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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

The Professor stormed into the brothel’s reception hall in the evening and kicked away our singing radio It flew through the air, slammed against the wall, and shattered to pieces on the cracked floor It ended the music, ‘One Love’, to which Roseline and I danced, holding hands as we cavorted around the floor, our hips and backsides jiggling He’d been away since morning, giving us a bit of liberty to play around As he scanned the cash register, checking customer ledgers, I shrank like a burnt plastic bag, horrified But Roseline looked unscathed, wearing an I-don’t-care expression as her mouth worked on her chewing gum She crossed her arms on her chest, sitting on the torn couch and staring at The Professor   ‘Abigail and Roseline, you are both fools,’ he roared, pointing two middle fingers at us ‘You haven’t made any money since morning, and you’re making so much noise What a total waste of employees!’   ‘Sir, we’ve b-been waiting for customers to come,’ I said ‘But we haven’t seen any men Sorry, sir’   ‘Shut your mouth, Abigail Why does this brothel make money only when I’m around to service our female customers? How many men have you satisfied today? Answer me now, fools!’   ‘Stop calling us fools,’ Roseline yelled, frowning, her red lips sparkling under the white bulb ‘We made plenty of money for you yesterday, and now you’ve broken my precious radio’   I cringed at Roseline’s audacity She’d done this job for eight years, and I hoped she wouldn’t lose it There was no job elsewhere in this shabby city of Lagos   The Professor tramped across the floor towards her, huffing ‘Look here, Roseline, if you dare talk to me like that again, the devil in me will roast you dead’   ‘I don’t fear your powerless devil,’ she said, springing to her feet and pointing at his face ‘Oh, you thought I would melt in the corner because of you? Think Again’   I was the one melting in a corner instead I hoped The Professor wouldn’t slap her face as usual or push her into the street so that she became homeless   I scuttled towards

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

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Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

feature

July 2013

The New Writing

César Aira

TR. Rahul Bery

feature

July 2013

The way I see it, the avant-garde emerged at a point when the professionalisation of artists had consumed itself...

Interview

June 2016

Interview with Cao Fei

Izabella Scott

Interview

June 2016

The Chinese artist Cao Fei documents life in her country’s rapidly changing urban and social landscapes. Her eclectic work...

 

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