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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

To Lilia Lardone Summer was ending The air already smelled like smoke, but it still looked clear, sunny The women swept their sidewalks and burned the first dry leaves on the corners When classes began, so did the girls’ fifteenth birthday parties It hadn’t been long since I’d seen my first dead body Tolchi Pereno threw herself under the train because she was pregnant We sat at the same desk, and during geography class she burst out crying, though no one had said anything to her Blanquita Calzolari had called on Tano Buriolo to present his homework, and Tano tried to explain that thing about meridians and parallels They say that meridians are lines that divide the world into halves, Tano said, and Blanquita Calzolari agreed   They say that the two halves are equal and the dividing line is a very fine line, so fine that you can’t see it, Tano said, and Blanquita Calzolari agreed They say that the parallels are the same lines, but in reverse They say that if you change hemispheres and you pass over a meridian or parallel, it sends shivers down your back Blanquita Calzolari lifted her gaze, her eyes suddenly alert   Who says that? she asked   Tano Buriolo retorted immediately, The wise say so   No, that’s wrong, Blanquita Calzolari declared Return to your seat Then Tolchi Pereno burst out crying Blanquita looked at her and asked what happened   Nothing happened, Tolchi said I’m having a nervous attack, that’s all, she said, and started to scream and took my hand, which was next to hers, and rested my hand on her chest   Feel this, feel this, she said Feel how my nerves are turning over inside   I noticed the edge of her bra under her knit sweater and something like termites over Tolchi’s heart I blushed   Go drink a glass of water and come back, Blanquita Calzolari said   Tolchi let my hand go and kept hiccupping in silence, sitting on her bench We looked at her She got up and left and returned after a while with red eyes and a swollen face Early that evening, she threw herself under

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

Issue No. 2

The Surrealist Section of the Harry Ransom Center

Diego Trelles Paz

TR. Janet Hendrickson

fiction

Issue No. 2

To Enrique Fierro and Ida Vitale—   Just like you, muchachos, I didn’t believe in ghosts, and if I’d...

feature

February 2011

The dole, and other bailouts

Chris Browne

feature

February 2011

One of my first actions as a Londoner was to sign on for as many benefits as I could...

poetry

January 2012

Matisse: Tahiti (1930)

Campbell McGrath

poetry

January 2012

If I were young again I would forego Tahiti and move to America to begin a new life in...

 

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