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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Rain falling onto thick layers of accumulated dust had left the windows of the criminal investigations office so mottled that they were virtually opaque Beyond them, roofs could dimly be seen, huddled grimly beneath a lowering city sky When the Dongbu Police Station had first moved here, some two years before, the location had been nothing more than a hill on the city outskirts, in an area recently zoned for development Then houses had begun to spring up, and now the area was completely built up As he contemplated the brightly colored roofs, aligned in a variety of shapes that seemed to suggest their owners’ vain fondness for things western, or their pretentiousness, Sergeant Nam fell into the state of melancholy, as was nowadays almost habitual for him The fact that he owned no home of his own among all those many houses stretching before his eyes, where his wife and children might live and take their ease, kindled in him a deep sense of failure As he recalled the two little rented rooms he would return to after work, unless something unexpected occurred, Sergeant Nam reviewed glumly his career, over which a dark sense of impending failure loomed Nam Gyeongho was his name, born in 1945 His parents had been ordinary, run-of-the-mill folk but, since they had experienced the almost universal poverty of the 1950s, his childhood had been subject to the average degree of misery that other children of his age had had to endure His middle and high school years, spent in a small country town, had left no memories, sad or happy As he neared the end of his high-school education, there had arisen a growing lack of proportion between their limited financial resources and the enthusiasm for further education that his parents were beginning to manifest That finally took him away from their small town and turned him into a student enrolled in evening classes at a second-rate university in this city, for a course of study he had finally given up half way through  

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

poetry

January 2015

My Beloved Uncles

Tove Jansson

TR. Thomas Teal

poetry

January 2015

However tired of each other they must have grown from time to time, there was always great solidarity among...

Art

May 2012

Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows,...

feature

February 2014

Only Responsible to Their Art: Heilan and the Chinese Avant-Garde

Chen Wei

TR. Tu Qiang

feature

February 2014

Heilan was established for a simple reason: over the past twenty years, there has not emerged a single medium...

 

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