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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Somewhere on the internet is a two-hour video of a lecture by the late writer and filmmaker Kathleen Collins, author of the short story collection Whatever Happened to Interracial Love? (posthumously published in 2017) In the footage, filmed in 1984 at Howard University, Collins is magnetic She emits warmth as well as deep seriousness And although she would be dead four years later – losing her life to cancer at the age of 46 – one of the questions she poses to her black students continues to reverberate ‘How do we,’ she dares, ‘divest ourselves of the need to make ourselves extraordinary?’ Collins was speaking as much about black lives as she was about black fiction In Heads of the Colored People, an intricate, playful debut short story collection from Nafissa Thompson-Spires, we are able to observe some answers A whole palette of them   Take Riley, for example, a character we meet in the titular opening story ‘Heads of the Colored People: Four Fancy Sketches, Two Chalk Outlines, and No Apology’  He appears sporting blue contact lenses and gel-slicked, bleached-blonde hair The narrator, deft and ironic like a much cooler friend, is quick to add that Riley is also… black Not only this, but  (just in case we were thinking it), this is neither a story about ‘any kind of self-hatred thing’, nor about ‘the shame of being alive’ Contrary to any hasty assumptions about his sense of blackness, gender or sexual orientation, we are made aware that Riley simply has a love for comic book characters – and is merely on his way to a convention dressed as one   Setting the tone for the entirety of the collection, Thompson-Spires crafts a narrative voice which always walks one step ahead, sometimes turning to us with a wink, before getting back to what really needs to be said Which is that the characters in this book are allowed to be idiosyncratic They are freed by the metafictional narration from burdens of representation, reader projections, or the need to be taken as symbols You won’t find any Serenas or Beyoncés in the collection

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

fiction

November 2013

Special School

Iphgenia Baal

fiction

November 2013

Art

Issue No. 4

The Land Art of Julie Brook

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession...

Prize Entry

Issue No. 17

Grace

Sophie Mackintosh

Prize Entry

Issue No. 17

14. It comes for me in the middle of the day when I am preparing lunch, quartering a tomato...

 

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