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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Part of my reluctance to write on citizenship is that as a poet, a worker in delicate, would-be-truthful language, I am wary of pronouncements on current affairs Questions of citizenship are best left to people who handle data well and accurately – experts in politics or law, rights and borders; those who deal in facts, not feelings Poetry’s stuff is the everyday; the texture of lived experience; the simple mechanics and music of words If I generalised from what happened to me personally, wouldn’t I be part of the problem? Now, however, actual hurt has been done to me When ‘citizens of everywhere’ are dismissed and derided, my entire world is attacked My childhood is wiped out   Let me explore a little of what I mean But, before that: what was it like for you after the ‘Brexit’ referendum? Did you feel exhausted? Afraid to leave your room? Did you read the faces of your neighbours when you did go out? Did you see them reading your face? Did you mistrust your reading of their reading (if they were reading at all)? Did they look extra kind and upset by the sight of you and apologetically make space in supermarket aisles? Did you report them to the police for cursing you at your front door? Did you have impulses to kiss or punch strangers on the bus? Did you start recalling words in languages your family had carefully lost? Did you forget words, demented pauses dotting your conversation? Did you start going through your possessions, sorting and discarding; checking visa rules for other countries; dreaming of dead, unknown great-grandmothers who had been unpersoned, killed or disappeared? Were you shouted at by your doctor’s receptionist? Were you shaken in your sense of ‘home’?   This happened to me, and to many of my friends So it was not enough to pay taxes Not enough to love your fellow-creatures, Marmite, football, or the rain I discussed, with a Polish-Scottish friend, the possibility of a kind of trans-generational post-traumatic stress disorder We settle here; but the ghosts of history, the oppressions, migrations, escapes, re-rootings, re-routings,

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

poetry

September 2011

The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and...

fiction

May 2013

Cabbage Butterflies

Ryū Murakami

TR. Ralph McCarthy

fiction

May 2013

The guy looked disappointed when he saw me. My one sales point is that I’m young, but my eyelids...

 

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