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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

 1 PhD   Blue bedroom, Grandma’s house, Aigburth, Liverpool   I gave birth to one hundred thousand words Tessellated, affectless, still   I was in a pair of stirrups, draped in black Behind me were cascades of water and municipal marble, people sitting inanimately I printed me out on acetate for the overhead projector   Vagabond pronunciation, vigilant renunciation, off with her head   Brashness and redness and badness and rudeness and leaving and wasting and waste   Fat lowly bearable extrapolation, fine gradations of change   Grandma came in and turned the big light on, offered photographs Women in terracotta silk, cars parked outside garage doors, Mum shoving an apple in Jeremy’s mouth She put a cup of Douwe Egbert’s on the side Was I sad because I wanted a boyfriend? I turned away, rinsed in salt     Hornsey, London   Matthew was in the kitchen, glancing with accusation at a Bolognese tidemark in the sink His grey jogging bottoms were tucked under his heels, nestling in his arches He switched off the little lights underneath the kitchen cupboards and turned it into the sort of conversation that is a prelude to an unlit room I don’t like those sorts of conversation He wished me luck   On the train a little boy was talking at his dad, who was thumbing his screen with maniacal grace They started a game of what five things the little boy would put in his supermarket basket Cucumber, ice cream, tomato, all the puddings, and trifle   Lunch with Paul He kneaded his sandwich with his fingers It was doughy and airless at the perimeters and the butter and salmon fattened into triangular pouches, a sophisticated solution to refrigerated bread His teeth were translucent   We spoke for ninety minutes, the foetus on my lap He gave me a gift, his book I asked him if he wanted to sign it My cheeks were hot Let me look at it No I need to see it No Can’t you blog it?     Rose’s, Bristol   We went to a café in the rain Children ate sausages from Falcon enamel The goats at the petting zoo had their horns zapped off If Rose were an animal she would be a fox Not

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

feature

September 2014

The Mediatisation of Contemporary Writing

Nick Thurston

feature

September 2014

Trying to figure out what marks contemporary literature as contemporary is a deceptively complicated job because the concept of...

Interview

Issue No. 13

Interview with Michel Faber

Anna Aslanyan

Interview

Issue No. 13

MICHEL FABER’S RANGE OF SUBJECTS – from child abuse to drug abuse, from avant-garde music to leaking houses – is as...

Interview

Issue No. 7

Interview with Keston Sutherland

Natalie Ferris

Interview

Issue No. 7

Said by the New Statesman to be ‘at the forefront of the experimental movement in contemporary British poetry’, Keston...

 

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