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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Annabel Howard
Annabel Howard's short stories and essays have appeared in magazines in the UK, Ireland and Italy. She is currently working on a non-fiction book on the subject of Italian festivals.

Articles Available Online
Gay Madonnas in Montevergine: The Feast of Mamma Schiavona

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Issue No. 2

Annabel Howard

feature

Issue No. 2

We are crowded into the medium-sized piazza before the sanctuary of Montevergine. There is no town or village; it sits alone near the top...
On the Relative Values of Humility and Arrogance; or the Confusing Complications of Negative Serendipity

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May 2011

Annabel Howard

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May 2011

On a distinctly drizzly Wednesday evening in February a friend of mine looked at me and said: ‘Only those who risk reaching too far, find...

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Oh Whistle and

Prize Entry

April 2016

Uschi Gatward

Prize Entry

April 2016

God has very particular political opinions – John le Carré     M is whizzing round the Cheltenham Waitrose, throwing sugar snap peas, prawns,...

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Issue No. 7

On a Decline in British Fiction

Jennifer Hodgson

Patricia Waugh

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Issue No. 7

‘The special fate of the novel,’ Frank Kermode has written, ‘is always to be dying.’ In Britain, the terminal...

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June 2014

Writing What You Know

Simon Hammond

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June 2014

In the summer of 1959, a headstrong but lovesick English graduate took a trip to the hometown of his...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

 

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