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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

On a pale marble fountain in Dubrovnik, I posed I pretended I too was a stone figure, water gushing from my smooth, full breasts A focal point in a crowded square of coffee drinkers and nuns, radiating from within I couldn’t wait for my vision of a woman to emerge In my grandmother’s wooded garden, I wore my red plaid dress backwards, playing at having a bust, three buttons undone My collarbones would be something beautiful, I knew Like me, my friends rehearsed womanhood One friend would lead me to her mother’s closet and pull out the silks and laces for us to wear Another drew a brassiere, stockings and garters on her Barbie doll Barbie and Ken slept naked I pressed them together and held them still I imagined this cool, dry embrace was the path to ecstasy The hair jarred me out of this fantasy I was dreaming in the dusk of a blanket fort, my arm behind my head Springing from my underarm was crooked, pale brown wire I felt too old for my t-shirt – painted birds in puffed, bright colours If I ignored the strands, would they disappear? My first menstruation came on Easter Sunday And the next at Christmas Then again at Easter, Christmas and in some years at high summer I felt connected to something great, God or otherwise, yet wanted nothing to do with the blood I wanted only to be an effigy Now, I tried to will it away I thought the dry time between bleeding meant I was succeeding ** My father and I hiked up the hill behind our house, past where the fires burned, past the horse stalls, past the fire roads and to the strip mall where I took karate lessons I felt strong, free, free again Free as one can only feel in suburban Los Angeles when one realises it is possible to live without a car I loved my breasts, small, nonetheless there, my strong legs The way the fabric clung to me, the yellow dust and sweat on my skin My

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Issue No. 16

Scroll, Skim, Stare

Orit Gat

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Issue No. 16

1.   This is an essay about contemporary art that includes no examples. It includes no examples because its...

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August 2013

The Ghosts of Place

Dylan Trigg

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August 2013

 ‘So I turned around for an instant to look at what my field of vision onto the sea had...

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May 2011

Why I Write (Rather than Riot)

Gavin James Bower

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May 2011

Watching the recent public demonstrations protesting, at times violently, the Coalition government’s budgetary cuts, I was forced to revisit...

 

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