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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

‘The interior of a pocket is hidden away’, writes Francis Whorrall-Campbell in the speculative manifesto ‘Pocket Theory’, a response to Ursula K Le Guin’s 1986 essay ‘The Carrier Bag Theory of Fiction’ ‘Tucked inside we might find weird lives and weird literature’ Secretive, suggestive, intimate: the pocket, Whorrall-Campbell argues, is a fitting home for chimerical, hard-to-define narratives   Issue 33 of The White Review contains a number of slippery and illuminating subjects, from the inner cosmos of the sleeping psyche to the murky world of inheritance ‘The Dream Laboratory of Nicolae Vaschide’, an extract from Mircea Cărtărescu’s surrealist novel Solenoid (2015), translated from the Romanian by Sean Cotter, describes the hallucinogenic awakening of a child prodigy who becomes a psychologist and dream scientist ‘His thoughts, until then unsettled and cold like crystal vials, now burst open’, Cărtărescu writes, ‘the way a lily bud bursts, arching and turning in a brilliant efflorescence’ In an interview with Noga Arikha, the author Siri Hustvedt discusses her polymathic practice, the problems with mind- body dualism and her experiences of working across literature and the sciences ‘Let Them Know by Signs’, an essay by Rosa Campbell and Taushif Kara, traces the strange histories and causes of the conspiracy theory, from the Kenyan belief that British colonisers were stealing the blood of Africans to strengthen anaemic Europeans, to QAnon and Pizzagate   ‘There’s a family tree that my uncle was able to recover,’ Ariel Saramandi writes in the ‘The Inheritors’ ‘Some of the branches were drawn to look like fingers; at my great-grandfather’s name there’s an amputation, a cut to mark the place where whiteness ends’ ‘The Inheritors’ combines essay and fiction to piece together an account of land dispossession in Mauritius, where Creole heirs were routinely cut off and land documents buried in archives or destroyed The weight of inheritance is also explored in Gina Apostol’s new fiction ‘The Court Case’, in which a flamboyant mother chases after a lost family estate in the Philippines In Brazilian writer Itamar Vieira Junior’s excerpt from the novel ‘Crooked Plow’, translated from the Portuguese by Johnny Lorenz, two young sisters raid

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

February 2013

Social Contract

Les Kay

poetry

February 2013

Formally, I and the undersigned— What? Use, like Mama said, your imagination if you still have one where scripts...

fiction

June 2011

Arthur Miller

Michael Amherst

fiction

June 2011

The last time I saw Vin and Jackie we were killing slugs. The three of us had been smoking...

feature

Issue No. 5

The White Review No. 5 Editorial

The Editors

feature

Issue No. 5

One of the two editors of The White Review recently committed a faux pas by reacting with undisguised and indeed...

 

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