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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Towards the beginning of Brother in Ice, the debut novel by Catalan artist Alicia Kopf, is a photograph of the American explorer Frederick Cook arriving at the North Pole in 1908 The image, captured in the midst of a snowstorm, is blurred and the vista it discloses is of a heroic mission rendered distinctly uncertain, as limp as the flag that the man on the right attempts half-heartedly to hold up for the moment the shutter clicks On the opposite page, we read: ‘What does such a conquest represent and how is it, in turn, represented?’ The question (which exposes masculinity and conquest alike as fragile constructs) is one which this book insistently wrestles with It might be further rephrased as: ‘What is the relationship between narrative form and a history of conquest, and how might female experience figure in and as the fissure between them?’   The triangulation of personal and artistic life is the central premise of Kopf’s book, which is digressive in structure and subject matter Its intersecting arcs and tentative ruminations are perhaps most closely allied with those of the essay (with ‘the combination of exactitude and evasion’ which Brian Dillon identifies as typical of the genre) It is composed of research notes about Arctic exploration, fictional meanders on the life of a female artist, diary entries on the precarity of hopping from one creative job to another (and one elusive man to another), and illustrations that endlessly refigure how an icy landscape appears to the photographic eye Kopf’s text meditates on this question of perception, and how it relates to female creativity, as well as to the difficulties of rendering her brother’s autism legible (or illegible) on the page – taking the more typically autofictional elements of the book a little off their designated map   Kopf is interested in charting the unknown: in the impulse that sends men to the other ends of the earth; in the fragility of photography as documentary evidence and in its intimate relation to the autobiographical; and in what a fragmentary narrative technique might expose about the larger aims of plotting female

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

feature

Issue No. 8

Barking From the Margins: On écriture féminine

Lauren Elkin

feature

Issue No. 8

 I. Two moments in May May 2, 2011. The novelists Siri Hustvedt and Céline Curiol are giving a talk...

feature

October 2014

Noise & Cardboard: Object Collection's Operaticism

Ellery Royston

Object Collection

feature

October 2014

The set is made of painted cardboard. Four performers grab clothes from a large pile and feedback emanates from...

poetry

May 2012

Monopoly (after Ashbery)

Sarah Howe

poetry

May 2012

I keep everything until the moment it’s needed. I am the glint in your bank manager’s eye. I never...

 

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