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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Felix Bazalgette
Felix Bazalgette is a writer from London. His work has been published by the Economist, the New Statesman, Little White Lies and 3AM, among others. In 2016 he was shortlisted for the Fitzcarraldo Editions Essay Prize.

Articles Available Online
Mathieu Asselin’s ‘Monsanto: A Photographic Investigation’

Book Review

May 2018

Felix Bazalgette

Book Review

May 2018

I’ve often wondered how high finance has ended up so closely involved with the earnestly ethical practice of documentary photography. The Swiss asset manager...
Notes on the history of a detention centre

Essay

Issue No. 20

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention centre seemed. Set back from...

READ NEXT
Interview with Nicholas Mosley

Interview

February 2015

Alex Kovacs

Interview

February 2015

Nicholas Mosley’s reputation as a writer has often been obscured by the extraordinary nature of his family background. Born in 1923 to an aristocratic...

poetry

June 2013

Belly

Melissa Lee-Houghton

poetry

June 2013

When I was fifteen I took my two little cousins into town and had them wait outside the tattoo...

poetry

October 2013

Transylvania

Jon Stone

poetry

October 2013

The rabbit darkness just beyond the headlights’ sprawl and parcel darkness stopping up the drivers’ mouths like oaths or...

feature

July 2013

The New Writing

César Aira

TR. Rahul Bery

feature

July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

 

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