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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself and it became necessary to start again from scratch Art had already been invented, and the only thing to be done was to go on producing works, and the myth of the avant-garde came about to restore the possibility of making the journey from the origin again   If the actual process had taken two or three thousand years, what the avant-garde proposed could only function as a simulacrum or a pantomime version, hence the ludic, or at any rate the not-too-serious quality, the carnivalesque instability which avant-garde movements have possessed But history abhors stable situations, and the avant-garde was the response of a social practice – art – the purpose of which was to recreate an evolutionary dynamic   In effect, once the ‘professional’ novel – if we limit ourselves to the art of the novel – had come into existence, in a state of perfection that cannot exceed its premises (the novel of Balzac, Dickens, Tolstoy, Manzoni), it runs the risk of becoming congealed One could say that if the only risk is that novelists might keep on writing like Balzac, then it is a risk we are willing to take, and with pleasure But in reality it’s optimistic to talk of a mere ‘risk’ because this process of congealment has actually taken place Thousands of novelists have continued to write Balzacian novels during the twentieth century: an unending stream of commercial fiction, fleeting, frivolous novels written for the purposes of either entertainment or ideology To take even a single step further, as Proust did, requires a colossal effort and the sacrifice of an entire life The law of diminishing returns comes into play: the innovator covers almost all the ground in his initial attempt, leaving his successors a space that gets smaller every day and in which it’s more and more difficult to move forward   Once a professional novelist is established, he has two equally melancholy alternatives: to keep writing the ‘old’ novels in updated settings; or to heroically attempt to take

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

Art

November 2012

Pending performance: Cally Spooner’s live production

Isabella Maidment

Art

November 2012

It’s 1957 and the press release still isn’t written[1] An actress dressed in black overalls stands on a theatrically...

fiction

June 2012

Spinning Days of Night

Susana Medina

fiction

June 2012

Day 1 in the Season before Chaos   These were the days before the glitch. The weather was acutely...

feature

October 2013

A World of Sharp Edges: A Week Among Poets in the Western Cape

André Naffis-Sahely

feature

October 2013

In Antal Szerb’s The Incurable, the eccentric millionaire Peter Rarely steps into the dining car of a train steaming...

 

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