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Kevin Brazil
Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London Review of Books, the Times Literary Supplement, Art Review, art-agenda, Studio International, and elsewhere. He is writing a book about queer happiness.

Articles Available Online


Alvaro Barrington, Garvey: Sex Love Nurturing Famalay

Art Review

October 2019

Kevin Brazil

Art Review

October 2019

The unofficial anthem of this year’s London Carnival was ‘Famalay’, a bouyon-influenced soca song that won the Road March in Trinidad & Tobago’s Carnival...

Essay

October 2018

The Uses of Queer Art

Kevin Brazil

Essay

October 2018

In June 2018 a crowd assembled in Tate Britain to ask: ‘What does a queer museum look like?’ Surrounded...

THE OLD JUSTICE   My grandfather was a construction worker, a travel agent; I knew him as a sea-captain, his wink like an eye-patch,   the gap in his teeth a keyhole I might peer into But all I could pick in the whistle of air was a shanty,   sweet on his breath, whiskey foaming on his upper lip, and his blood salivating, a kind of poison he survived on   Auntie was the dark green storm of a glass bottle She made herself dizzy, swatting the air like lightning,   drunk on those unspeakable nights she went below deck with the man who set us on the voyage;   his bad eye sliding over each plank, moving low to the ground, like a crocodile sculling in the shallows, or an island   sinking back into the ocean When they told me he died, I retched, thinking of his seasick corpse, the hollow flush   of a minute hand passing time at a funeral cut down by rain and my absence, the echo of it heaving in a toilet bowl   That night, I imagine surfing on his coffin, taking a sharp nail to his heart and pulling up a rusted square of flesh   In the dead air, I creep into auntie’s flat, slip the quiet pulse in the panel behind the grandfather clock where the wax nativity   slow roasts by the fire, her living room crowded with vials, auntie, the mad concocter, weighing his deeds like a wine glass       SOST GULCHA after Gemoraw & Meron Getnet   The small fire that smiles between three stones in winter thinks itself a hearth,   even as it burns a kitchen’s pitted belly, even as it dies,   the stones leavened, once a ripened fruit, now bloated for the flies to come       BEDTIME after billy woods   I put my finger to the wind and don’t get it back / low light snatches me from the front step / the courtyard dervishes with my feet / thinking of that empty house as the shadows stretched / fists punch up through the ground / scatter milk teeth / bloom into hyenas / there are no rules in these hours / this is where magic lives / the blue in green / where time shrugs like a sieve / all the other houses yawn in their sleep / I am delirious

Contributor

July 2018

Kevin Brazil

Contributor

July 2018

Kevin Brazil is a writer and critic who lives in London. His writing has appeared in Granta, The White Review, the London...

Nora Ikstena's ‘Soviet Milk’

Book Review

August 2018

Kevin Brazil

Book Review

August 2018

Soviet Milk by Nora Ikstena opens with two women who cannot remember. ‘I don’t remember 15 October 1969,’ says the first. ‘I don’t remember...

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fiction

April 2012

They Told the Story from the Lighthouse

Chimene Suleyman

fiction

April 2012

I found Margate watching the sea. And I walked the streets thinking they had left it sometime in the...

feature

June 2016

Heteronormativity and the Single Mother

Jacinda Townsend

feature

June 2016

I.   This spring, in cities and towns all over the United States, schools, churches and other organisations will...

feature

September 2014

Missing Footage

Raphael Rubinstein

feature

September 2014

The discovery of absences (lacks, lacunae) and their definition must in turn lead the filmmaker as composer to the...

 

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