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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

It is commonly agreed that desire is a self-perpetuating rather than substantive thing Everyone from George Bernard Shaw to Nietzsche to the Buddha himself has commented on the dissatisfaction inherent in obtaining what we want Desire is, we are told, an endlessly hungry beast, and to feed it is only to stoke its appetite If desire is itself mercurial and shifting, womanly desire is considered a particularly unreal quantity ‘The man’s desire is for the woman; but the woman’s desire is rarely other than for the desire of the man,’ said Coleridge, and this assumption is seen everywhere in art and in life, in woman as subject, woman as muse, woman as vessel   Desire always exists for its own sake, leading to nothing, meaning nothing, then But womanly desire is not even for its own sake It is for the sake of others The only desire women are supposed to feel is the desire to satiate the desires of men   This being our history, woman’s proactive desire being a relatively recent concept, there is often an absence of definition when we attempt to discuss it Can we talk about what woman’s desire is, rather than what it is not? Fire Sermon, this thrilling, maddening debut novel by acclaimed short story author Jamie Quatro, tries to do that   Fire Sermon sees Maggie Ellman – a devoutly religious mother of two, married to the dopily, blandly loyal Thomas – sort through the ecstasy and eventual grief of an adulterous relationship with James, a poet Maggie’s affair is largely emotional at first, a lengthy email correspondence exciting her need for intellectual play and earnest discussion of Christian faith with a fellow believer, neither of which are possible with Thomas   There follow painfully, arousingly repressed meetings, at a conference in Nashville and then in New York, and finally, a single night of intemperate sex in a hotel room in Chicago Fire Sermon is concerned with the aftermath of this night, with Maggie’s need to set the act into a religious framework, and the effect this catastrophic submission to desire has upon her belief in marriage and in

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

feature

May 2017

The Pilgrims

Rachel Aydt

feature

May 2017

ST. JOAN The great actress Renée Jeanne Falconetti stands trial for heresy, a woeful story told with her eyes...

Art

August 2017

Becoming Alice Neel

Rosanna Mclaughlin

Art

August 2017

From the first time I saw Alice Neel’s portraits, I wanted to see the world as she did. Neel...

Interview

December 2013

Interview with Tess Jaray

Lily Le Brun

Interview

December 2013

In the light-filled rooms of The Piper Gallery is a painting show that features no paint. Brought together by...

 

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