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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

FRIEDRICH NIETZSCHE PONDERS LOVE   Honey protocols, hear how they mock, snow white and super blue: On the footpaths, we are told, radiators grapple with hydrants and at the marble quarry puss licks her belly until the shag is fluffed Get well cards addressed to third parties The cable car’s driving crank whirrs Here dwells Friedrich Nietzsche On ukulele, recording his propaedeutics in song Huzza, a subcutaneous Alpine ditty Dissimilarity as a religious doctrine The root chord: E minor Robert Walser says Friedrich Nietzsche was not Huh? What? What was I not? You were not loved Hence your resentment The vengeful perfidy of one unloved Meanwhile, new arrivals tuck in to hearty snacks Sausage Berries Poire Williams and Gentian Friedrich Nietzsche and the mild master of remorse converse on stacking chairs Are they onions? Are those contacts – or blows with the fan? Is it a hand-forged bark spud, swathed in camellia oil? We don’t know They speak quietly The mountains’ endless murmur Friedrich Nietzsche ponders love Robert Walser smiles in silence     THE ARBITER’S SICK   Honey protocols, hear how they mock I’m still asleep, they’re fighting already My assistants are whacking each other with hangers and brushes Oh boy, the arbiter’s sick today I see how they batter their limbs, whose workforce is mine, in order, thus squandered, to own themselves at long last Or so the assistants think How wrong they are! Whizz bang, the ankle joint, the nose bone Cat’s tongue, mop and deerfoot OMG Who’ll sew this for me? Who’ll stitch it up? Who’ll fetch and bring back, who’ll support, who’ll transcribe? What do mops and moping have to do with each other? Check it for me! Enough of the fisticuffs! When do we go to print? Assistants, get to work! The theme is: The arbiter’s sick today Let’s go! Mixed dactyls, skipping rhythms, inner universe of middle rhyme Bear me forth and write it all down Realise me in places where I cannot set foot And, while conciliation soon prevails, it’s still lying there, the cuddly toy of my tattooed assistant, who always was my favourite Ah! I’ll never sack a single one     TRANSLATION   Honey protocols, hear how they mock, you translated yourself – didn’t you? – into everything You translated your chemisettes, your crumbs, right on into The Great Glory, where they vanished instead

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

April 2013

The Taxidermist

Olivia Heal

fiction

April 2013

I did not want to walk. The day was dull. But imperative or impulsion pushed me out, onto the...

feature

September 2016

The Rights Of Nerves

Masha Tupitsyn

feature

September 2016

‘I transform “Work” in its analytic meaning (the Work of Mourning, the Dream-Work) into the real “Work” — of...

Prize Entry

April 2015

Every Woman to the Rope

Joanna Quinn

Prize Entry

April 2015

My father believed the sea to be covetous: a pleading dog that would lap at you adoringly, sidling up...

 

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