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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

14 It comes for me in the middle of the day when I am preparing lunch, quartering a tomato then slicing each segment in two The seeds where they spill out look wrong and terrible, as though I am cutting the meat of my own hand, and so it’s not a surprise when I hear a knock at the door The bag sits ready at the bottom of the stairs, cottons and flannels collapsing in on themselves after a week of my hands folding them, unfolding them, refolding them It’s the driver, a woman with hair and eyes so pale it’s as if she came from somewhere further north than I could imagine, some new and colourless frontier She cocks her head not unsympathetically and tells me: It’s time     13 You have choices, I’d told myself again and again in the last days At the supermarket, debating rye flour or strong wholemeal, fresh pollock versus frozen white reconstituted slabs Every choice was a joy, I told myself, a delight At the till, the woman’s sick-looking hands flaked over my choices I hoped she was joyful At night I watched the organised joy on TV rather than participating out in the streets, and I did often consider stepping out to the parade, but I knew it wasn’t for me I wasn’t pastel sugar-coloured and there was nobody for me to lift up with my arms, or be lifted by, because to be lifted is always better, more suitable     12 A teenage girl, Jennifer, latches onto me immediately I feel very tender at the sight of her outlined eyes, the bracelets she tears at rhythmically that are supposed to be talismans for things such as love and belonging At the first service station she sinks low in her seat, refusing to get off I bring her a sandwich of plastic cheese and she chews it meditatively   My mother will be on her way, she says She’s caught me up before She hits the seat in front of her with her palms, nervous energy coming off her like heat Can you hurry up? she calls out to the

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

Prize Entry

April 2017

Abu One-Eye

Rav Grewal-Kök

Prize Entry

April 2017

He left two photographs.   In the first, his eldest brother balances him on a knee. It must be...

feature

February 2014

Another Way of Thinking

Scott Esposito

feature

February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

 

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