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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I As I stood on the flanks of the Kaçkar Mountains where they slope into the Black Sea near the town of Arhavi, the placid horizon of water struck me with a sense of fear It was the same feeling many people get when swimming in the open ocean: you imagine the emptiness stretching for hundreds of metres beneath your kicking legs and experience a kind of vertigo; the blackness below assumes a hostile presence, and you wonder what it might conceal, and shudder at the loneliness of sinking into it   I was visiting the northeast corner of Turkey – a region once known as the Pontos – in pursuit of sparrowhawks I had heard about a local falconry tradition that seemed so unusual as to be scarcely credible As I became more interested in the region, however, and the falconers and their dying pastime, I became ever more fascinated by the Black Sea itself If the Mediterranean has been a canvas for human history, a teeming petri dish in which Western culture evolved, the Black Sea has had a more diffident relationship with the people surrounding it Apart from in the north, the flat curves of its coast are largely bereft of the islands, peninsulas, and natural harbours that have folded the Mediterranean so snugly into the societies that fringe it Before they strung their colonies along its southern shores 2,500 years ago, the Greeks called it Axeinos – the Inhospitable Sea   Perhaps I felt this fear because of what I had read about the flood During the last ice age, when global sea levels were more than 100 metres lower than they are today, the Black Sea was a freshwater lake disconnected from the Mediterranean As the ice melted and the sea level rose, it remained as much as 90 metres lower than the neighbouring sea, which was separated from it by the sill of land on which Istanbul now lies In 1997, American scientists Walter Pittman and William Ryan published a theory claiming that the waters of the Mediterranean spilled over this sill 7,500 years ago in a cataclysmic

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

November 2011

Lucifer at Camlann & Amen to Artillery: Two Poems

James Brookes

poetry

November 2011

LUCIFER AT CAMLANN In the drear fen of all scorn like a tooth unsheathed I shone for I too...

fiction

Issue No. 8

Estate

China Miéville

fiction

Issue No. 8

Two nights running I woke up with my heart going crazy. The first time, as I lay there in...

Art

Issue No. 3

Dead Unicorns: Apocalyptic Anxiety in Canadian Art

Vanessa Nicholas

Art

Issue No. 3

David Altmejd’s installation for the Canada Pavilion at the 2007 Venice Biennale was a complex labyrinth of ferns, nests...

 

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