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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Declan Ryan
Declan Ryan's debut pamphlet was published in the Faber New Poets series.

Articles Available Online
Fiona Benson’s ‘Vertigo & Ghost’

Book Review

January 2019

Declan Ryan

Book Review

January 2019

Among the many pleasures of listening to Robert Lowell read, hearing him pronounce ‘My mind’s not right’ in the southern drawl he caught early,...
Emily Berry’s ‘Stranger, Baby’

Book Review

May 2018

Declan Ryan

Book Review

May 2018

Writing in the introduction to his Fifty Poems in 1988, Ian Hamilton commented on his younger self, ‘But did I truly think that poetry,...

READ NEXT
Interview with Marvin Gaye Chetwynd

Interview

August 2013

Ben Eastham

Interview

August 2013

Four or so years ago, at what was then the single Peckham establishment to serve a selection of sandwiches (the competition is, now, dispiritingly...

feature

January 2016

About Renata Adler’s Speedboat

Wolfgang Hildesheimer

TR. Shaun Whiteside

feature

January 2016

  Best known for his bestselling biography of Mozart, Wolfgang Hildesheimer was a polymathic novelist, translator, painter and dramatist. A...

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

feature

February 2012

Stalker, Writer or Professor? Geoff Dyer's Zona and Genre

Rose McLaren

feature

February 2012

‘So what kind of a writer am I, reduced to writing a summary of a film?’ wonders Geoff Dyer...

 

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