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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I There is no substitute for that moment when a book places into our mind thoughts we recognise as our own For those who carry a pencil, this is the thing we underline The identification is instant and intimate If the sentence is long enough, the sensation can even overtake us while we are still in the process of reading the thought that summoned it These notions spring from a mind similar to ours, except this mind has read books that we have not, has known experiences we lack, has relentlessly stripped away its banalities until this apt remark remains We admire those who create these thoughts, even as we secretly believe that we might have been the ones to write them first had we lived differently These discoveries come over us with the force of a reclaimed memory: life momentarily regains a sense of potential We feel awe, gratitude, and magnification Just the other day I encountered such a line in the poet Mary Ruefle’s essay ‘Madness, Rack, and Honey’: she calls on Mary Oppen to describe this very experience, and Oppen herself calls on Heidegger to help her do so ‘When Heidegger speaks of boredom,’ quotes Ruefle from Oppen, ‘he allies it very closely with that moment of awe in which one’s mind begins to reach beyond And that is a poetic moment, a moment in which a poem might well have been written’ In which one’s mind begins to reach beyond – that is precisely it Our senses are momentarily augmented Things heretofore imperceptible emerge into existence An essential few phrases become the focus of our thoughts, and if we can, we scribble them down immediately Irrepeatable once they have been lost, they carry within them a full poem   How fitting that Heidegger links this moment to boredom: it is precisely in those unconstructed white expanses that our thoughts are freed from the channels that normally guide them through a day In this sense reading may be thought of as a variety of boredom On many days I reach this quasi-bored state after having taken the morning train into

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

November 2015

Anatomy of a Democracy: Javier Cercas

Duncan Wheeler

feature

November 2015

20 November marks the fortieth anniversary of the death of General Franco. And while the insurrectionist’s victory in the...

fiction

Issue No. 3

Fifteen Flowers

Federico Falco

TR. Janet Hendrickson

fiction

Issue No. 3

To Lilia Lardone Summer was ending. The air already smelled like smoke, but it still looked clear, sunny. The...

poetry

June 2014

Oeuvres

Edouard Levé

TR. Jan Steyn

poetry

June 2014

1. A book describes works that the author has conceived but not brought into being. 2. The world is...

 

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