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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

THREE DAYS   so it’s like, we shouldn’t press our cheeks together like we think / we know because say i saw pen on my sock this morning i looked and finally let some noise pass through lodge / into my ledgers, take heart there & i thought that there was something in the words it slipped down but then all of this   my padded fingers slip on to the handles swing above us we are shifted i mean shifting through the undergrowth & i am   i have fallen over i slipped #~#~# yeah but it’s fucking cheap they’re all so frightened of him and i want some lemon drizzle & the pub & you   HERE east oxford smells like cress now burnt rubber snakes its way up st clements smokes out the morning from my eyes & now the day is rotten limes in the way i speak to you, love   (####take heart, i never hit the right keys))   so the notebook bloomed when my cola leaked & i must wait for it to dry you try to make sense of it, the brown from the red, i mean but i can’t see that you’re right all my thoughts come in full sentences i am trying to pretend they do not three weeks in muck &   three days away from you they have nothing to do with what i mean? but the radio, what men say, #hahaha somebody lives there & kicks the ticker when they should edit, circle me deeper they only know grammar, & even when you are waiting we slip on my surfaces, talk for days about how i should learn to eat again with half a broken jaw & you will be here when i sleep, three days from now   & the days past   & i am always a gutted thing with hands too cold still to work the phone                             POETA EX MACHINA for Veronica Forrest-Thomson   my voice makes the machine work the tape clicks inside but it’s just ether now   if a

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

fiction

February 2016

The Reactive

Masande Ntshanga

fiction

February 2016

My back cramps on the toilet bowl. I stretch it. Then I take two more painkillers and look down...

Prize Entry

April 2016

Oh Whistle and

Uschi Gatward

Prize Entry

April 2016

God has very particular political opinions – John le Carré     M is whizzing round the Cheltenham Waitrose,...

fiction

March 2014

The Garden of Credit Analyst Filton

Martin Monahan

fiction

March 2014

Ivan Filton had retired early. ‘I have been working a lot on my garden,’ declared Ivan Filton. ‘This is...

 

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