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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who defined New York’s inimitable and electrifying cultural scene of the late 1970s and early ’80s’, for a photo shoot entitled ‘They Made New York’ Among them were Philip Glass, Chuck Close, Susan Sarandon, Fran Lebowitz and DJ Kool Herc Almost everyone smiles, except for one man in the middle, who carries the face not of a celebrant but of a survivor This man is the writer, artist and filmmaker Gary Indiana   Born Gary Hoisington, Indiana was raised in Derry, New Hampshire At 16 he was accepted to the University of California, Berkeley, only to drop out shortly after He would crash around various communes until he found his place among a group of filmmakers developing what became known as ‘narrative porn’ – smut with a storyline, which would come to resemble modern reality TV In 1973, Indiana arrived in Los Angeles, where he was hired as a receptionist for an inner-city medical clinic and had access to ‘an endless supply of pharmaceutical amphetamines’ He took occupancy at the Bryson Apartment Hotel, a complex once considered ‘the finest apartment-house west of New York City’, and later made noir-famous by Raymond Chandler, who used it as a backdrop in his 1943 story ‘The Lady in the Lake’ By 1977 the Bryson was inhabited by junkies and dregs; Indiana, too, was falling apart A near death experience sent him packing to Manhattan, a place that to him had already had its moment: ‘I didn’t come to New York,’ he points out, ‘until 1978’   Defining Indiana by location, occupation or time is a tricky endeavour In the early eighties, he acted in experimental films, put on plays and wrote art criticism for The Village Voice, before publishing his debut story collection Scar Tissue and Other Stories in 1987 His first novel, Horse Crazy (1989), in which an older male writer falls for a younger former junkie-turned-waiter, is set against the backdrop of an AIDS-ravaged New York The writer character closely resembles Indiana, distilling his life into

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

feature

Issue No. 11

Climate Science

McKenzie Wark

feature

Issue No. 11

Welcome to the Anthropocene, that planetary tempo in which all the metabolic rhythms of the world start dancing to...

poetry

January 2014

Letters from a Seducer

Hilda Hilst

TR. John Keene

poetry

January 2014

At her death in 2004, Brazilian author Hilda Hilst had received a number of her country’s important literary prizes...

Prize Entry

April 2015

Smote, or ...

Eley Williams

Prize Entry

April 2015

To kiss you should not involve such fear of imprecision. I shouldn’t mind about the gallery attendant. He is...

 

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