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an image of Issue 33 of The White Review, featuring three film stills of swimmers in goggles and caps in dark water

The White Review
No. 33

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The White Review No. 33 features interviews with writer Siri Hustvedt and feminist scholar Sara Ahmed. The issue includes new fiction by Gina Apostol,...

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Prize Entry

The White Review Poet’s Prize 2023
For the first time this year, The White Review Poet’s Prize was open to poets based anywhere in the world. Last month we announced a shortlist of eight poets. ...

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Michael Earl Craig
Michael Earl Craig is an American poet from Livingston, Montana. He is the author of Can You Relax in My House, Yes, Master, and Thin Kimono.

Articles Available Online
The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

poetry

September 2011

Michael Earl Craig

poetry

September 2011

Last night Kurosawa’s woodcutter strode through the forest, his axe on his shoulder. Intense sunlight stabbed and sparkled and was generally dazzling.   A...
Sleepwalking through the Mekong

poetry

September 2011

Michael Earl Craig

poetry

September 2011

I have my hands out in front of me. I’m lightly patting down everything I come across. I somehow know the banana shake when...

READ NEXT
Take Comfort

feature

January 2017

Heather Radke

feature

January 2017

I. One week after Buzz and Heather broke up, she dragged her mattress into her living room. She moved aside the coffee table and...

Art

Issue No. 5

A New Idea of Art: Christoph Schlingensief and the Opera Village Africa

Sarah Hegenbart

Art

Issue No. 5

I think the Opera Village. . . will lead to a new idea of art, and what will emerge...

feature

September 2013

Outside the Uniform

Kaya Genç

feature

September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

Art

June 2012

'The Freedom of Speech Itself', or the betrayal of the voice

Lorena Muñoz-Alonso

Art

June 2012

‘The instability of an accent, its borrowed and hybridised phonetic form, is testimony not to someone’s origins but only...

 

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