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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

As they say of politics, I have found essay-writing to be the art of the possible Certain work can only be done in those spooky months when particular trajectories align: what was once opaque becomes transparent, and the story may be told in its complete complexity Try to write such an essay at the wrong moment and your movement will be impeded You will have the rudimentary shape you want, but all the curves and angles and lines will remain coarse – crude, compared to what you might have written had you waited   I only really came to understand these things when I began to imagine an essay that I knew I must write, but equally knew I would fail at For years I waited, and if I try to write it now, it is owing to an intuition that has arrived as a blessing of maturity I have become the writer who might accomplish this task On top of that, something has informed me that for a few ripe months the barriers are down, and I may cross in and out of this longed-for terrain unimpeded   I must get this essay right Each word that I put down becomes a part of my living memory – in a very real sense this is self-creation – and that first cut is always the deepest Yes, it is possible to work around the scar later on – to revise, reformulate, rediscover, redirect – but that first attempt is decisive Everything grows from those initial, indelible words   It was a midsummer’s evening, and through the window looking down on the bay the sky reddened, the sun sank beneath the earth That declining sun brought me fear I reasoned to myself that so long as I could see the light, I was safe from whatever had come unleashed in my mind But as that blackness climbed over the land, so too did some blackness encompass my head This is illogical, I know – magical thinking – but these were my terms that evening I was truly afraid of what the dark of night would bring

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

September 2016

Two Poems

Sun Yung Shin

poetry

September 2016

  Autoclonography   for performance   In 1998, scientists in South Korea claimed to have successfully cloned a human...

Interview

Issue No. 19

Interview with Álvaro Enrigue

Thomas Bunstead

Interview

Issue No. 19

Álvaro Enrigue is a Mexican writer who lives and teaches in New York. A leading light in the Spanish-language...

Art

March 2016

Seeing from behind: Park McArthur

Anna Gritz

Art

March 2016

In a public conversation between Park McArthur and Isla Leaver Yap that accompanied the former’s exhibition Poly at the...

 

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