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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

The world is seeing an increase in the use of social media as a tool for mobilisation and protest The so-called ‘Twitter revolution,’ a term used to describe the role of sites like Twitter in effecting change, has come to the forefront of discussion as popular uprisings sweep the Middle East Former US national security advisor Mark Pfeifle even went so far as to call for the social networking site to be nominated for the Nobel Peace Prize   After the recent blackout of all digital communications in Egypt, Twitter saw a surge of thousands of users relying on proxy servers to post live news updates to the world When Tunisian dictator Ben Ali fled government after 23 years in power, Twitter was there to give users a direct insight into events  Such sites, which disseminate information quickly, can be an essential tool in activism – they give the world an up-to-date and uncensored view of opinions and events, particularly those the mainstream media chooses to ignore But can there really be such a thing as a ‘Twitter revolution’?   Malcolm Gladwell in The New Yorker cites the civil rights unrest in America in the Sixties as evidence of the success of a movement without social media With sites like Twitter, he says, we are told that ‘the traditional relationship between political authority and popular will has been upended’, making it easier for people to voice their concerns The majority of people tweeting about movements are not, however, at the focal point of discussions Does this make a difference? In Egypt, for example, only 25% of the population have access to the internet  Does this not make Twitter merely a means through which western commentators can, in an abstract and non-attached way, feel tied to a movement? And does this tie to a cause define ‘activism’, or is it another case of the bourgeoisie thriving on novelty?   For Gladwell, activism is defined by ‘strong ties’ to others involved in a cause, rather than any weak ideological commitment This kind of attachment to a cause through personal relationships is less likely to occur through the impersonal

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

Prize Entry

April 2017

The Lovers

Devyn Defoe

Prize Entry

April 2017

Everyone who asks questions, asks in some way about love. The question is one half, the answer the other....

feature

May 2011

Why I Write (Rather than Riot)

Gavin James Bower

feature

May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

Interview

August 2017

Interview with Ottessa Moshfegh

Yen Pham

Interview

August 2017

Ottessa Moshfegh’s first two books are, as she tells me, very different from one another. But despite the contrast...

 

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