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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

The hypothesis underlying this study is that human beings act in strict accordance with an instinctive programme, which governs all of our actions, however unpredictable or freely chosen they may seem, and that our ‘cultural’ free will is consequently no more than a kindly illusion with which we dupe ourselves, as much a part of our innate heritage as the rest On the face of it, this proposal is extremely bold or outright preposterous: the idea that everything could be foreordained would seem to be refuted by the wild variety of human lives, beginning with the extravagant iridescence of thought, the unpredictability of our least reactions and the ideas that come to mind willy-nilly; and if it’s unconvincing in an individual case, how could it explain the incalculable differences between one human being and another, no matter how closely related they are? But this impression of difference is precisely the illusion that the hypothesis aims to dispel, and all one has to do (I’m not saying this is easy) is accept that it is an illusion for the variations to become irrelevant and the veil that hid our essential instinctive uniformity to fall away There’s no need to give up those variations, or sacrifice one’s ‘surface’ differences to a ‘deep’ essence, because, in fact, there’s no such essence; it’s all surface And what’s to stop all the countless minutiae of our acts, thoughts, desires, dreams and creations, everything that happens second by second between birth and death, being inscribed a priori in our genes, in the form of a programme that’s identical for every member of the species? Science has accustomed us, by now, to greater wonders of computing Humans have always been very sure that their actions are determined by a kind of causation that is free and superior, ‘cultural’ rather than natural… And the equally ancient hypothesis of instinctive programming has always been reserved for animals and applied to them with fanatical rigour   I don’t know if I’ll be able to persuade anyone The idea is too shocking and arbitrary; and in a way it’s self-defeating because if

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

March 2014

Burroughs in London

Heathcote Williams

feature

March 2014

I first met William Burroughs in 1963. I was working for a now defunct literary magazine called Transatlantic Review...

Prize Entry

April 2017

/gosha rubchinskiy/

Christopher Burkham

Prize Entry

April 2017

1. APARTMENT INTERIOR/MORNING/BELYAYEVO, MOCKBA, ROSSIJSKAJA FEDERACIJA…   There is a T-shirt on the desk in front of him.  ...

feature

Issue No. 16

Editorial

The Editors

feature

Issue No. 16

The political and internet activist Eli Pariser coined the term ‘Filter Bubble’ in 2011 to describe how we have...

 

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