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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I unearthed a little brothel in the spring of forty-three, It was captained by a midwife who was ninety years of age She produced a little bottle saying ghoulishly to me: ‘you must try this new elixir, it is all the fucking rage’   I awoke a fortnight later at a clinic underground Where the patients all were painters, and they’d each consumed a pin And when one was called to surgery his friends would gather round With their brushes at the ready, to paint ‘life beneath the skin’   When the skinner-boys discovered I had swallowed no such pin They concealed some in my dinners, and although I had no proof I was forced to give up eating and I soon became so thin That I fled the washy dungeon through a cat flap in the roof   I emerged in a cathedral with a wedding in full swing, And I sprinted down the middle (like a batsman up the crease) And by chance I reached the altar (with the timeliness of spring) At that moment when the vicar says ‘forever hold his peace’   I surveyed the gloomy couple with a piercing, hungry look; It was clear he was a bastard and that she belonged with me, So I clambered up the pulpit and I opened up the book And declared the marriage ‘filthy’ using Jeremiah, 3   All the bridal guests were cheering but the others were aghast So I grabbed my new fiancée adding slickly ‘stick with me’, And the armies of relations started fighting as we passed, Clashing rashly into combat like the closing of a sea   We were wedded in the crow’s-nest of a galleon in Goole Which we sailed to Vladivostok through a melted Arctic sea In the prow there was theatre, in the stern there was a school And in all the

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

Interview

January 2016

Interview with Fiston Mwanza Mujila

Roland Glasser

Interview

January 2016

Roof terrace of the Shangri-La hotel, Santa Monica, Los Angeles, USA; late afternoon, 8 October 2015. We ensconce ourselves in...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

 

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