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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

This all happened in Barcelona, in the spring of 2017 I haven’t spoken to him ever since, we never got back in touch for some reason, and plus after I went back to Buenos Aires I met Agustín and soon we got together and I believe we were happy for a while, so I forgot about him and my brother and Barcelona and all of that And yet sometimes I still think about him, I don’t know why I remember I used to look at him, my head on the pillow, trying to make out his body moving through the semidarkness of the room, picking some clothes and then gradually coming into view at the foot of the bed, where he would sit and get dressed I remember I used to watch him walking out onto the balcony for the first cigarette of the day (stiza or stizza, that’s how he used to call it in Italian) and then stepping back in and leaving the windows and the white shutters ajar so that the sounds and the smells and the light of the city might pour into the room once the sun rose, once the city rose, because before that, as I quietly, almost secretly watched him getting ready for work, I would often find myself under the impression that he was the only human being alive in the whole of Barcelona, that I was spying on him, that I shouldn’t have been there, in his flat, in the flat of a man I barely knew, and in fact I never got used to that impression, to Cesare’s silent figure groping his way through the obscurity in the early minutes of the day, go on yes please don’t stop and this is the more surprising the more I consider that on the other hand I did get used, during those twelve days we spent together in Barcelona, in the spring of 2017, to the basic rhythms and patterns of his routine I

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

Issue No. 19

Editorial

The Editors

feature

Issue No. 19

‘A crisis becomes a crisis when the white male body is affected,’ writes the philosopher Rosi Braidotti, interviewed in...

fiction

June 2017

Ferocity

Nicola Lagioia

TR. Antony Shugaar

fiction

June 2017

A pale three-quarter moon lit up the state highway at two in the morning. The road connected the province...

feature

Issue No. 17

Editorial

The Editors

feature

Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

 

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