Mailing List


Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Talk about the fates of young professional women today and you will often alight on two themes: the anxieties that come with living in the ‘digital age’, or the inescapability of ‘late capitalism’ and all its surreal portents It is not incidental that these women are largely estranged from the seats of power behind these worlds, as formative as these industries may be to their psychologies Silicon Valley and Wall Street and their international counterparts are both distinct but not dissimilar wellsprings of the worst forms of male delirium, and only appear to make room for women if they are preternaturally beautiful arm candy (Margot Robbie, imperious and magnificent, stamping a stiletto onto Leonardo DiCaprio’s forehand in The Wolf of Wall Street), girl-genius rebrands of iconic men (Elizabeth Holmes, forever in that Steve Jobs-inspired black turtleneck) or savvy can-do businesswomen who can play with the most vicious of them (Sheryl Sandberg, leaning into a void)   Market-friendly femininity is created in boardrooms filled by people who do not care for its subjects at all To live so far from the seat of power but feel it so intimately gives rise to a fragmented, ever-refracting selfhood that hates her particular slice of the world yet cannot help but feast on its scraps I spend too much money on Glossier products, despite knowing that the cool-girl beauty brand is snake oil for wannabe socialites I can’t stop following the Riverdale actresses on Instagram I do not know how to manage a savings account, and continually fail to girlboss my way to financial freedom despite Sheryl Sandberg’s best efforts I am impotent, trivial, shallow, and stupid – and at the same time entirely convinced of my own importance   You may call this self-delusion, or in the words of New Yorker staff writer Jia Tolentino, the inevitable result of growing up in a time when femininity operates as a ‘trick mirror that carries the illusion of flawlessness as well as the self-flagellating option of constantly finding fault’ Tolentino had written those words in 2015 as deputy editor at self-proclaimed ‘supposedly feminist website’ Jezebel while reflecting on

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

Interview

February 2014

Interview with Lisa Dwan

Rosie Clarke

Interview

February 2014

In a city where even the night sky is a dull, starless grey, immersion in absolute darkness is a...

poetry

January 2012

Tynemouth Lodge

W. N. Herbert

poetry

January 2012

‘Sometimes I go to the tavern and get drunk.          What of it?’                                 Nesimi 1 Bars tend us...

Art

May 2011

Twelve Installations

Lawrence Lek

Art

May 2011

These installations express the transience of our sensory world, the impermanence of form, and the artificiality of our environment....

 

Get our newsletter

 

* indicates required