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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

Dad used to believe that the souls of the dead rise up into the air and become one with the universe, but doesn’t anymore because he has seen too many minds in pieces, too many spirits crushed, and when I ask him how that happens he says ‘Life’ I imagine it sometimes: all of them looking down from what must be stillness, darkness, quiet, and then through the clouds and the blue sky to the earth and the sea, deep enough to watch the fish turn and flash like so many coins and up here the houses among the ti trees, the shops on the road, people passing the time of day – chinwagging, daydreaming, gadding about – old men in leather shoes baiting lines on the pier and pulling up squid so white they glow in the late light of evening And the skinny thing with the long legs: that is me, running through the water   Lawrie goes about the beach barefoot, shambling; I watch him through the brightness off the waves Cool winds blow from the ocean with mutton birds coming in and yellowness flickers on the cliffs and spindly pines, bent about like ink drawings I have seen I think again of those high up souls, of gods and angels and creatures of the sky I wonder if they see us now, me and Lawrie, his footsteps on the sand making shapes like some kind of writing: telling all those things he cannot say in words; me, dancing around, thinking of them while they look at me, wondering if they see us always, carrying on like we do, or if we already made too much noise and fuss and they have turned away   Dad comes back from the trawler with a bag full of prawns, along the beach past those beaten rocks with their small shelves and hollows, the naked dangling tree roots and Lawrie, who puts his hands in his pockets and yawns and spits and follows in his lounging, raggedy way I go with them to where the barbeques are, watching those prawns crawling about, I

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

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Art

Issue No. 4

The Land Art of Julie Brook

Robert Assaye

Art

Issue No. 4

Julie Brook works with the land. Over the past twenty years she has lived and worked in a succession...

Art

June 2014

Opus

Charmian Griffin

Amanda Loomes

Art

June 2014

Bound with animal fat, milk, or blood, Roman concrete is hardened over time. Less water would ordinarily mean a...

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June 2015

Uneasy Lies the Head

William Watkin

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June 2015

Last October I was standing in my kitchen, waiting for espresso to trickle from the spout of our imposing...

 

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