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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

ANDRÉ BRETON The most memorable thing about our meetings [around 1919-1920] was the almost complete bareness of the room in which Reverdy received us, usually on Sundays He lived at the top of Montmartre, rue Cortot, a stone’s throw from the rue des Saules Of the astonishing ‘climate’ that prevailed there, nothing could give a clearer picture than this remarkable description by Reverdy himself, at the opening of La Lucarne Ovale [1]:   At that time coal had become as precious and as rare as nuggets of gold, and I was writing in an attic where the snow, falling in through cracks in the ceiling, would turn blue Such force of expression has for me lost none of its beguiling charm It takes me back, instantly, to the heart of that verbal wizardry which, for us, was the preserve of Reverdy Only Aloysius Bertrand and Rimbaud had previously ventured so far down that path For my part, I loved and I love still – yes, love – this poetry that takes as its subject the vast swathes that halo everyday life, that haze of anxieties and intimations that flutter around our thoughts and actions From these he pruned as if at random, the rhythm he created appearing to be his sole tool, albeit one that never betrayed him; he was a marvel Reverdy was much more of a theorist than Apollinaire: he would even have been a master in our eyes had he been less impassioned in debate, more aware of the arguments with which we opposed him, though it is true that this passion made up a great part of his charm No one has reflected better, nor has known how to make others reflect, on the profound effects of poetry Nothing could hold greater importance later on than his ideas on poetic imagery Nor is there anybody who has shown such exemplary indifference to the ingratitude of fate   (Interviews with André Parinaud, ‘Le Point du Jour’, Gallimard, 1952)     LOUIS ARAGON A black sun has set in Solesmes When we were 20 (Soupault, Breton, Eluard and I), he embodied for us all that was pure in the world Our immediate elder, and the exemplary poet Life may well have ebbed between us, but it

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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poetry

January 2016

Two New Poems

Elena Fanailova

TR. Eugene Ostashevsky

poetry

January 2016

(POEM FOR ZHADAN)   This (my) country will be the death of you Its military mathematics Its secret services...

Interview

Issue No. 16

Interview with Gary Indiana

Michael Barron

Interview

Issue No. 16

In July 2015, T: The New York Times Style Magazine gathered twenty-eight ‘artists, writers, performers, musicians and intellectuals who...

fiction

Issue No. 14

Beetle

Joanna Kavenna

fiction

Issue No. 14

SKITAFLIT, DAY 49   704 Dawn Breaks above the grey-dusted grey-fronted houses 903 Well the office is looking just...

 

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