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Helen Charman
Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history of motherhood — is forthcoming from Allen Lane in 2024. She teaches in the English Studies department at Durham University.

Articles Available Online


Attachment Barbies: On Watching Grey’s Anatomy

Essay

March 2023

Helen Charman

Essay

March 2023

In August 2022, ABC announced that Ellen Pompeo, currently the highest-paid actress on American network television, was leaving Grey’s Anatomy, the show on which...

Book Review

May 2021

HOLDING THE ROOM: ON HOLLY PESTER’S ‘COMIC TIMING’

Helen Charman

Book Review

May 2021

The last poem in Holly Pester’s first collection COMIC TIMING (Granta, 2021) is called ‘Villette’; it shares its title...

Elif Batuman never intended to become a non-fiction writer She always planned to write novels, and it was only when she was told that nobody wanted to read a retelling of Dostoevsky’s Demons set in a Stanford-like Comp Lit PhD program that she ended up with The Possessed: Adventures with Russian Books and the People Who Read Them (2010) An essay collection containing work previously published in n1, Harper’s, and The New Yorker, where Batuman is a staff writer, The Possessed pioneered the ‘bibliomemoir’ Its tremendous success set off an obscure chain of events that would lead to such things as the discovery that Jonathan Franzen keeps weed in his freezer, and magazine photo shoots ‘clutching a Russian-language volume of Dostoevsky’ to her bosom   Batuman has, however, returned to her first love: having recently completed one novel, The Idiot, she is working on two more (one a sequel, another about Turkey) The story behind Batuman’s newest book is like the dream of a writer on deadline crossed with a television cooking show: stymied by the novel she was under contract to write, she turned to an abandoned draft of a different novel she had written sixteen years prior, during a year off from her PhD Intending simply to borrow some choice period touches, Batuman found the real beginning of the story she had been hoping to tell — ‘here’s one I prepared earlier!’ — even if the manuscript itself, with its Y2K postmodern trappings, was painful to behold She set out to edit and rewrite what became The Idiot, the autobiographically inspired story of Selin, an 18-year-old Turkish-American girl, during her first year at Harvard in 1995 Selin goes to work on linguistics, befriends a cultivated Serbian named Svetlana, and falls in love with Ivan, a Hungarian mathematician in her beginning Russian class They write to each other by email, at that time a new technology possessing for Selin a mystery and romance that seems utterly impossible today   Though I was already an admirer of Batuman’s work, The Idiot hit particularly close to home I met Elif in London, in the

Contributor

November 2017

Helen Charman

Contributor

November 2017

Helen Charman is a writer and academic based in Glasgow. Her first book, Mother State – a political history...

Essay

May 2020

Where do I put myself, if public life’s destroyed? On reading Denise Riley

Helen Charman

Essay

May 2020

How do you read someone who doesn’t always want to be read? This is a question I used to...

Sally Rooney’s ‘Normal People’

Book Review

October 2018

Helen Charman

Book Review

October 2018

Reading Sally Rooney’s second novel Normal People is a compulsive experience. After the navy blue Faber & Faber proofs were sent out in early...
Rendering intimacy impossible, deploy lifeboats (mark yourself safe) Not listening as such, more waiting to speak, above all mark yourself, it’s so important to be safe Carry on, they demand, we’re not reeling / we are reeling Is this the place for a fountain reference? Probably ‘What first attracted you to your wife, sir?’ ‘Her delicacy / her ankles / her hatred of the Tories’                  Alive twice over but that’s a whole life gone too                you know I’m sorry, he holds his hands up, I’m                sorry, he backs away: my conscience couldn’t                keep company with your body I say, your body?                it just made me think: it’s only a nine month stay   The next time you lay a hand on me, I’ll make a perfect gleaming dive into the Thames Aren’t you glad / to be here? I am
Electioneering

Prize Entry

November 2017

Helen Charman


READ NEXT

Art

February 2015

Filthy Lucre

Rye Dag Holmboe

Art

February 2015

White silhouettes sway against softly gradated backgrounds: blues, purples, yellows and pinks. The painted palm trees are tacky and...

poetry

February 2011

Mainly about Roth

Aidan Cottrell Boyce

poetry

February 2011

From the start he was thrown in at the deep-end when the head keeper just handed him a pail...

Interview

February 2016

Interview with Gerard Byrne

Izabella Scott

Interview

February 2016

I first encountered Gerard Byrne’s eerily dislocated films at Tate Britain, where 1984 and Beyond (2005–7) was shown on...

 

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