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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

At that time our experience with death was very limited Sometimes someone’s grandfather or grandmother would die, like a domino falling when its turn comes at last, but still we all had at least two or three grandparents living Some grandparents – in particular, some grandmothers – threw themselves off their balconies This happened with a certain frequency; I have since asked myself if it was something peculiar to that neighbourhood or period in time, a coincidence, or else some fault in my memory Whatever it was, it happened, or at least I remember that it happened We would be playing peacefully in the street when first the rumours and then, later, the cries reached us: the grandmother of we-didn’t-know-who had thrown herself from a fourth, a fifth, a tenth floor, always from enough of a height to kill her The apartments – council blocks of exposed brick – were high and had narrow balconies cluttered with junk: cleaning supplies, birdless birdcages, plantless plant pots, and old, dirty mattresses were visible Some were enclosed by a barrier of green glass, but this, evidently, didn’t stop the old women perching on the edge and throwing themselves off into the void It was like a plague Five or six flung themselves off in the space of just a couple of years; once we even saw, from afar, a body crumpled on the pavement, light as a rag, through the police cordon and the neighbours surrounding it There was nothing to stop us getting nearer, except perhaps fear and revulsion; nothing prevented us, either, from inventing perverse fantasies about the possibility of a murder – someone pushed her, said one; they did it to get the inheritance, another added, repeating ideas from TV movies; us, children of a neighbourhood where the grandmothers did not have nor ever had an inheritance   The grandparents died, but for us life had no limit What concept could a child have, after all, of death? Or, rather, what concept could a child have of death in a country free of war or conflict, in an average city in

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

Issue No. 13

Morning, Noon & Night

Claire-Louise Bennett

poetry

Issue No. 13

Sometimes a banana with coffee is nice. It ought not to be too ripe – in fact there should...

Art

November 2013

The Past is a Foreign Country

Natasha Hoare

Art

November 2013

‘The past is a foreign country: they do things differently there.’ The immortal first line to L. P. Hartley’s...

feature

June 2017

Oberhausen Film Festival

Tom Overton

feature

June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

 

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