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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

In 2021, I collapsed all of my identities onto themselves Previously, I had written under my legal name – essays and reviews – unless I wrote about sex work, in which case I published under one or two pseudonyms I solicited clients and created a public-facing escort persona, social media and all, under an entirely different name, and referred to myself as such with people who hired me I had a whole other name to reveal to them as my real name – also fake – if they pushed too hard    I was never very good at convincingly committing to multiple identities, or maybe it’s more accurate to say that I was lazy about it My efforts at promoting and becoming the me’s without my real name were halfhearted, and it showed Slowly, I thought, why not remain Sophia, full-time? I became myself and I quickly developed a higher retention rate with men who wanted to pay to sleep with me Everyone preferred Sophia, which is to say: what people really want to buy from sex workers is not sex, but a mode of authenticity with fewer imperfections, and it was easier for me to feign this when I was pretending about other things less I will always answer more warmly – more truly – to my own name    The art and sex markets are ripe for scam – for price gouging and asset manipulation – because consumers are purchasing a conduit to a feeling Each buyer is in search of a particular state of being and wants to see that state reflected back to themselves Whether meaningful or shallow, the particular state one desires is priceless, as in: ever fervently and desperately sought, intrinsic to desire itself, commanding at whatever level of the market one is dipping into The buyer is seeking confirmation of who they are, or who they want to be, or who they were, in purchasing a painting or an overnight: a virile man; a widow with taste; a just-promoted banker; a cheating spouse; maybe a failson who wants, violently, success I spoke with Sarah Michelson,

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

Art

October 2014

For the Motherboard

Vanessa Hodgkinson

James Bridle

Art

October 2014

Please click on the links below to download, print and assemble (instructions in slideshow above) Vanessa Hodgkinson’s For the Motherboard:...

feature

February 2015

A Closer Joan

Shawn Wen

feature

February 2015

Here are a few of the Joans I know. The girl who arrives at Port Authority Bus Terminal in...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

 

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