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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

It was raining in Harlem I was standing on the corner of Amsterdam Avenue and 162nd Street, my coat wet, my old umbrella only just holding out against sudden blasts of wind It was not quite four in the afternoon and already it was getting dark I didn’t know Harlem I didn’t know which way to walk I didn’t know which way to go for Edgecombe Avenue, in Washington Heights I stood peering into the road ahead, as if to make something out through the rain and the wind and the swift December dusk  I huddled under the umbrella and managed with difficulty to light a sodden, rain-specked cigarette Marjorie’s, I’m guessing   She startled me there, all stoic She seemed not to mind the rain Or she seemed not to notice it was raining   Headed for Marjorie’s, I suppose, as she took a pair of fine black woollen gloves out of her bag But you’re not sure of the way, as she took a long black woollen scarf out of her bag I could tell a mile off   Her English was lightly accented Maybe Caribbean Maybe African The skin on her face was deep black and flawless and probably still silky to the touch The whites of her eyes gleamed in the half-light Only a smattering of grey in her hair – an afro, shaved short – gave her age away   That obvious? I asked, and she buttoned up her black raincoat and crossed her arms and said that because of the day of the week, because of the time of day, because of the station on Amsterdam with 162nd, because of the expression on my face, because she was always coming across someone there, on that corner From her bag she took out a black felt cloche hat, bell-shaped, 1920s style Do you come across someone lost in the depths of Harlem?, I asked Or do you come across someone specifically and desperately trying to find his way to Marjorie’s? And I smiled with a mixture of embarrassment and relief Something like that, she

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Interview

Issue No. 2

Interview with Michael Hardt

Chris Catanese

Karim Wissa

Interview

Issue No. 2

Michael Hardt is a philosopher and theorist best known for his collaboration with Antonio Negri on a trilogy of...

poetry

February 2014

Two Poems from A Finger in the Fishes Mouth

Derek Jarman

poetry

February 2014

To mark the 20th anniversary of Derek Jarman’s death, Test Centre has produced a facsimile edition of his sole,...

fiction

Issue No. 16

Walking Backwards

Tristan Garcia

TR. Jeffrey Zuckerman

fiction

Issue No. 16

‘Moderne, c’est déjà vieux.’ La Féline   I.   I pretended to remember and I smiled: it was time...

 

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