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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

I’ve always lived with Aunt and Uncle They’re the only sisterfuckers I’ve ever had, and I’ve always lived with them The house is cold and skinny and my bedroom is right at the top, on the fourth floor, in the space underneath the roof If I stand in the middle I’m alright, but since I turned 11 a few years ago, I’ve had to bend my knees to stand in the spaces where the ceiling swoops down and the mice scuttle I spend most of my time here in my bedroom when I’m not at School I draw pictures or write things down Downstairs, Aunt smokes from her hookah pipe and listens to sad love songs from the cassette with a large ‘S’ painted on it in blue nail varnish Uncle is asleep He wakes up when the sky gets dark, and washes his face till his eyes turn red and water drips from his long feathery hair Then he comes downstairs and sits on the edge of the sofa, breathing heavily, making a noise like there’s something wet and green lodged in his throat He waits for Aunt to bring him his special drink of chilled chicken’s blood and rose water, served in a tall glass covered in faded gold flowers He gulps it, feathery head thrown back, then smacks the glass on the table, clears his throat, puts on his stinking leather jacket, and leaves for his shift at Paris Sweets and Restaurant, where he cooks and sweats in the small, dark kitchen all night, over pots that would crush him if they could I don’t drink the chicken’s blood, but I do eat the flesh when Aunt cooks it She cooks it in all sorts of ways, with butter and spices, turns it into this or that, a pastry or a soup or a jelly Uncle doesn’t eat the flesh, Aunt says his throat closes up around food It’s the chicken’s blood that keeps him going, that, and the smells of cooking, is all he needs He’s not had any solid food for so long now

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

September 2012

Sarah Palin Night

Agustín Fernández Mallo

TR. Michael McDevitt

fiction

September 2012

It was a Sunday afternoon, siesta time: my phone buzzed in my pocket. ‘Is this Agustín Fernández Mallo?’ ‘Yes,...

poetry

April 2017

The Village

Mona Arshi

poetry

April 2017

                                 When I pronounce...

feature

October 2014

Blood Out of a Zombie

Laurence A. Rickels

feature

October 2014

The German filmmaker Ulrike Ottinger has on three different occasions put the camera aside and directed for the theatre, each...

 

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