Mailing List


Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

Others have it worse, have had, will always ‘We,’ though, own the record now for largest building collapse   A double you could call it Work with it Live with it Others far away die (and live) with the daily probability of car bombs, bus bombs, persons exploding in the neighbourhood They experience bombs from the sky and the earth, and are exhausted and homeless, and watch their children wasted by hunger, maimed, lost; and can’t keep in touch with friends to get help, join forces, or mourn And can have scarcely a thought except for today’s survival Scarcely a thought period For example, that history is what hurts Thought must seem like a leisure activity for those whose survival is in doubt Like reading   And so, what is my experience worth, displaced from a lower Manhattan loft for three weeks by air quality and marginal restrictions and shock?   What use is my experience? What do I make of it, putting it together? A form it may take in what we make A half-recalled remark someone made about a very long sentence or two of mine   A memory bears me from inside myself perhaps an hour and a half beyond that first clear sight from the parking lot across the street from our old six-storey brick building eight blocks from the shining north tower of the World Trade Centre abstractly, palpably burning, and a few minutes later the south which from my angle with scarcely a sliver of space between the two seemed to catch fire from the north; and carries me beyond several things I did thereafter during an extended moment of unusual dimensions (a structure also of some outside and inside project encompassing me) such as shut my absent neighbours’ fourth- and fifth-floor wide-open windows that I’d noticed from where I stood at five minutes of nine across the street C thinking floors, height, sky, fire, distance, closeness, passengers, and a ‘thought’ that the plane, which I had not seen, was gone into that hole it had made (that I could see) shaped by subtraction – while with me in the

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

READ NEXT

Art

March 2011

Gabriel Orozco: Cosmic Matter and Other Leftovers

Rye Dag Holmboe

Art

March 2011

‘To live,’ writes Walter Benjamin, ‘means to leave traces’. As one might expect, Benjamin’s observation is not without a...

Art

March 2011

Trafalgar Square Street Protests

Cosmo Hildyard

Joseph de Lacey

Art

March 2011

The following photographs were taken during the third day of student protests in London on 1 December 2010, a...

feature

June 2017

Oberhausen Film Festival

Tom Overton

feature

June 2017

Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real...

 

Get our newsletter

 

* indicates required