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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

My job during the war was to administer beatings This didn’t make me better than anyone else, particularly not the people I beat To ensure that I never forgot this, I was periodically beaten myself I, Laura Grimsey, a White, beaten quite roughly but within official boundaries by a Brown A team of Browns was retained expressly for this purpose: to beat the beaters   I celebrated my two-year work anniversary the week the war circus arrived This was by chance also the ten-year anniversary of the war effort itself The economy was soaring To celebrate in a traditional manner, the Bureau had received a shipment of commemorative tin helmets and tin flasks, and at the entrance to the war circus’s big top tent, spectators were handed tiny tin keyrings fashioned in the shape of a nuclear warhead with every circus programme Whites and Browns flocked to the war circus together, flush with anniversary bonuses and promotions In tribute to the unsinkable camaraderie of our army, the Whites and Browns bought each other pails of popcorn from the clown shuffling between the stands with a plastic tube of fluffy kernels braced like a sandbag across her shoulders   #   The War Machine Speaks with a Liquorice Tongue   Immigration, boy Can’t fault the Browns, far better off as they were loping through deserts and savannahs Hunting that big game under their own God-given sun Unafraid of what sails down from the sky But here we are Here we are We can only get on with it Come together, all of us patriots White Brown No matter We know our bombs the way we know our lovers The Annabelle The Betsy The Claudette In the armament factories we bellow out love songs Hands percuss metal shells We forget whose voice is White Whose Brown We’re lucky to have steady jobs What’s more, bonuses Britain Britain First Britain first  

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

August 2016

The Place of the Bridge

Jennifer Kabat

feature

August 2016

I.   Look up. A woman tumbles from the sky, her dress billowing around her like a parachute as...

fiction

June 2016

Beast

Paul Kingsnorth

fiction

June 2016

I stood in the river up to my knees and the river was cold. The water filled my boots...

Interview

January 2015

Interview with Rodrigo Rey Rosa

Scott Esposito

Interview

January 2015

Instructions: Take the high modernist and early postmodernist experimentalism of Argentines Jorge Luis Borges and Adolfo Bioy Casares. Move...

 

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