In the first of three talks as part of a new collaboration between Hauser & Wirth and The White Review, Tom McCarthy and Kate Briggs discuss internationalist perspectives on art and culture, the exchange of ideas between disciplines and across borders, and the nature of translation. In a conversation moderated by Founding Editor of The White Review, Ben Eastham, the two authors will consider how, even and especially in a global political climate of reactionary nativism, no art is ever ‘pure’ but rather informed by currents of intellectual thought that flow across national, economic and even linguistic boundaries.
Tom McCarthy is among the most celebrated writers working in the English language today. He is the author of four novels, two of which – Satin Island and C – were shortlisted for the Booker Prize and works of nonfiction including the essay collection Typewriters, Bombs, Jellyfish. He is also known in the art world for the reports, manifestos, and media interventions he has made as general secretary of the International Necronautical Society, a semifictitious avant-garde network. He is a judge of the 2018 Turner Prize.
Kate Briggs is a translator and the author of This Little Art (Fitzcarraldo Editions, 2017), a genre-bending, book-length essay celebrating the practice of literary translation. Stemming from her experience of translating Roland Barthes’s lecture notes, This Little Art threads different stories together in a portrait of translation as a means of understanding the inner lives of other people. In additional to her work as a writer and translator, she teaches at the Piet Zwart Institute, Rotterdam.
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Image: Stephen Spender