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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

(this) black girl as shadow-boxer   Born soft, bulging, with sympathy & all manner of fruitful & barren laws, you cannot help but burst into prayer Always, till you wander into that invisible second of ecstasy, sweet communion with self   In silent moments, your little black girl smiles from inside you She smiles a Sunday morning, slept in on – a small sacrifice for the better of others She’s your reflection – a mirror from which you’re always backing away She stares at you long –   watches you wear pretend-earnest Pray that you pray for her joy, her days of abundance, of expansion Teach her to pray with precision for there are likely to be days when your breasts will search for ripeness   but black rot will come easier touch yourself – again & yet again till you wander into that hour of ecstasy, sweet communion with self, begging you to fulfil a wish, to no longer erase yourself       Small Inheritances   Your amai once was a girl too, adolescent, a curious young being, with skin like salted caramel, & a mouth full of salt, lemon, all things unsweet, your amai was once a girl too Who, like you, knew how to squander a full night’s sleep on fantasy, to swap it for full days of broad, deep slumber through heartbreak, through the last sliver of dim light, falling through the blinds soon after sunset She would tell you how hairless your head was, stuck between her thighs for hours How the midwife told her swallow, breathe,                  before asking if her father’s sisters hadn’t taught her that real, strong women birthed in silence, tongues tucked behind gritted teeth On days she used belts, switches & extension cords for broken cups, curfew slips, & other small things You cried for her, mostly for yourself You could never tell if it was that you looked like your father or because birthing you almost killed her     On Legalising MaryJane   You remember your grandfather’s imprecise smile Teeth a yellowing white like the sun’s glare at high noon; lips almost black like night on a full moon Mornings were spent tending to his fields before meeting afternoon, under the shade of the msasa, armed with a worn leather-bound bible; old newspapers &, a worn leather pouch Your assigned role: grab a piece of lit firewood from the kitchen hut for him to light what you thought to be newspaper-rolled cigarettes You remember your grandfather’s eyes; they had clouds

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

October 2015

War is Easy, Peace is Hard

Alexander Christie-Miller

feature

October 2015

At around midday on 19 July, Koray Türkay boarded a bus in Istanbul and set off for the Syrian...

feature

September 2013

Outside the Uniform

Kaya Genç

feature

September 2013

I.   The first time I had to wear a uniform I looked like a madman struggling against a...

Interview

October 2014

Interview with Vanessa Place

Kyoo Lee

Jacob Bromberg

Interview

October 2014

Vanessa Place is widely considered to be one of the figureheads of contemporary conceptual poetry, yet while books such...

 

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