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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

How might the novelist, working with a form traditionally obsessed with humans, represent the nonhuman? Or, perhaps a better question: how might a fiction writer animate the two — figure and ground — to express and confront our present ecological crisis? Is it sustainable to work, as we do, in an intensely virtual and phenomenally heated time? The Disaster Tourist by Yun Ko-eun, translated from Korean by Lizzie Buehler, offers one possible, tantalisingly zany answer to the future of work and fiction (storytelling) in our age of mass extinction For Yona Ko, the office-worker protagonist, ‘Disaster lay dormant in every corner, like depression’ This South Korean dark comedy underlines the absurdity of our complicity and collective contribution to the present crisis    Reading the first chapter, I couldn’t help but imagine it narrated like a cheesy film trailer from the 90s, a male voiceover on top of shots of office cubicles Yona Ko is a top programming coordinator at Jungle, a Seoul-based tourism company that specialises in holidays to disaster sites Jungle offers 152 travel packages, including trips to sites of nuclear meltdowns, floods, earthquakes, volcanos, desertification, hurricanes, war, tsunamis, and much more ‘As a child she hadn’t imagined doing work like this, but she was skilled at quantifying the unquantifiable,’ the narrator notes, drily When a tsunami strikes Jinhae, a coastal city, during cherry blossom season, Yona takes the train down to survey the site, distributes donations and condolences, and plans an itinerary that combines volunteering with viewing the aftermath of the tsunami Rumours of an enormous trash island formed from wreckage and ‘destined to swirl about the sea for decades’ float onto the TV, but quickly vanish Back at the office, Yona waits by the copy machine, feeling so catatonically bored that she starts to browse websites that estimate the user’s date of death After ten years at the company, her conscience is more of a whisper than a shout: a customer calls to cancel a trip because his child is in hospital, and she explains for the thousandth

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

feature

October 2014

Blood Out of a Zombie

Laurence A. Rickels

feature

October 2014

The German filmmaker Ulrike Ottinger has on three different occasions put the camera aside and directed for the theatre, each...

poetry

December 2011

Sonic Peace

Minashita Kiriu

TR. Jeffrey Angles

poetry

December 2011

Beneath the sun My interchangeable routines Are formed from superfluous things Managing this place is A metal will, swelling...

Interview

Issue No. 3

Interview with Elmgreen & Dragset

Ben Hunter

Nicholas Shorvon

Interview

Issue No. 3

Michael Elmgreen and Ingar Dragset are among the most innovative, subversive and wickedly funny contemporary artists at work, or...

 

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