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Scott Esposito

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has appeared recently in Music & Literature, Drunken Boat, and The Point. His criticism appears frequently in the Times Literary Supplement, the San Francisco Chronicle, and The Washington Post.



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The Last Redoubt

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November 2014

Scott Esposito

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November 2014

As they say of politics, I have found essay-writing to be the art of the possible. Certain work can only be done in those...

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February 2014

Another Way of Thinking

Scott Esposito

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February 2014

I. There is no substitute for that moment when a book places into our mind thoughts we recognise as our...

Mary Gaitskill’s fiction is full of cats – stray kittens wandering in and out of people’s lives, little white cats seen briefly from the window of a passing car, cats remembered from childhood, cats that never really existed but who are summoned up in conversation as a way for characters to find something to say to one another Women and children are often compared to cats, in her stories Men are too, although if a man is closely associated with an animal in a Gaitskill story, that animal is more likely to be a dog or a horse (a notable exception is the overconfident academic in ‘Stuff’, who the narrator describes as having ‘gone to seed in the manner of an old cat who knows where to find the food dish’)   Cats are everywhere in Gaitskill’s work, once you start looking for them In ‘Because they wanted to’, the title story from the 1997 collection recently reissued by Penguin, a girl named Elise finds herself babysitting three small children whose mother might just have abandoned them The story is told almost entirely from Elise’s point of view: she is something of a lost cat herself, too dazed by her own precarious circumstances to be able to successfully evaluate the circumstances of others, or really even to notice them She sees the ad for a babysitter on a noticeboard at the STD clinic (it’s written on notepaper printed with pictures of cats), and takes on the job, despite having no experience with children and no guarantee that she’ll get paid Elise has run away from home, or at least wandered away from it, and the babysitting job seems at first like some sort of solution – a way of being less lost, of being part of someone else’s team It’s not really like that though The mother and her children are just as lost as she is; like Elise, they’ve run out of the glue that holds an ordinary life together   Struggling to find something to say to the children, who are scared and confused and already wondering when their mother will

Contributor

August 2014

Scott Esposito

Contributor

August 2014

Scott Esposito is the co-author of The End of Oulipo? (with Lauren Elkin; Zero Books, 2013). His writing has...

Negation: A Response to Lars Iyer's 'Nude in Your Hot Tub'

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September 2012

Scott Esposito

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September 2012

I do not know whether I have anything to say, I know that I am saying nothing; I do not know if what I...
Art's Fading Sway: Russian Ark by Aleksandr Sokurov

Art

May 2012

Scott Esposito

Art

May 2012

I have often fallen asleep in small theatres. It is an embarrassing thing to have happen during one-man shows, and I am certain that...

READ NEXT

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Issue No. 1

(Un)timely considerations on old and current issues

Donatien Grau

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Issue No. 1

Criticism has not been doing well lately. The London Review of Books, Europe’s biggest-selling literary publication, would no longer...

fiction

Issue No. 19

Once Sublime

Virginie Despentes

TR. Frank Wynne

fiction

Issue No. 19

The music is sick! This guy’s a genius. Always trust Gaëlle. When they first saw him, everyone thought who...

Interview

March 2016

Interview with Franco 'Bifo' Berardi

Seth Wheeler

Interview

March 2016

Franco ‘Bifo’ Berardi is a renowned theorist of contemporary media, culture and society. He has lectured at the Academia...

 

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