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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

‘We have received around 150 of them,’ Massimo Osanna tells me, as we peer into four small crates stuffed full of dusty freezer bags Each bag contains a letter and a lump of something – stone, shards of marble, bone I extract one of the samples, a faded brown envelope with a row of Spanish stamps Inside, a lozenge of pumice and an accompanying note ‘This item was removed dishonestly,’ it reads ‘With deep apologies’   ‘We have received so many,’ Osanna continues, ‘that we’ve decided to have an exhibition It will be called: “What I stole from Pompeii”’ In October 2015, Osanna, Pompeii’s archeological superintendent, announced that he’d been receiving a number of unexpected parcels They arrive addressed to the excavation site in Pompeii and the Archeological Museum of Naples, and hold an assortment of stolen fragments Many are accompanied by letters of apology attesting to the vaguely formed fears of an uneasy conscience ‘I would like to return this stone,’ one reads, referring to a teardrop of pumice ‘My boyfriend took it during our holiday to Pompeii in August, and I feel rather wrong about it’ Others are more specific, attributing illness and misfortune to the stolen pieces of rock ‘I wish to return this stone to its original place because my husband is taken long ill,’ a Japanese woman explains ‘Please put it back in the ground’ Correspondents often admit to returning the items in hope of appeasing the gods of misfortune – ‘I am convinced that these pebbles that I took from Italy bring me bad luck,’ begins a letter from Florida, ‘For this reason, I’m sending them back so I can be free’ – while others articulate fears of supernatural forces at play ‘Taken from Pompeii fifteen years ago’, a man from London confesses, returning a small red rock ‘I return it to you so the curse can be lifted’   To understand the curse of Pompeii we must look first to Mount Vesuvius, the double-humped volcano in

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

Issue No. 9

The White Review No. 9 Editorial

The Editors

feature

Issue No. 9

This ninth print issue of The White Review is characterised by little more than the continuation of the principles...

fiction

June 2017

Ferocity

Nicola Lagioia

TR. Antony Shugaar

fiction

June 2017

A pale three-quarter moon lit up the state highway at two in the morning. The road connected the province...

fiction

June 2013

What We Did After We Lost 100 Years' Wealth in 24 Months

Agri Ismaïl

fiction

June 2013

‘World finance had, in 2008, a near-death experience.’   The words belong to a partner of a renowned international...

 

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