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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Mary Gaitskill’s fiction is full of cats – stray kittens wandering in and out of people’s lives, little white cats seen briefly from the window of a passing car, cats remembered from childhood, cats that never really existed but who are summoned up in conversation as a way for characters to find something to say to one another Women and children are often compared to cats, in her stories Men are too, although if a man is closely associated with an animal in a Gaitskill story, that animal is more likely to be a dog or a horse (a notable exception is the overconfident academic in ‘Stuff’, who the narrator describes as having ‘gone to seed in the manner of an old cat who knows where to find the food dish’)   Cats are everywhere in Gaitskill’s work, once you start looking for them In ‘Because they wanted to’, the title story from the 1997 collection recently reissued by Penguin, a girl named Elise finds herself babysitting three small children whose mother might just have abandoned them The story is told almost entirely from Elise’s point of view: she is something of a lost cat herself, too dazed by her own precarious circumstances to be able to successfully evaluate the circumstances of others, or really even to notice them She sees the ad for a babysitter on a noticeboard at the STD clinic (it’s written on notepaper printed with pictures of cats), and takes on the job, despite having no experience with children and no guarantee that she’ll get paid Elise has run away from home, or at least wandered away from it, and the babysitting job seems at first like some sort of solution – a way of being less lost, of being part of someone else’s team It’s not really like that though The mother and her children are just as lost as she is; like Elise, they’ve run out of the glue that holds an ordinary life together   Struggling to find something to say to the children, who are scared and confused and already wondering when their mother will

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

fiction

March 2017

Snow

Hoda Barakat

TR. Marilyn Booth

fiction

March 2017

Hoda Barakat’s The Kingdom of this Earth turns to the history of Lebanese Maronite Christians, from the Mandate period...

poetry

November 2014

Lay and Other Poems

Pere Gimferrer

TR. Adrian Nathan West

poetry

November 2014

Ode to Venice Before the Sea of Theaters (from Arde el mar, 1966)   The false cups, the poison,...

 

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