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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

El Polaco appears brandishing his Stanley, as he lovingly calls his pocket knife Five young hooligans huddle round him like classroom students He leaves them gobsmacked with a dazzling display of knife skills: in under a minute, he unscrews the four bolts in the reading light and air-vent panel over seats 31 and 32 Much to the consternation (or cowardice, according to El Polaco) of those travelling with the barra for the first time, he then removes the casing from the roof, leaving everything exposed, everything being the jumble of wires and cables that are usually hidden from public view Hidden and forgotten about, which is how the barra feel they’re treated by society ‘Before we hide it, we have to wrap it up in something… We need a hat,’ El Polaco says, and one of his disciples snatches a cap off a younger barra’s head   ‘Everyone has to muck in here, compadre,’ the timid young lad is told, as he watches his blue cap, red ‘U’ embroidered on the front, disappear into a sea of twenty-year-old hands   El Polaco carefully wraps the grenade up in the cap That’s right, the grenade A weapon of war We have a miniature bomb on the bus with us A genuine piece of munition that someone stole, we’re told, from the army when doing military service   ‘They’re amazingly easy to launch You just pull this pin, release the safety catch with your teeth and chuck it,’ one of the more experienced barra adds calmly Fear paralyses the rest of us: football fans who’ve left behind parents and girlfriends, neighbourhood friends, younger brothers, team posters on bedroom walls, a flag commemorating last year’s league title, a collection of match tickets in the bedside drawer All left behind, at home, a place that seems increasingly far away All to go on an away trip abroad for the first time All for the team   With the speed and dexterity of a practised pickpocket, El Polaco tucks the hat-explosive in among the cables and screws the panel back in place He leaves not a trace Nothing to suggest that above

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

poetry

September 2016

Two Poems

Sun Yung Shin

poetry

September 2016

  Autoclonography   for performance   In 1998, scientists in South Korea claimed to have successfully cloned a human...

Interview

March 2011

Interview with DBC Pierre

Ben Eastham

Interview

March 2011

DBC Pierre first came to the attention of the world with the publication of Vernon God Little in 2003. This...

feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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