

Essay

Issue No. 18

I.   In Within Heaven and Hell (1996), Ellen Cantor’s voice-over tells the story of a doomed love affair...

Art

May 2017

Francis Upritchard

Filipa Ramos

Art

May 2017

Where do anthropology and archaeology meet? Do the study of humankind and the research of its material culture share...

fiction

April 2014

Spins

Eley Williams

fiction

April 2014

Spider n. (Skinner thinks this word softened from spinder or spinner, from spin; Junius, with his usual felicity, dreams...

 

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