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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

‘When you love, you are nailed to the cross,’ says a character in Rainer Fassbinder’s film In a Year of 13 Moons (1978) In Cigarettes, Harry Mathews’s novel published in the same year, a character finds himself quite literally crucified, replete with a crown of thorns – a consequence, and perversion, of love In Catholic theology, the idea of a love so pure as to evoke the ultimate sacrifice is approximated through the relic: a scrap of a shroud, a fragment of bone, a nail once pierced through flesh Imbued with the charge of history and the promise of salvation, these items both fuel and sustain the particular desire for proximity to holiness among believers   Pilgrims to Danh Vo’s mid-career survey at the Guggenheim Museum may find such desires pricked, teased, and thwarted by works that package the relic for the contemporary art market The Danish-Vietnamese artist, known for conceptual installations comprising rare and curiously sourced ready-mades, has been a fixture in blue-chip galleries and private collections At the Guggenheim, these objects are sparsely arranged on the museum’s winding ramp, where they are called upon to invoke grand themes: the legacy of American imperialism, and the artist’s lapsed Catholicism, among them Vo was born in Bà Ria, Vietnam toward the end of the Vietnam War, and moved with his family to a refugee camp in Singapore, settling eventually in Denmark Interspersing family photographs with artefacts from colonial Vietnam, the exhibition oscillates between intimate glimpses of the artist’s life and the sweep of history   Vo’s connection to a network of high-profile lenders has abetted a practice of skilled connoisseurship that allows the artist to impress audiences by the sheer incredulity of his acquisition Hung along the Guggenheim’s ramp is a chandelier from the former ballroom of the Hotel Majestic in Paris, where the Paris Peace Accord ending the Vietnam War was signed in 1973 In 2012, Vo acquired a group of objects from the estate of Robert S McNamara – the American secretary of defence between 1961 and 1968 – when the Vietnam War began to escalate Lot 20 Two Kennedy Administration

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

January 2015

One Out of Two

Daniel Sada

TR. Katherine Silver

fiction

January 2015

Now, how to say it? One out of two, or two in one, or what? The Gamal sisters were...

feature

Issue No. 1

Ninety-Nine, One Hundred

Tess Little

feature

Issue No. 1

Sitting at a British Library desk in July 2006, a reader carefully consulted the fraying pages of A Relation...

Interview

March 2017

Interview with Lidija Dimkovska

Sara Nović

Interview

March 2017

I met Lidija Dimkovska at the Twin Cities Book Festival in October, fleetingly, and completely by accident. I had...

 

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