Mailing List


Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

When the water first left us, so did the birds   Manzour1, the great white pelican, no longer flew over our disappeared shores His excessive grunt was arrested, he was denied the pleasure of dipping his feet in the water like before    When the water first began to leave us, it was the year 20302 and panic ripped through our town like a swarm of locusts The fishermen, in the dead of night, called on their mystic, Umm Qays, to perform the ritual of Irja’ ya bahr, whose song asks for the return of the sea Umm Qays emerged from her abode, a clay house with white windows, carrying a bright flame that revealed the kohl under her eyes ‘Said and Radi, take me to the manba’3,’ she said to the youngest of the fishermen Arriving at the last source of water, she knelt in front of it, kissing the sand, and as her lips drew to the shore it turned crimson    ‘Said, Radi, lift me up,’ she said She sat on their shoulders as her words poured down ‘Irja’ ya bahr, enough oh sea, Irja’ ya bahr, enough oh sea, Irja’ ya bahr, enough oh sea’ She commanded the water to end its mischief     Said and Radi, with their limbs arranged in perfect symmetry, lifted Umm Qays higher as her voice got louder Her words entered their bodies, and as they chanted they formed a single tapestry of sound: ‘It is your Lord who drives the ship for you through the sea that you may seek of His bounty Indeed, He is ever, to you, merciful!’    Umm Qays licked the flame she was carrying in her arm and it grew into a majestic, bright light It took over the sky, covering the few stars ‘Now,’ she said, as she buried the flame in the water The fishermen, with their eyes falling to their knees, recited silent prayers, hoping the extinguished flame would bring an end to their anguish   But their optimism was cruel, as was Umm Qays’ promise The water did not return   *   After years of drought, our government

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

feature

March 2015

Plastic Words

Tom Overton

feature

March 2015

Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary...

Art

December 2016

Bonnie Camplin: Is it a Crime to Love a Prawn

Bonnie Camplin

Art

December 2016

  The title of Bonnie Camplin’s exhibition at 3236RLS Gallery, ‘Is it a Crime to Love a Prawn’, brings...

Art

September 2014

On the Ground

Teju Cole

Art

September 2014

I visited Palestine in early June 2014, just before the latest wave of calamity befell its people. For eight...

 

Get our newsletter

 

* indicates required