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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

UPCOMING

Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Felix Bazalgette
Felix Bazalgette is a writer from London. His work has been published by the Economist, the New Statesman, Little White Lies and 3AM, among others. In 2016 he was shortlisted for the Fitzcarraldo Editions Essay Prize.

Articles Available Online
Mathieu Asselin’s ‘Monsanto: A Photographic Investigation’

Book Review

May 2018

Felix Bazalgette

Book Review

May 2018

I’ve often wondered how high finance has ended up so closely involved with the earnestly ethical practice of documentary photography. The Swiss asset manager...
Notes on the history of a detention centre

Essay

Issue No. 20

Felix Bazalgette

Essay

Issue No. 20

Looking back at Harmondsworth as he left, after 52 days inside, Amir was struck by how isolated the detention centre seemed. Set back from...

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Seasickness

Prize Entry

April 2016

David Isaacs

Prize Entry

April 2016

‘How would you begin?’   She puts a finger to her lips, a little wrinkled still from the water, and hesitates. She says, ‘Maybe:...

Interview

September 2015

Interview with Katrina Palmer

Jamie Sutcliffe

Interview

September 2015

G.W.F. Hegel isn’t looking too good. With an afternoon of student tutorials to attend at the School of Sculpture...

fiction

March 2017

The Urban Cyclist

Daniel Galera

TR. Alison Entrekin

fiction

March 2017

No terrain is impossible for the Urban Cyclist. His powerful legs drive the pedals down in alternation, right, left,...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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