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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I strayed into the church on an impulse It was a mistake to get off the bus in the village here I should have waited until we reached the summer cabins, but all of a sudden I wasn’t sure where we were I got off without asking It turned out to be eighteen kilometres too soon The next bus isn’t until three, which is another four hours yet It’s like that on Saturdays, in the outlying areas   Now I’m sitting in the church with my holdall, surrounded by people in their best clothes I might as well be doing something while I’m here The main door is still open and the sun is shining outside The church is on top of a hill When I turn round and look out, I can see the view of fields and the sky Many of the others keep turning round too, twisting their heads this way and that After a bit there’s some muffled activity in the porch The organ begins to play and the bride steps into the church on her father’s arm Everyone stands up, nodding and smiling   I look into the bride’s eyes as she comes past Her hair is blonde and arranged in an updo Her father nods An elderly woman next to me leans across   ‘Ooh,’ she says softly   Her voice is a tremble She smells of camphor   ‘Yes,’ I whisper back   ‘Isn’t she just!’ the woman says, still a tremble   We sit down and the ceremony begins       After it starts I nearly leave I ought to But on the other hand it’s anyone’s right to sit and gape And if I leave now I’ll only draw attention So I stay put and join in the hymns when it’s time to sing, and leaf on to the next one in plenty of time   It takes a while, but then it’s over and the happy couple kiss The door is opened and the organ plays They walk back up the aisle, holding hands and smiling   Once they’ve left the church the guests follow them out I wait until last A woman stands in the porch shaking everyone’s hand;

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Prize Entry

April 2015

The Incidental

Luke Melia

Prize Entry

April 2015

The automatic rifle fire was followed by an unnerving whistle at Ti’s ear. He gripped the shopping bags, grabbed...

Interview

August 2016

Interview with Daniel Sinsel

Rosanna Mclaughlin

Interview

August 2016

In the decade after leaving Chelsea School of Art in 2002, Daniel Sinsel made a name for himself with...

feature

July 2012

Run, Comrades, #YOLO! — Cursory Notes on Radical Hashtag Forms

Huw Lemmey

feature

July 2012

I’m not up on the Internet, but I hear that is a democratic possibility. People can connect with each...

 

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