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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Dead Reckoning   They say birds always find their way back home but home is a nowhere – a memory; a never was   Do wings remember spaces in the air the way we might a place? A field of rice?   How do you fly back to that? Away from a tomb of fears, this place yearning for you…   Some years ago, I lay bright flowers on my grandmother’s grave Years before, I saw   my grandfather’s ashes taken by the furrowing wind in the Bocas islands   I am not myself nor have I ever been something apprehending the sun   and other bright celestial objects thinking: this is a tapestry in orbit   around me I am completely convinced that we were the last creatures to discover   how to be in the world My beard grows wild My children brush past me in the darkness   Their chattering voices fill my ears and then my chest and I cannot hold it in   I am always coming home       Genealogies   Do not tell me a thing does not do what it does – that these chains (now plated in gold) are no longer chains, or that from above the clouds no longer look like drowned bodies washed ashore in the rolling surf I must go to my mother to learn the real names of the gorgeous objects in this greened world, of the beauties that can drive the body to exhale its life in one purpling sigh, the body that is a precarious house, assembled in this world but out of time   But I can no longer trust my mother’s histories They are not the taut suspensions my adolescent mind thought them to be   The blue-black body breaks at its closures, twisting in a dancing double helix dripping blood and amazement                                                           We will be Home soon Bowls filled with brown oxtail and broad beans At the food stand, an umber dog floats through the crowd like a leaf

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

July 2013

Love Dog

Masha Tupitsyn

feature

July 2013

11 22 2011 – LOVE DOG     For months Hamlet has been floating around. Its book covers popping...

Art

July 2012

Interview with Ben Rivers

Alice Hattrick

Art

July 2012

Ben Rivers is an artist who makes films. Two Years at Sea, his first feature-length film, was released to...

Art

December 2011

James Richards: Not Blacking Out...

Chris Newlove Horton

Art

December 2011

Artist James Richards appropriates audio-visual material gathered from a range of sources, which he then edits into elaborate, fragmented...

 

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