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Alexander Christie-Miller
ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been published in Newsweek, the Times, the Atlantic, and other publications. He is a regular contributor to The White Review.


Articles Available Online


Ada Kaleh

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Issue No. 17

Alexander Christie-Miller

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Issue No. 17

When King Carol II of Romania set foot on the tiny Danubian island of Ada Kaleh on 4 May 1931, it was said among...

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October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

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October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

Cities display a worship of history in the monuments and memorials that they choose to erect, through which the past is paraded like a religion In his book Hope and Memory, Tzvetan Todorov writes: ‘While history makes the past more complicated, commemoration makes it simpler, since it seeks more often to supply us with heroes to worship, with enemies to detest; it deals with desecration and consecration’ But in Berlin the past is a very strange and warped place – not one to celebrate per se In its monuments and memorials one sees a more agnostic effort to come to terms with a recent past filled with fascism, fanaticism and false futures As in any major European capital, Berlin is full of the familiar vestiges of wars waged and won in the name of colonial ambition Out of the centre of Tiergarten Park rises the Victory Column, presiding proudly over the traffic island The huge image of winged victory has one hand held aloft against the traffic, the other holding a staff like a magnificent lollipop lady On successive corners of the Victory Column roundabout are several large bronze effigies of Prussian generals, but the names have been removed and their gestures of victory are pathetically obsolete Nearby is a huge statue of Otto von Bismarck, the author of German unification and the first Chancellor of the German Reich He struts boldly, flanked by allegorical figures: atlas holding up the world, Siegfried forging a sword to celebrate German industrial might, Germania pinning a panther symbolising the suppression of rebellion, and a sibyl reclining on a sphinx reading the book of history These boastful symbols seem absurd given how the twentieth century unfolded Berlin’s is a confused landscape that commemorates both victors and victims, both German and other In his work on public memory and national identity, Pierre Nora writes about our obsession with commemoration that has come to dominate ‘all contemporary societies that see themselves as historical’ In Nora’s eyes, monuments such as the Bismarck statue were designed to align history with the sanctioned version, to boost

Contributor

August 2014

Alexander Christie-Miller

Contributor

August 2014

ALEXANDER CHRISTIE-MILLER  is a writer and journalist based in Istanbul. His writing about Turkish politics and culture has been...

Forgotten Sea

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Issue No. 11

Alexander Christie-Miller

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Issue No. 11

I. As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the...
Occupy Gezi: From the Fringes to the Centre, and Back Again

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July 2013

Alexander Christie-Miller

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July 2013

Taksim Square appears at first a wide, featureless and unlovely place. It is a ganglion of roads and bus routes, a destination and a...

READ NEXT

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May 2017

The Pilgrims

Rachel Aydt

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May 2017

ST. JOAN The great actress Renée Jeanne Falconetti stands trial for heresy, a woeful story told with her eyes...

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Issue No. 20

Editorial

The Editors

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Issue No. 20

    As a bookish schoolchild in Galilee, the Palestinian poet Mahmoud Darwish was invited to compose, and read...

poetry

February 2013

Social Contract

Les Kay

poetry

February 2013

Formally, I and the undersigned— What? Use, like Mama said, your imagination if you still have one where scripts...

 

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