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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Prospects for a Happy but Contested Future: The Promise of Revolutionary Humanism   From time immemorial there have been human beings who have believed that they could construct, individually or collectively, a better world for themselves than that which they had inherited Quite a lot of them also came to believe that in the course of so doing it might be possible to remake themselves as different if not better people I count myself among those who believe in both these propositions In Rebel Cities, for example, I argued that ‘the question of what kind of city we want cannot be divorced from the question of what kind of people we want to be, what kinds of social relations we seek, what relations to nature we cherish, what style of life we desire, what aesthetic values we hold’ The right to the city, I wrote, is ‘far more than a right of individual or group access to the resources that the city embodies: it is a right to change and re-invent the city more after our heart’s desire The freedom to make and remake ourselves and our cities is one of the most precious yet most neglected of our human rights’[1] Perhaps for this intuitive reason, the city has been the focus throughout its history of an immense outpouring of utopian desires for happier futures and less alienating times   The belief that we can through conscious thought and action change both the world we live in and ourselves for the better defines a humanist tradition The secular version of this tradition overlaps with and has often been inspired by religious teachings on dignity, tolerance, compassion, love and respect for others Humanism, both religious and secular, is a world view that measures its achievements in terms of the liberation of human potentialities, capacities and powers It subscribes to the Aristotelian vision of the uninhibited flourishing of individuals and the construction of ‘the good life’ Or, as one contemporary renaissance man, Peter Buffett defines it, a world which guarantees to individuals ‘the true flourishing of

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

Interview

September 2015

Interview with Allison Katz

Frances Loeffler

Interview

September 2015

With the desire to get to know an artist’s work comes the impulse to stick one’s nose in. The...

fiction

March 2017

The Urban Cyclist

Daniel Galera

TR. Alison Entrekin

fiction

March 2017

No terrain is impossible for the Urban Cyclist. His powerful legs drive the pedals down in alternation, right, left,...

Interview

Issue No. 12

Interview with Yvonne Rainer

Orit Gat

Interview

Issue No. 12

TWO DAYS BEFORE WE WERE SCHEDULED TO MEET, Yvonne Rainer walked into the gallery I was looking after for...

 

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