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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I did not want to walk The day was dull But imperative or impulsion pushed me out, onto the road Whether to turn left, or to turn right, I did not know Left, to the north, had once been a favoured path, but I could hear the weather beating hard on the corner there, and turned then to the right I took the sheltered way In the cold air the shapes of the island, hillshapes, streamsshapes, rockshapes appeared bared to me, undiluted My thoughts that day were clear and hard as those shapes Marred only by a waking dream that had not left me at dawn There were but two bounds to my being One hard, sheeny, as if carved of same landscape The other, the dreamscape At the hilt of the road sheep were being moved along, a collie at their heels The owner was following On seeing him a nervy grin repeated across my face I stood away to the side until the sheep passed and then stepped into the road to join him The boy stopped   Hello How a things? How a things? These your sheep? Half of them They’re some good-looking sheep Ah, they’re alright, surviving, like And you? How are you?   Alright Surviving, like   The conversation rhythmed unperturbed as if written already We had only to mime the words This was the way of provincial greeting, I remembered I bent to the dog, reached close and saw then its manky eye Wary, I jumped back He mumbled to it, a tongue not mine, snapped his fingers and the dog came to him It stretched its neck up close along the length of the boy’s outside leg meeting his index finger there, finger that fell meeting and stroking the short fur on the upperjaw, the muzzle   You’ll be down t’ pub after?     ***     We were sat on low stools at a low table   What’ll you have?    To invite an outsider to drink with him meant only one thing   To then invite another to join in, meant something quite else The latter, blue eyes, sallow skin, (a trait

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

July 2015

Talk Into My Bullet Hole

Rose McLaren

feature

July 2015

‘Someday people are going to read about you in a story or a poem. Will you describe yourself for...

Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

fiction

November 2015

Wolves

Jeon Sungtae

TR. Sora Kim-Russell

fiction

November 2015

The Chief   The sound of the bell for the closing of the temple gate reaches my ears. I...

 

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