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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Michael Earl Craig
Michael Earl Craig is an American poet from Livingston, Montana. He is the author of Can You Relax in My House, Yes, Master, and Thin Kimono.

Articles Available Online
The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

poetry

September 2011

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and was generally dazzling.   A...
Sleepwalking through the Mekong

poetry

September 2011

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow know the banana shake when...

READ NEXT
The Afternoon

fiction

September 2015

Wolfgang Hilbig

TR. Isabel Fargo Cole

fiction

September 2015

Nothing new on Bahnhofstrasse! — These are the first words to occur to me upon arrival. With the word arrival, though, I’ve already said...

poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

feature

June 2014

Turning the Game Around

Daniel Galera

TR. Rahul Bery

feature

June 2014

Once upon a time there was – no, better: you are a thief who wanders through the cities and...

feature

January 2016

Suite

Pierre Senges

TR. Jacob Siefring

feature

January 2016

‘Suite’ was born of an invitation Pierre Senges received to contribute to an anthology on the future of the novel (Devenirs...

 

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