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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

1 A book describes works that the author has conceived but not brought into being 2 The world is drawn from memory There are missing countries, altered borders 3 Proust’s head is drawn on a page of In Search of Lost Time The words tracing out the contour of his face form a grammatically correct sentence 4 Man-sized aluminium mannequins are dropped at different heights from a crane Metamorphosed by folds, they adopt the pose to which they are constrained by their new morphology 5 An exhibit displays pieces unalike in spirit, style, and technique, but with the same origin: their author saw them while dreaming 6 Entomological boxes contain invitation cards to exhibitions that didn’t take place The reasons for their cancellation are written below the cards The boxes are hung on the walls like a collection of insects 7 A woman’s voice describes the shapes she sees in the static snow on the television screen after the end of broadcasts Geometric forms, windmills, ghosts The video is shown on a monitor posed on a low table at the foot of a divan couch The visitor lies down and compares what he sees to what he hears 8 Museum of Nobodies Instead of the usual celebrities, a wax museum displays unknown characters Chosen at random from the telephone book, the models are representative of neither an epoch, nor a region, nor a profession At its inauguration, the museum shows thirty statues Two new models are added to the museum’s collection each year: as the years go by, an evolving, sculptural, and hyperrealist memory of society emerges 9 Every year in January, a painting is made from memory of the same photograph, which represents a square in Bangkok during a time of affluence Neither the model image, nor the preceding paintings are looked at After ten years the paintings are revealed and exhibited alongside one another 10 A film scene is shown backwards to actors so they can learn to act it in reverse Once they succeed, they are filmed anew The new scene, in turn projected backwards,

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

June 2011

Beautiful Poetry

Camille Guthrie

poetry

June 2011

‘Being so caught up So mastered.’ Yeats     I was too shy to say anything but Your poems...

feature

Issue No. 17

Editorial

The Editors

feature

Issue No. 17

An Englishman, a Frenchman and an Irishman set up a magazine in London in 2010. This sounds like the...

Interview

October 2014

Interview with Jem Cohen

Steve Macfarlane

Interview

October 2014

Jem Cohen may be one of the quintessential New York filmmakers of our era. Peerless in his knack for...

 

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