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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Before I became a shelf-stacker and spent my evenings and nights in the aisles of the cash and carry market, filling shelves, fetching pallets from high on the storage shelves with the forklift, now and then helping one of the last customers of the evening and getting to know all kinds of food, I’d been working on building sites for a couple of years   I hadn’t given up of my own accord but I wouldn’t have kept it up all that long, even if the boss hadn’t fired me I was a builder’s mate, lugging sacks of cement and plasterboard, gutting flats – that meant I knocked the plaster off the walls, tore out fireplaces and chimneys with a big sledgehammer we used to call ‘Rover’, until I was covered in soot and dirt and spent hours getting the soot and dust out of my nose at home The firm didn’t even pay well and the boss was a bastard The guy came from Bavaria; I’ve met people from Bavaria who were actually OK though   I can’t remember exactly when all the fuss with the boss started, but I do know we were demolishing an old roof that day We found a big pigeon’s graveyard, two pigeons still alive and perfectly still in among all the bones, piles of feathers and pigeon shit and decomposing and mummified corpses, and we could only tell by their eyes and their heads, moving slightly every now and then, that they were waiting We fetched the Portuguese guys and they killed them with a blow of a spade Then we tipped lime over the pigeon graveyard and shovelled it all into buckets and tipped them down the rubbish chute fastened to the scaffolding outside   And after that we didn’t feel much like hard work any more; the pigeons had got to us We took the tiles off another section of the roof, not exactly motivated, removed the roof battens with wrecking bars, and then we took a lunch break   We usually had our lunch break at eleven thirty, and when the bells of the church just round

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

June 2014

Death on Rua Augusta

Tedi López Mills

TR. David Shook

poetry

June 2014

Translator’s Note Death on Rua Augusta is a book I knew I would translate before I had even finished...

feature

June 2017

Oberhausen Film Festival

Tom Overton

feature

June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

feature

October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

feature

October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

 

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