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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

On the final evening of the conference, Clara leaned against the railing of her fifth floor balcony and watched mist gather over the slow, brown river A dirty sunset tinted scattered clouds and backlit the bare trees on the promenade In the grounds of the hotel, a white plastic marquee had been erected and the first guests were making their way along lamp-lit paths for the conference’s closing party   Within the sliding doors, her phone shuddered on a squat glass table Tilly’s smile glowed on the screen, the only light in the dim room – Tom calling to see how her paper had gone and so she could kiss Tilly goodnight before heading down to the party She flicked on the bedside lamp, slipped in her earbuds Tilly was on Tom’s lap, facing the camera In her hair, she wore a little mauve ribbon that he must have tied especially for the call Look, Tilly, here’s mummy, he chirped, flapping a hand at the laptop camera, encouraging her to do the same Tilly wasn’t waving though She stared from the phone as if she had no idea who the strange woman smiling at her from the strange room was Look, it’s mummy, here she is, say hi mummy, Tom urged, and winked his hand She’s just tired, he said, she’s been constantly asking where’s mama But by now, Tilly was completely absorbed with her own image in the upper corner of the screen, pulling faces, chatting away in a private language of saliva and surprise    Even though it was only three nights, Clara had dreaded the idea of being apart from Tilly for the first time She’d been set on declining the invitation, but Tom assured her it was a perfect opportunity for her to ease back into work He’d be fine, as long as she left them enough tittie juice She hated when he called it that, but laughed obligingly and expressed milk into a dozen labelled and dated plastic bags Despite their efforts to wean her, Tilly was still breastfeeding at 15 months and Clara fretted over how

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

poetry

January 2015

dear angélica

Angélica Freitas

TR. Hilary Kaplan

poetry

January 2015

dear angélica   dear angélica I can’t make it I got stuck in the elevator between the ninth and...

feature

Issue No. 6

The Prosaic Sublime of Béla Tarr

Rose McLaren

feature

Issue No. 6

I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really...

 

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