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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

            Zut, zut, zut, zut             – Marcel Proust, A la recherche du temps perdu   Sostène Zanzibar was not feeling himself that day; someone else was A journalist from an English paper Name of Phyllidia Or possibly Petronella Something along those lines The interview had gone remarkably well Such probing questions Very stimulating, very in-depth There was no denying that Sienna – or possibly Serena – was thoroughly a young woman Hang on, cross that out Was a thorough young woman Very thorough indeed   In a bid to impress her host, she had taken up gesticulation with all the fervour of a new convert It was a joy to behold Her impeccably-manicured hands would suddenly flutter away from the warmth of her lap, describing graceful ellipses as if trying to conjure up words that could not possibly exist Ever In any language Even French   When the ink ran out of her biro, Zanzibar produced a pencil from his inside pocket with a little flourish ‘Men,’ he said, ‘alwez ave two penceuls’ He almost winked, but thought better of it ‘Women,’ she said a little later, sitting on his face, wearing nothing but her high-heeled boots, ‘always have two pairs of lips’ She almost added Try these on for size, big boy, but thought better of it too   Allegra – or possibly Anushka – had struggled to fully comprehend the answers to some (if not most) of her questions The fact that the former usually bore little (if any) relation to the latter did not help Neither did Zanzibar’s scattergun delivery nor his baffling habit of peppering his sentences with arcane references to Heidegger and Blanchot Whenever he switched to pigeon English, he sounded like Jacques Derrida dubbed by Inspector Clouseau, which proved an even greater source of confusion Of course, now that she was grinding her crotch against his salient features, that his nose kept popping in and out of her prize orifices, Zanzibar’s discourse was largely inaudible anyway This was as it should be She wanted to move beyond surface meaning, to experience his words at

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Interview

March 2017

Interview with Ondjaki

Stephen Henighan

Interview

March 2017

Ondjaki is the most prominent African writer of Portuguese from the generations born after Portugal’s five former colonies on...

poetry

April 2014

MUEUM

SJ Fowler

poetry

April 2014

Since I have worked at the mueum I have published, and I have written 486 pems. I have seen...

feature

October 2011

The New Global Literature? Marjane Satrapi and the Depiction of Conflict in Comics

Jessica Copley

feature

October 2011

Over the last ten years graphic novels have undergone a transformation in the collective literary consciousness. Readers, editors and...

 

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