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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Early in Judith Schalansky’s An Inventory of Losses, the narrator describes the way an ancient form of writing survived oblivion The soft clay tablets on which the proto-ancient Greek script known as Linear B were written, detailing the income and expenditure of the Palace of Knossos, were hardened by a fire that destroyed nearly everything else around them, including most of the palace itself If not for the fire, the survival of that early practice of record-keeping by inscription is doubtful Such an irony seems central to Schalansky’s work Her new book is about what we have lost, but also what remains: in her case, not through fire but through imagination   Translated from the German by Jackie Smith, An Inventory of Losses is an attempt to confront what has been destroyed, either by time or human hand How can writing, it asks us, help us remember or mourn the inevitable destruction of things? In this series of prose pieces that mix essay, memoir and fiction, Schalansky describes a variety of objects that have disappeared from the world Her sense of what an object is – maybe ‘thing’ is a better word – is expansive, including animals, films, and buildings Each piece begins with a factual description of the item, and the accompanying text expands on it either by reconstructing the world in which the thing existed or sometimes imagining a scene that somehow resonates with it in a less direct way Whether she is describing a particular breed of extinct tiger, the lost poetry manuscripts of Sappho, or monumental buildings from Schalansky’s own East Berlin childhood, her book is part Wunderkammer, part memento mori   The book calls itself an ‘inventory,’ and although the term is wonderfully evocative, it is somehow limiting to what An Inventory of Losses actually is, the title being another example of Schalansky’s irony According to the Society of American Archives, an inventory is, ‘A list of things, or a finding aid that includes, at a minimum, a list of the series in a collection’ There are other works of literature that resemble this more

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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Art

September 2015

Sightlines: James Turrell

Gareth Evans

Art

September 2015

For, and in memory of, Jules Wright   Approach   It is a pleasure too rarely realised to venture...

Interview

Issue No. 20

Interview with Anne Carson

Željka Marošević

Interview

Issue No. 20

Throughout her prolific career as a poet and a translator, Anne Carson has been concerned with combatting what she calls...

feature

February 2011

Novelty and revolt: why there is no such thing as a Twitter revolution

Nadia Khomami

feature

February 2011

The world is seeing an increase in the use of social media as a tool for mobilisation and protest....

 

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