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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Awst & Walther are a husband and wife team who create multi-disciplinary art works which range from building a huge wall of melting ice outside the German Embassy to a performance in which the movements of two nude figures wearing ancient Grecian helmets twitch at a grey curtain   Their latest exhibition, Components, at the Hannah Barry Gallery, brings together four years of sculpture and performance work, shedding light on ongoing thematic preoccupations and material attitudes in the artists’ work This group of works reveals an acute fascination with corporeality, temporality and spatiality, and the experiences and situations that occur from different combinations of these aspects   The artists employ an array of unconventional and alternately austere and sumptuous materials – gelatine, glass, ice, gold, feathers, tar, concrete, neon, are all used in making painting, sculpture and performance to explore our attitudes towards beauty and human behaviour Theirs is a collaborative endeavour focused on creating knowledge and meaning, towards a better understanding of our world   Manon Awst (b 1983, Wales) and Benjamin Walther (b1978, Dresden), have shown at Junge Kunst (Wolfsburg), Kunstraum Aarau (Switzerland), Künstlerhaus Bethanien (Berlin), Nassauischer Kunstverein (Wiesbaden), Cass Sculpture Foundation (Goodwood) and the National Museum of Wales (Cardiff) Here, they answer questions put to them by journalist and critic Francesca Gavin     APPLE Explain the motif of the apple in your work We like the ambivalence surrounding the apple – it represents an act of corruption, the fall from grace, but also the beginning of civilisation and the birth of love We used it once in our piece Temptation where it was placed next to a hand grenade Both objects are golden BERLIN How does it influence the content and aesthetic of your work? Berlin is fragmented through its history There are breaks and interruptions that make it unique We feel challenged by that Aesthetically, we love its dark, stark, cold side – we can relate to this COLLABORATION Tell me about your working processes We admire each other and like spending time together From the moment we met we had this need to make things together – it felt very natural Being in the studio every day is important

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

January 2015

Why I'm Not a Great Lover

Clemens J. Setz

TR. Ross Benjamin

poetry

January 2015

Why I’m Not A Great Lover   The circumstances. The zeitgeist.   The inner uncertainty. The lack of belief...

Interview

Issue No. 9

Interview with Rebecca Solnit

Tess Thackara

Interview

Issue No. 9

Rebecca Solnit’s The Faraway Nearby, like many of her books and essays, is a tapestry of autobiographical narrative, environmental and...

Interview

February 2013

Interview with Wayne Koestenbaum

Charlie Fox

Interview

February 2013

Perhaps what’s gathered here is not an interview at all. Precisely what it is, we’ll think about in a...

 

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