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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

‘Grandma Why are we brown?’   The grandmother puts down the rifle she’s been cleaning Another rifle and a box of ammunition are sitting on the kitchen table in front of her   ‘What?’   ‘Why are we brown?’   ‘We’re not brown, we’re morochas Where did you hear that?’   ‘We were in gym class and Tati shouted, “Ewww!!! She has brown nipples!”’   The kettle comes to a boil and the grandmother stands up to turn off the stovetop She wraps a dishcloth around the iron handle before picking up the kettle Then she puts two bags of coffee in one mug and a teabag in the other and pours in the hot water before bringing both mugs to the table The sugar and spoons are already laid out on the cloth She unwraps the bread, which has been bundled up in cloth to keep warm It came out of the clay oven less than an hour ago   ‘How did she see your nipples?’ she asks, sitting down   ‘We were finishing gym class and had to get changed back into dry clothes So I was sweaty and took off my t-shirt and she saw my boobies Why are we brown?’   ‘We’re not brown’ The grandmother sips from her mug, which she holds in two hands Her gold wedding ring is shoved right up to the top of her finger, where it meets the palm ‘Brown is the wrong word, it’s a filthy color We’re morochas, which is different’ She sips from her mug but the coffee is burning hot and scalds her throat The grandmother grimaces in pain and tears come into her eyes Her granddaughter laughs ‘We’re not brown, we’re morochas, OK?’   ‘But that’s not an answer’ The girl puts two heaped spoonfuls of sugar into her tea, adds milk, cuts two slices of bread and dips them in too The bread swells with milky tea and she starts to scoop it up with the spoon like soup   ‘We’re morochas because the paint ran out while we were being made’   ‘What paint?’   ‘At the place where people are made they didn’t have enough paint to make us really dark We were going to be black, but they

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

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Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

feature

January 2014

Afterword: The Death of the Translator

George Szirtes

feature

January 2014

1. The translator meets himself emerging from his lover’s bedroom. So much for fidelity, he thinks. 2. Je est...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

 

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