The White Review

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The Cinematographer, a 42-year-old man named Miyagawa, aimed his camera directly at the sun, which at first probably seemed like a bad idea

Last night Kurosawa’s woodcutter

strode through the forest, his axe

on his shoulder. Intense sunlight

stabbed and sparkled and

was generally dazzling.

 

A few centuries later, in a hundred

different coffeehouses, another man

had his big black art glasses on.

It almost looked like there were no

lenses in them.

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