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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I decide to drop by Arseny Zhilyaev’s workshop at Garage Museum of Contemporary Art in Moscow last November, only to find that instead of sitting quietly in the corner and listening to presentations, I am expected to assume the role of artist myself Along with my new-found colleagues, I am to make art as part of a role-playing game set in the Russian Cosmic Federation of the near future By this point in human history, all art is created by AI, but man’s input is still required to advance the performance of machines What we produce is to be evaluated by an assistant curator at Garage, and Zhilyaev himself, who will decide which of us is to represent the Russian Cosmic Federation at an Intergalactic Biennale   I am nervous before the game starts, and bubble with excitement as everyone around me transforms into inhabitants of a post-futurist art world But I get prematurely bored after the first two rounds of producing concepts as a member of the collective, Experimental Zombie Formalism Turns out the art world’s grip on creative freedom can feel suffocating, even in the future In response, my comrades and I go on strike, organize an alternative (and highly irreverent) annual biennale, and end up establishing a cult, of which I am the chief goddess Fictional CEO of a fictional cult, with a divine status acknowledged by a board of devoted disciples – not the worst outcome for a struggling artist in a precarious sci-fi future My brief period of art making, however, does not bring me intergalactic institutional recognition, nor does my work make it into planetary collections I shall perish, nameless and forgotten, as my body dissolves into the ether   Zhilyaev’s work – a mixture of installation, fiction, archival research, publishing, and most recently role-play games – combines Russian cosmist philosophy with a vision of a dystopian soon-to-come The philosophy of cosmism – a mind-boggling combination of science, technology, and spirituality – was originally dreamed up by the nineteenth-century Russian thinker Nikolai Fedorov Fedorov advocated for immortality, and the resurrection of all human beings, proposing that our ever-extending

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Art

October 2015

Licence to Play

Thirza Wakefield

Art

October 2015

In his 1992 essay ‘In Search of the Centaur’, the writer and critic Phillip Lopate described the essay-film as...

poetry

July 2015

About Blue: Velestovo

Tatiana Daniliyants

TR. Katherine E. Young

poetry

July 2015

About Blue: Velestovo   1   …when I say the name: Velestovo, I think of deep blue. Of blue...

fiction

March 2014

The Nothing on Which the Fire Depends

Micheline Aharonian Marcom

fiction

March 2014

Friday 9 November 2009   The coffee is lukewarm, but she doesn’t mind to drink it this way. She...

 

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