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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

What interests me most is that Schaumann, the state executioner, bred mice In his spare time Sirens, ozone, exhaust are words I could use to entice you into thinking yourself interested in the scene at Sing Sing where Schaumann, of whom you’ll hear quite a bit more, was dispatching this or that killer on a day let’s say in spring Did you know that he lived in an undecorated house? As a rule, he was inclined toward plainness An absence of adornment in his clothing, decorations, speech, wife, car, habits, comestibles He could have lived thus even if employed as a dog catcher or chiropodist Ostentation was invisible to him Or he preferred not to see it Tasteful or un, he found anything done for no reason than to excite the senses to be in poor form He had never thought otherwise Perhaps a transcription error in the old zygotic alphabet A likelihood that would not have been unfamiliar to him, breeding his mice Here a one with a longer tail, there a one who wouldn’t take food Schaumann eschewed even condiments Nor would he wear charms or trinkets He had lost his wedding ring on his honeymoon While swimming Sucked away by the salt he would not have added to his beef stew Leading his wife to joke that Schaumann was now married to the sea A joke, for those with an ear for such things Schaumann had no guile His children found it easy to deceive him His children found him simple Given his profession, however, I am tempted to see something defensive in his meticulous triviality Ostentation would draw attention If attention were paid to Schaumann, the attender might learn what Schaumann did for a living So he was ashamed of it?   Sources differ   His children found him simple I think they were mistaken And, anyway, they will not read this story I won’t encourage them to do so, and I’ll ask that you not bring it to their attention And did

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Interview

January 2015

Interview with Magdalena Tulli

TR. Bill Johnston

Grzegorz Jankowicz

Interview

January 2015

This interview appeared in Po co jest sztuka? (What Is Art For?), a 2013 collection of interviews with Polish...

feature

February 2015

Greece and the Poetics of Crisis

Joshua Barley

feature

February 2015

On the Aegean island of Skyros, in the Carnival period immediately preceding Lent, a more ancient ritual takes place....

feature

July 2014

The Fast, the Furious and the Power of Frivolity

Orlando Whitfield

feature

July 2014

The six chapters that comprise the Fast & Furious franchise thus far (a seventh is due for release in...

 

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