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Abdelfattah Kilito
Abdelfattah Kilito is a Moroccan fabulist and scholar, who writes in Arabic and French. He is professor emeritus in the Department of French at Muhammad V University in Rabat, Morocco, and has written extensively about classical Arabic literature, bilingualism, and issues of translation. His many books include The Author and his Doubles (1985; trans. 2001), The Tongue of Adam (1999; trans. 2018), Thou Shalt Not Speak My Language (2008), and The Clash of Images, a collection of tales (2010).  The Arabs and the Art of Storytelling: A Strange Familiarity (2004) came out in English in 2014. Je parle toutes les langues, mais en arabe (I speak all languages but in Arabic) was published in French in 2013. The twelve tales appearing here were first published by the DABA Maroc festival in Brussels in 2012.   Abdelfattah Kilito has won Le Grand Prix du Maroc (1989), Le Prix Grand Atlas (1996), the French Academy Award (le Prix du Rayonnement de la Langue Française, 1996), and the Sultan Al Owais Price for Criticism and Literature Studies (2007).

Articles Available Online


Archaeology: Twelve Miniatures

Poetry

November 2021

Abdelfattah Kilito

TR. Clare Finburgh Delijani

TR. Marina Warner

Poetry

November 2021

Picture    Adam has just tasted the forbidden fruit; he’s bitten into the apple and he’s condemned to roll it in his mouth for...

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poetry

September 2012

Letter from a New City to an Old Friend

Cutter Streeby

poetry

September 2012

Letter from a New City to an Old Friend     [SEAside          Gra-                         –i.m. Ronny Burhop 1987-2010                                                                      ffiti]...

Art

Issue No. 1

'Untitled (book covers)'

Viktor Timofeev

Art

Issue No. 1

A slideshow presenting a series of collages by the London-based Latvian artist Viktor Timofeev, one gouache by whom was...

Prize Entry

April 2017

Terre Haute

Lauren Van Schaik

Prize Entry

April 2017

We’ve been quarantined in the school gym for three weeks when we realise just how much we’ve forgotten. Not...

 

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