The White Review
Interview with Jonathan Meades
The television broadcasts of Jonathan Meades are marked by a surreal humour, a polymathic breadth of knowledge, and a truly...
Plastic Words was a six-week series of thirteen events which described itself as ‘mining the contested space between contemporary literature...
Taking the title Tropenkoller (Tropical Madness), German artist Lothar Hempel's latest exhibition at Stuart Shave/Modern Art, London (Feb 27-Mar 21),...
The hypothesis underlying this study is that human beings act in strict accordance with an instinctive programme, which governs all...
Seiobo There Below
1 KAMO-HUNTER Everything around it moves, as if just this one time and one time...
Issue No. 6
The Prosaic Sublime of Béla Tarr
I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s...
The White Review Short Story Prize 2014
– I’m down maybe five feet. I take a moment to thank the leaf-filled rectangle of sky, and with...
Issue No. 11
Welcome to the Anthropocene, that planetary tempo in which all the metabolic rhythms of the world start dancing to...
Interview with Eddie Peake
Lily Le Brun
Like many people, I had seen Eddie Peake’s penis long before I met the artist himself. For several years a...
Filthy Lucre: Rob Sherwood
Rye Dag Holmboe
White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and kitsch....