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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

[Untitled] “if you close your eyes”   if you close your eyes you can hear the sea whether Black or Azov you can’t tell immediately   a triumph of sound the off season naked beaches we breathe it in hold it in our lungs without speaking afraid to sing out of key   unleashing note after note in perfect waves the poplars swim away a little further from heaven from poetry’s idyll   nuts falling to the ground smack their heads and cry bitterly     [breakfast]   the bread you broke in two speaks in a human voice one half in the voice of your mother affirming she loves you the dead love of a dead mother loves you the dead love you dead mothers love you   you sit silent and hiccup you find the corpse of Yuri Gagarin in your pocket you light a cigarette   the other half speaks in the voice of the girl you raped affirming she’ll never, no way, ever love you she wishes you dead and your mother your fucking mother the girl you fucked says hello to your fucking dead mother  every morning on the radio   you sit silent and hiccup you find the corpse of Gherman Titov in your pocket you light a cigarette   await the prosecutor’s summation     [Untitled] “you stand in the middle of a completely foreign city”   you stand in the middle of a completely foreign city in the middle of its most famous cemetery you read the inscriptions in Polish you hear the voices of Polish tourists tombstone tombstone tombstone they’re seeking someone’s death in Polish you’re seeking someone’s death in Ukrainian your relatives might’ve been buried here if they hadn’t been forced to become echoes to wander Donbas seeking death in Russian so that all the while on the other side of Ukraine a girl with long black hair moves her lips translating the language of death seeks inscriptions about your family in the cemetery     Ilya  (from “People of Donbas”)   Why did you orchestrate a war at home and run away to more normal cities— the neighbors’ sticky-fingered spoons clap their hands and pull hair after hair from my head   you’re guilty of everything—and I think—what if they come to kill me while I’m lying naked in the boat of this summer without water electricity any kind of connection   no one will know what she died of standing in the kitchen—and falling backwards like sugar in a cup of paper wrath   and the uproarious sea of love throbbing in my

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

feature

September 2017

On The White Review Anthology

The Editors

feature

September 2017

Valentine’s Day 2010, Brooklyn: an intern at the Paris Review skips his shift as an undocumented worker at an...

Interview

October 2014

Interview with Otobong Nkanga

Louisa Elderton

Interview

October 2014

Some things are meant to be lost. You can’t collect emotions. As the artist Otobong Nkanga tells me this,...

Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

 

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