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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I   All the real niggas are dead or in prison We are elaborating gently We are gooey in the middle The distance between those twin possibilities is Cartesian We know they will kill us, in small & flagrant ways Still, we follow breadcrumbs & hope for a dignified annihilation Slippery as newborn calves, we glisten We are fighting for the inalienable right to be ugly & still have an open casket We are loud about our pain & the world hates us for it We kill with the blunt instrument of kindness       II   Some people are born possessive nouns Some people leave & others stay Amal with the soft earlobes, the suppressed lisp Raspberry milkshakes at the park The skin on her knees like wild chanterelles foraged at dawn Recall the violet of her mood ring Forever stuck on the colour of asphyxiation We are suspicious of purple, Jarman wrote, it has a hollow bombast We found his words in the clammy belly of a Hampstead charity shop  His purple was exhibitionism, Hendrix, impish Prince, imperial tyranny, smut, the smell of Alexander the Great’s piss, luxury, a violation of decent taste Always, a passage Some people are drawn to the dusk of other interpretations Easter Funk Failure Christian repentance in violet robes Away from our cluttered sadness, Jarman wields his cane, bent like a prophet-in-waiting We are gassed up & drunk off our own subjectivity Terminally disappointed the way babygirls raised on prophets & rappers are bound to be Both die young & leave behind poor imitations We refuse to destroy ourselves to give meaning to your Order        III   During that inching hour just before Iftar, the holiest month was ushered in by IM chat sessions & notification alerts She moved to Cairo just in time for the revolution Like clockwork There we go again Blackness as centripetal force, as timekeeping beyond time, as magpie collation, as marooned miscellany, as an inventory under siege, as a mad ting, a wahala, a junoon, a reverie of blue-veined jinns, as a crush of meaning, a sodden map, a

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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feature

Issue No. 20

From a Cuban Notebook

J. S. Tennant

feature

Issue No. 20

Beneath the rain, beneath the smell, beneath all that is a reality a people makes and unmakes itself leaving...

Prize Entry

April 2016

DATE NIGHT

Chris Newlove Horton

Prize Entry

April 2016

He said, ‘Tell me about yourself.’ He said, ‘Tell me about you.’ He said, ‘Tell me everything. I’m interested.’...

Art

November 2012

7 1/2 mile hike to Mohonk Lake via Duck Pond

Patricia Niven

JA Murrin

Art

November 2012

Notes on a Walk Never Taken by JA Murrin   As a writer I like to visit the places...

 

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