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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

The email telling us to return to the office came last week, but I know when I step off the train that I can’t say goodbye to all that leisure time Two years spent lying in bed all morning with the laptop next to me, messages popping up to be ignored while I dozed, lunches of tender marinated meats and spiced pulses, films on the sofa in the afternoon, hours reading on the toilet, trips to the pub for solo pints, taking the laptop and jogging the mouse every 10 minutes to keep my status active You can’t go back from that, so I step off the train and sit down on the platform, right in the middle of the morning rush hour   With the crowd surging around me, I look up at the clock above the platform The orange numbers show 8:52, once the ideal time to be walking under the clock to get to the office for 9:00, back when I commuted down from zone 3 every day   I’d get anxious if I was late There would be headaches and unexplained rashes   Memories of covering myself in hydrocortisone in the toilets, chugging back beta blockers at my desk, all voided by two glorious years   The next train pulls in and disembarks I get knocked over and stood on a couple of times but mostly manage to stay upright Everyone ignores me except for one guy who calls me a cunt   I watch as he makes his way through the crowds towards the exit He doesn’t want to be going back to the office, but the self-coercion throbbing behind his eyes propels him forwards   None of them want to go back, no matter what they’ve told themselves They want to be getting up late, streaming a new series all day, learning Swedish from an app, taking naps, lying in the bath for three hours or drinking a coffee in some cafe that has a 48 rating on Google   The clock says 9:05 I’m late now, but I’m not going back I don’t have any special urge to get up and go anywhere else, so I

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Art

Issue No. 5

A New Idea of Art: Christoph Schlingensief and the Opera Village Africa

Sarah Hegenbart

Art

Issue No. 5

I think the Opera Village. . . will lead to a new idea of art, and what will emerge...

feature

May 2011

On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

Annabel Howard

feature

May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who...

Art

June 2013

Ghosts and Relics: The Haunting Avant-Garde

John Douglas Millar

Art

June 2013

‘The avant-garde can’t be ignored, so to ignore it – as most humanist British novelists do – is the...

 

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