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Claire-Louise Bennett
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in Galway. Her short fiction and essays have been published in The Stinging Fly, The Penny Dreadful, The Moth, Colony, The Irish Times, The White Review and gorse. She was awarded the inaugural White Review Short Story Prize in 2013 and has received bursaries from the Arts Council and Galway City Council. Her debut novel, Pondwas published by Fitzcarraldo Editions in 2015 and shortlisted for the Dylan Thomas Prize in 2016. Her second novel, Checkout 19, is published by Jonathan Cape in August 2021.

Articles Available Online


The Russian Man

Fiction

Issue No. 27

Claire-Louise Bennett

Fiction

Issue No. 27

Many years ago a large Russian man with the longest tendrils of the softest white hair came to live in the fastest growing town...

poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

I cough while the technician tinkers with the projector, although the two are not related, and I wonder why my throat is sore but I quickly decide that it was the airplane, those things are a wonderland for bacteria, and at least the snafu with the projector gives me time to take a sip from the glass of water in front of me, a glass that I’ve already topped up with a little whisky, which is a crime against single malt, I know, believe me I know, but it’s become a ritual now, every time I give one of these keynotes I find myself reaching for the hip flask, and it doesn’t hurt anybody in the end, and I don’t think anybody would blame me for needing to steady my nerves (even though my nerves never need steadying, I’ve often felt that they’re not so much made of organic material as they are built from some sort of steel or copper, pinging under my skin like telephone cable) given the size of the audience and the importance of this speech, which is not to say that I’m bragging about it, because somebody has to be on the podium and it might as well be me, and the years I put in at the coal face mean that I have a certain amount of experience to share, and my natural gravitas (again, I’m really not bragging, this is just a statement of fact based on my appearance – a full head of silver hair, a certain sharpness around the eyes – and voice – which isn’t as deep as you might expect, but there’s gravel on the riverbed) means that people tend to listen to that experience; you can see them now if you look around the hall, backs still straight in their seats and eyes still clear from coffee, hungry for somebody to explain to them why they bothered to register for this conference, hungry for somebody to bring some life to what would otherwise be a dry and dirty topic (I won’t bore you with the details,

Contributor

August 2014

Claire-Louise Bennett

Contributor

August 2014

Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before settling in...

The Lady of the House

fiction

Issue No. 8

Claire-Louise Bennett

fiction

Issue No. 8

Wow it’s so still. Isn’t it eerie. Oh yes. So calm. Everything’s still. That’s right. Look at the rowers – look at how fast...

READ NEXT

Art

Issue No. 1

'Untitled (book covers)'

Viktor Timofeev

Art

Issue No. 1

A slideshow presenting a series of collages by the London-based Latvian artist Viktor Timofeev, one gouache by whom was...

Interview

Issue No. 1

Interview with Mai-Thu Perret

Timothée Chaillou

Interview

Issue No. 1

Swiss artist Mai-Thu Perret’s ongoing, fourteen year-old project The Crystal Frontier is a multi-disciplinary fiction chronicling the lives of...

feature

June 2016

Heteronormativity and the Single Mother

Jacinda Townsend

feature

June 2016

I.   This spring, in cities and towns all over the United States, schools, churches and other organisations will...

 

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