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Orlando Reade

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette Yiadom-Boakye can be read in The White Review No. 13.



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Wildness of the Day

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December 2016

Orlando Reade

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December 2016

One day in late 2011, waiting outside Green Park station, my gaze was drawn to an unexpected sight. Earlier that year a canopy of...

Interview

Issue No. 13

Lynette Yiadom-Boakye

Orlando Reade

Interview

Issue No. 13

Modern philosophy is threatened by love, whose objects are never only objects. Philosophers have discovered in love a lived...

Jerusalem has a remarkably cohesive identity, in architectural terms Every building, from the Western Wall to the sleek hotels and high-rises in the newer parts of town, is constructed of the same sandy-coloured limestone, a measure put in place by British authorities who governed between 1917 and 1947 This surface uniformity connects Jerusalem with the wider Jewish landscape, across time and space: ‘Jerusalem stone’ has been a feature of the city’s architecture since ancient times, when residents collected blocks from the local quarry (now a bustling station) to build their homes, and it is used in buildings worldwide to symbolise connection with the holy city In 2010, a Brazilian Pentecostal church signed a reported £8 million contract with Israel, enabling them to import enough Jerusalem stone to build a $300 million, 55-metre-high replica of Solomon’s Temple – complete with olive groves, Ark of the Covenant and helicopter landing pad – in São Paulo   But the lights and sounds of Jerusalem’s streets tell a different story, one of conflict and contradictions At night, the tips of mosque minarets glow green against the neon lights of the city’s modern hubs, while muezzins compete not only with church bells but with busy traffic At the Western Wall, the plaza of prayer is split by a dividing wall which segregates the sexes, though tourists and worshippers are left to mingle On the women’s side, a bored sweeper patrols while tourists take selfies beside a woman in a headscarf, who mutters devoutly and touches the wall in reverence; nearby stands an incongruous lectern, hosting prayer books in all languages and a discarded plastic glass, half full of warm Coke Jerusalem’s Old City – just one square kilometre, with over 400 surveillance cameras crammed into crevices in the stone – is divided into Jewish, Muslim, Christian and Armenian quarters, pockets which define themselves both within and against the rest of the city   The differences between sectors are barely perceptible to outsiders: across the Old City, streets are flanked with marketstalls selling ubiquitous slogan T-shirts and babygros, where ‘Free Palestine’ hangs next to ‘SuperJew’, ‘Hello Jerusalem’ next to

Contributor

August 2014

Orlando Reade

Contributor

August 2014

Orlando Reade is writing a Ph.D. on English poetry and cosmology in the seventeenth century. His interview with Lynette...

Life outside the Manet Paradise Resort : On the paintings of Lynette Yiadom-Boakye

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November 2012

Orlando Reade

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November 2012

*   A person is represented, sitting in what appears to be the banal and conventional pose of a high street studio portrait photographer:...

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poetry

June 2017

Austrian Murder Case

Phoebe Power

poetry

June 2017

At the Konditorei   Close, warm, and humming with the relaxed sounds of post- midday Kaffee-Kuchen. The  cakes are...

feature

January 2016

Suite

Pierre Senges

TR. Jacob Siefring

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January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

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March 2013

Celan Reads Japanese

Yoko Tawada

TR. Susan Bernofsky

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March 2013

There are some who claim that ‘good’ literature is actually untranslatable.  Before I could read German, I found this...

 

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