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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

11 22 2011 – LOVE DOG     For months Hamlet has been floating around Its book covers popping up everywhere Non sequitur references during my classes with Avital Ronell In other texts In my letters to Elaine and in her letters to me The other night, in my laundry room, someone left a copy on a shelf of donated books On tables at work I even stole one copy and took it home with me as a token, as proof   Ronell says, ‘In Hamlet readiness is all’ and ‘All of Hamlet happened in the ear’ A few weeks later, Žižek came to Ronell’s class and said that Hamlet is about the way the beginning of ethics is trying to decide something and decision always involves indecision and procrastination How an act always comes both too early and too late, so there is never really a ‘right’ moment for an act One begins with the wrong moment because it is always the wrong moment A few days ago, Elaine sent me a quote by John Berger: ‘In the minute that’s still left we have to do everything’ The day X came to class Ronell brought up Hamlet, again, and suddenly all the ghosts had a name, making them real I couldn’t believe my ears Yet even though we were finally in the same room together, how can you know what someone hears – (what X heard) – when we never really know this about anyone? When I asked a female acquaintance at the bar we were at if she thought X had heard what I said under my breath the night we were together, she answered: ‘He doesn’t need to hear you He knows’ The question is, how did she know? When I mumbled something cutting to him as he went outside to smoke a cigarette, taking a risk by saying anything at all, he asked me to repeat what I’d said I pretended I hadn’t said anything and he pretended he didn’t hear anything Denial is one of the ways cognition works You’re just hearing things and You’re just seeing things are

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

fiction

April 2013

Towards White, 1975

Scott Morris

fiction

April 2013

In the morning, the square was white. Voula’s hair was white. A pigeon on a bronze horse shifted, sent...

feature

February 2013

Famous Tombs: Love in the 90s

Masha Tupitsyn

feature

February 2013

‘However, somebody killed something: that’s clear, at any rate—’ Through The Looking Glass, Lewis Carroll   I. BEGINNING  ...

 

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