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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Catherine Lacey is a writer who came to New York by way of Tupelo, Mississippi She is a New York Foundation of the Arts grant recipient, a finalist for the New York Public Library’s Young Lions Fiction Award, and a Granta New Voice Lacey broke from the peloton last year with her debut novel, Nobody is Ever Missing (Granta) Her work struck me immediately for its synthesis of two qualities of prose which often exclude one another: distinctive voice and rich imagery   Nobody is Ever Missing follows Elyria from a stable but stagnant marriage to the wide-open possibilities of New Zealand As Elyria hitchhikes through the countryside, with only a scrap of a plan, she turns and returns memories of a lost stepsister and an absent husband The more Elyria travels, the more she struggles with the impossibility of running from yourself, calling this feeling her ‘wildebeest’ All this roiling introspection might have been too much in another writer’s hands But Catherine Lacey invigorates self-examination with prose that is alive and electric It’s the bright bristling reality of Elly’s world that makes Nobody is Ever Missing so significant   The novel teems with metaphor and metonymy—images do the work in progressing our understanding of Elyria’s mind and her trajectory The body becomes strange in these pages: hands become a metonym for love; we consider the possibility of living with two hearts; teeth are alternatively tiny, glowing and bared; the brain is animate and other, sometimes roving and acquisitive, sometimes lying calm and still in the dark Imagery, line-by-line, keeps at bay the claustrophobia that typically accompanies an exploration of feelings or an anatomization of body The reading experience is akin to waking up behind someone else’s eyes and feeling like if you tell anyone about it, you’ll find psychiatrists medicating your future You kind of want to keep this book a secret But you also want to tell everyone you meet to experience Elly’s voice   Catherine and I first met this year when paired together for a blind interview between debut novelists We recently talked about writing and life at the bar of Roebling Tea Room in Brooklyn We continued the conversation electronically the next

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

Feature

Issue No. 19

Ill Feelings

Alice Hattrick

Feature

Issue No. 19

My mother recently found some loose diary pages I wrote in my first year of boarding school, aged eleven,...

fiction

Issue No. 2

The Surrealist Section of the Harry Ransom Center

Diego Trelles Paz

TR. Janet Hendrickson

fiction

Issue No. 2

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d...

Interview

May 2017

Interview with Hari Kunzru

Michael Barron

Interview

May 2017

In the summer of 2008, the English novelist Hari Kunzru left London for New York City after accepting a fellowship at...

 

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