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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

  MODES OF BEING   A new hobby of mine is repeating a word until it strays from its centre of meaning, so risibly            alive (an egg tumbling through grass) unburdened of itself, beyond thinking I lead a rich and duplicitous life on the ward I’m fed well All the residents know me, their cherubic faces assuaging my fears in the midst of some sinister music   I’m happy enough letting the television play, allowing sunlight its languorous dominion   In the cool phosphorescence of these bus stop days (my dust rising and returning) comes feeling       CRYPSIS   Stop the gunboats! Lately I’m relishing being a strange fungus in the meaning of the hall unmolested, my brain a razed monastery of thoughts a prized gourd at the funeral of verbs   I’ve only growth as a means of mobility Here beneath the smashed, chaotic flagstones a specious beach   bestrewn with slogans, garbled soundbites cracked versions of ourselves exhumed in sunlight in a tableau of what’s real   What to tell you? That it’s enough to make beautiful things to love redly despite the expiry date of dogs   That the mind blooms serenely, in virtue of itself: a feted puffball   of which these poems are the spores       THREE OR FOUR HILLS AND A CLOUD   Morning Time to crank up the machine without which this wouldn’t be possible   (You gesture towards some tangerines, a laptop, a fresh pot of coffee)   This still life cannot excite me today, will not sate nor diminish this longing to escape this life for jungle scenes to play swingball with vigour, meet monkeys   Bad example, but you know what I mean about torpor, the bureaucrat’s burden, so often fishing in stagnant pools when each door opens onto salvation   In the next life (whoever you are) I’ll be good, like the spring, if not better I’ll wade out into flowerful fields and disappear I’ll see you tomorrow  

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Interview

January 2015

Interview with Rodrigo Rey Rosa

Scott Esposito

Interview

January 2015

Instructions: Take the high modernist and early postmodernist experimentalism of Argentines Jorge Luis Borges and Adolfo Bioy Casares. Move...

Interview

Issue No. 1

Interview with China Miéville

Ben Eastham

Interview

Issue No. 1

It is a cliché to say that a writer’s work resists classification. It is ironic then that China Miéville,...

Interview

November 2012

Interview with Simon Critchley

John Douglas Millar

Interview

November 2012

Over the last twenty years Simon Critchley has produced a series of elegant works of political and cultural theory....

 

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