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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

DEDICATION   Flamingo, urchin, bestiaric beast: Paroling city matters, you re-form From pigeon’s dirty feather to a quill   A parlour game: we reach the dovetailing Between those singing spasmic pities that We summon, and the dank urbanity   You wreak It comes to punish this reserve Love: whether zoo, circus, menagerie, All matters of a name more so than form,   Let us rush towards autowilderness, Strifed with wet, chaostic humours 1 Erotic prescience : I sense us : one   We’ve taken flyte, so let us rest in shelter, Into the original of the world, Nothing can stop our loved country from mattering   ONE   *   There is a woman turning a woman turning itself on   Sick hydra starting up    I dream of sea becoming seaworthy to sea   The sea drownsy    in its offensive capability   Drownsy Baby        thirsting in its sleep        Hush now   Totemic fetish or mnemonic logo    :    her offensive cheep    :    untid’ly starting up for the tide    :                cheap   *   You cannot scry in your own silver when its ripples split the vision   They cannot peer into a depth they’ve mined        and filled Selfsang in their own gags        Dull drams overfilled —spilling unward   Eat your eyesight, bastard            Ring yourself unfit   *   Q: Where has this water gone? Why disappear?   A: Add an arch to the middle of valour There’s your answer       In the mean time, build a city        Then build a countryside for balance   Now, not sea at all                They become   ardor’s coldened shoulder            Ardor eccentric Radiating inward   Throttling at different purposes and speeds   *   TWO   An altared state urned in a loss of verse Severed then served with coming of the morning My love has earned this insurrective swerve That seeks to crash the calming of his mourning   *   You rest inequality   If I was embedded in a painscape, it’d be different   Q: Where do you rest? A: Camped out in the bedazzled house of his runtish fantasy   His House Believes   As it is now, there is an asterisk to every kiss     Let me rest in that nest of those pink, electric branches   There, there is safety   *   THREE   To have a handle on something is to have the capacity to turn it on or off   *   What I    cuse him of I    cuse myself   *   When they are together, their shape is endless and content   The sea drinking the sea                    The sea is drinking the sea   *   The vulvic octopus dies with her young Meanwhile, I:    waste    with my    youth   The staggering dear does not accept my hand, fawning

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Prize Entry

April 2017

The Bad Thing

Annie Julia Wyman

Prize Entry

April 2017

1.   It must have been around the same time she decided that she really was using all the...

feature

September 2012

Existere: Documenting Performance Art

David Gothard

Jo Melvin

John James

Rye Dag Holmboe

feature

September 2012

The following conversation was held at the Institute of Contemporary Arts, London, in May 2012. The event took place...

Art

September 2011

Interview with Cornelia Parker

Lowenna Waters

Art

September 2011

Cornelia Parker has over the past twenty years carved out a reputation as one of Britain’s most respected sculptors...

 

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