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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Cutter Streeby
Cutter Streeby is a graduate of the University of East Anglia. He currently teaches in Bangkok where he lives with his family.

Articles Available Online
Letter from a New City to an Old Friend

poetry

September 2012

Cutter Streeby

poetry

September 2012

Letter from a New City to an Old Friend     [SEAside          Gra-                         –i.m. Ronny Burhop 1987-2010                                                                      ffiti]   [adjust             Even the white...
Interview

poetry

September 2012

Cutter Streeby

poetry

September 2012

The first time I think I saw Robinson? I’d have to have been leaving Yucaipa. He was on an old bike, a rusted, duct-...

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Translation in the First Person

feature

Issue No. 15

Kate Briggs

feature

Issue No. 15

IT IS 1 JUNE 2015 and I am standing outside no. 11 rue Servandoni in Paris’s sixth arrondissement. I have lived in this city,...

poetry

Issue No. 2

Portraits of Pierre Reverdy and Three Poems

Sam Gordon

poetry

Issue No. 2

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in...

feature

Issue No. 16

Scroll, Skim, Stare

Orit Gat

feature

Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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